℗ 2016 Deutsche Grammophon, Berlin
Released | July 13, 2018 |
Duration | 1h 06m 56s |
Record Label | Cavi-Music |
Genre | Classical |
Schubert: Wanderer
Andrè Schuen, Daniel Heide
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Der Wanderer, D. 493
Georg Philipp Schmidt von Lübeck; Franz Schubert; Andrè Schuen; Daniel Heide |
6:07 | |||
1.2
|
Der Wanderer an den Mond, D. 870
Franz Schubert; Johann Gabriel Seidl; Andrè Schuen; Daniel Heide |
2:51 | |||
1.3
|
Fahrt zum Hades, D. 526
Franz Schubert; Johann Mayrhofer; Andrè Schuen; Daniel Heide |
6:09 | |||
1.4
|
Der Schiffer, D. 536
Franz Schubert; Johann Mayrhofer; Daniel Heide; Andrè Schuen |
2:01 | |||
1.5
|
An den Mond, D. 259
Franz Schubert; Johann Wolfgang von Goethe; Andrè Schuen; Daniel Heide |
4:14 | |||
1.6
|
Fischers Liebesglück, D. 933
Franz Schubert; Karl Gottfried von Leitner; Daniel Heide; Andrè Schuen |
8:32 | |||
1.7
|
Der Musensohn, D. 764
Franz Schubert; Johann Wolfgang von Goethe; Daniel Heide; Andrè Schuen |
2:03 | |||
1.8
|
Auf der Bruck, D. 853
Franz Schubert; Ernst Schulze; Andrè Schuen; Daniel Heide |
3:28 | |||
1.9
|
Totengräbers Heimweh, D. 842
Jakob Nikolaus Graigher De Jachelutta; Franz Schubert; Andrè Schuen; Daniel Heide |
7:45 | |||
1.10
|
Im Abendrot, D. 799
Franz Schubert; Karl Lappe; Andrè Schuen; Daniel Heide |
4:51 | |||
1.11
|
Abendstern, D. 806
Franz Schubert; Johann Mayrhofer; Andrè Schuen; Daniel Heide |
2:46 | |||
1.12
|
Der Wanderer, D. 649
Franz Schubert; Friedrich von Schlegel; Andrè Schuen; Daniel Heide |
3:53 | |||
1.13
|
Im Frühling, D. 882
Franz Schubert; Ernst Schulze; Andrè Schuen; Daniel Heide |
5:15 | |||
1.14
|
Auf der Donau, D. 553
Franz Schubert; Johann Mayrhofer; Andrè Schuen; Daniel Heide |
3:14 | |||
1.15
|
Willkommen und Abschied, D. 767
Franz Schubert; Johann Wolfgang von Goethe; Daniel Heide; Andrè Schuen |
3:47 | |||
Digital Booklet
|
If you take stock of all the lieder composed by Schumann, Brahms, Wolf, Mahler, Strauss, Debussy, and of course, Schubert, you will note that the majority are slow, meditative, contemplative. Virtuosity is not an essential part of the equation in the lied genre, at least not in the sense of rapid vocal coloraturas or thundering piano passages. The song automatically comes with a text included, and this opens up another world entirely. This has musical implications as well. In Schubert’s case, a great poem whose verses convey a striking message is provided with a magnificently sensual musical frame that allows the text to exude a powerful influence on the listener. “Wandering,” or, better yet, “strolling” through nature is part of the very essence of the Romantic poet, with all his loneliness and longing. He contemplates nature, he listens to the silence, he describes inner emotional states. “Wandering” could also imply a sort of movement, but in Schubert’s lieder we are actually dealing with an individual subject who is moving, “wandering” through the time allotted to him on this earth. We are confronted with a series of snapshots, doubts, and fears. Whenever Schubert depicts the inner emotional state of the soul, he is always honest and truthful. This is Andre Schuen’s third album. His first two have been rave-reviewed all over the globe. Schuen counts as one of the young stars in the world of vocalists, and not only participates in the highest level of festivals, but also in the world’s biggest opera houses.
44.1 kHz / 24-bit PCM – Cavi-Music Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.11 -13.39 to -0.69 | -30.32 -37.03 to -23.43 | -26.39 -33.10 to -19.50 | 15 13 to 17 | |
1 | Der Wanderer, D. 493 | -0.69 | -29.51 | -24.1 | 15 |
2 | Der Wanderer an den Mond, D. 870 | -5.45 | -30.81 | -27.7 | 15 |
3 | Fahrt zum Hades, D. 526 | -2.26 | -29.98 | -25.7 | 17 |
4 | Der Schiffer, D. 536 | -3.22 | -23.43 | -19.5 | 14 |
5 | An den Mond, D. 259 | -9.39 | -31.28 | -27.9 | 14 |
6 | Fischers Liebesglück, D. 933 | -10.14 | -35.07 | -31.8 | 16 |
7 | Der Musensohn, D. 764 | -3.60 | -26.12 | -22.7 | 15 |
8 | Auf der Bruck, D. 853 | -3.74 | -25.24 | -22.0 | 14 |
9 | Totengräbers Heimweh, D. 842 | -2.24 | -28.50 | -23.1 | 16 |
10 | Im Abendrot, D. 799 | -12.22 | -36.48 | -32.6 | 15 |
11 | Abendstern, D. 806 | -11.18 | -33.66 | -29.7 | 13 |
12 | Der Wanderer, D. 649 | -13.39 | -37.03 | -33.1 | 15 |
13 | Im Frühling, D. 882 | -5.71 | -31.58 | -28.3 | 17 |
14 | Auf der Donau, D. 553 | -6.29 | -30.10 | -26.1 | 15 |
15 | Willkommen und Abschied, D. 767 | -2.12 | -25.96 | -21.6 | 15 |