℗ 2018 Sheila Arnold
Released | May 18, 2018 |
Duration | 1h 09m 55s |
Record Label | Cavi-Music |
Genre | Classical |
ECOUTEZ! Debussy, Cage & Takemitsu
Sheila Arnold
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Images / Book 1, CD 105
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1.1
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No. 1, Reflets dans l'eau
Claude Debussy; Sheila Arnold |
6:29 | |||
1.2
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No. 2, Hommage à Rameau
Claude Debussy; Sheila Arnold |
7:05 | |||
1.3
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No. 3, Movement
Claude Debussy; Sheila Arnold |
3:18 | |||
1.4
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Piano Distance
Tōru Takemitsu; Sheila Arnold |
5:22 | |||
Preludes / Book 2, CD 131
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1.5
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No. 4, Les Fées sont exquisies danseuses
Claude Debussy; Sheila Arnold |
3:41 | |||
Sonatas and Interludes for Prepared Piano
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1.6
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Sonata VIII
John Cage; Sheila Arnold |
3:10 | |||
1.7
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Sonata II
John Cage; Sheila Arnold |
2:06 | |||
1.8
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Sonata VI
John Cage; Sheila Arnold |
2:22 | |||
1.9
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Sonata VII
John Cage; Sheila Arnold |
2:52 | |||
1.10
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Sonata V
John Cage; Sheila Arnold |
1:41 | |||
La Pause Ininterrompue
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1.11
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No. 1, Quietly and with a cruel reverberation
Tōru Takemitsu; Sheila Arnold |
3:45 | |||
Préludes / Book 1, CD 125
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1.12
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No. 1, Danseuses de Delphes
Claude Debussy; Sheila Arnold |
3:11 | |||
1.13
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No. 2, Voiles
Claude Debussy; Sheila Arnold |
4:04 | |||
1.14
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No. 3, Le Vent das la plaine
Claude Debussy; Sheila Arnold |
2:12 | |||
La Pause Ininterrompue
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1.15
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No. 2, Slowly, sadly and as if to converse me
Tōru Takemitsu; Sheila Arnold |
2:17 | |||
Préludes / Book 1, CD 125
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1.16
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No. 7, Ce qu'a vu le vent d'Ouest
Claude Debussy; Sheila Arnold |
3:38 | |||
Préludes / Book 2, CD 131
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1.17
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No. 10, Canope
Claude Debussy; Sheila Arnold |
3:15 | |||
La Pause Ininterrompue
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1.18
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No. 3, A Song of Love
Tōru Takemitsu; Sheila Arnold |
1:20 | |||
Sonatas and Interludes for Prepared Piano
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1.19
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Third Interlude
John Cage; Sheila Arnold |
3:01 | |||
Préludes / Book 2, CD 131
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1.20
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No. 12, Feux d'artifice
Claude Debussy; Sheila Arnold |
5:06 | |||
Digital Booklet
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"Claude Debussy left a profound mark on music history when he dissolved functional harmony under the influence of the music of the Far East. Toru Takemitsu had to distance himself from his own culture in order to listen to Japanese music with the ears of a Western-trained musician ? adopting, for instance, the approach of John Cage. He came to realize that Japan's venerable musical tradition had long been highlighting individual notes as complex sonorities in their own right, instead of treating them as part of a series of several notes. From the human need for sound as well as silence, John Cage drew the most extreme conclusions. The concept of a "beautiful" sound was never static in music history: it has changed over the centuries, and it differs from one culture to another. Western musical aesthetics tend to differentiate between "noises" and "notes": the latter feature well-ordered harmonics. The concept of "dissonance" has also changed throughout different musical periods. What is more, musicians and their audiences have always felt the need to "savour" a dissonance ? to listen to it consciously, to experience it ? before it is resolved."
- Sheila Arnold
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.63 -13.75 to -1.19 | -31.96 -41.03 to -21.62 | -26.31 -34.80 to -16.80 | 16 12 to 19 | |
1 | No. 1, Reflets dans l'eau | -5.23 | -32.71 | -26.5 | 16 |
2 | No. 2, Hommage à Rameau | -3.07 | -31.04 | -25.3 | 18 |
3 | No. 3, Movement | -2.90 | -26.26 | -22.0 | 14 |
4 | Piano Distance | -2.04 | -31.67 | -22.7 | 18 |
5 | No. 4, Les Fées sont exquisies danseuses | -3.95 | -31.16 | -27.0 | 16 |
6 | Sonata VIII | -13.50 | -41.03 | -34.8 | 17 |
7 | Sonata II | -4.56 | -29.90 | -24.9 | 16 |
8 | Sonata VI | -11.17 | -37.28 | -29.7 | 16 |
9 | Sonata VII | -12.46 | -35.97 | -30.9 | 14 |
10 | Sonata V | -10.72 | -33.59 | -29.8 | 12 |
11 | No. 1, Quietly and with a cruel reverberation | -1.20 | -31.36 | -24.2 | 19 |
12 | No. 1, Danseuses de Delphes | -3.73 | -31.68 | -26.3 | 16 |
13 | No. 2, Voiles | -2.73 | -33.16 | -27.8 | 17 |
14 | No. 3, Le Vent das la plaine | -2.13 | -26.56 | -23.2 | 15 |
15 | No. 2, Slowly, sadly and as if to converse me | -5.07 | -32.87 | -26.5 | 17 |
16 | No. 7, Ce qu'a vu le vent d'Ouest | -1.19 | -21.62 | -16.8 | 13 |
17 | No. 10, Canope | -13.75 | -38.48 | -33.5 | 15 |
18 | No. 3, A Song of Love | -7.96 | -35.76 | -28.7 | 14 |
19 | Third Interlude | -4.01 | -31.56 | -25.6 | 17 |
20 | No. 12, Feux d'artifice | -1.19 | -25.60 | -19.9 | 15 |