
℗ 2023 Signum Records
Released | May 5, 2023 |
Duration | 1h 27m 48s |
Record Label | Signum Records |
Catalogue No. | SIGCD751 |
Genre | Classical (Chamber) |
An Englishman Abroad
La Serenissima, Adrian Chandler
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Chacony for Strings & Continuo, Z.730
Henry Purcell; La Serenissima; Adrian Chandler |
4:31 | |||
Ouverture-Suite for Strings & Continuo in G Major, TWV 55
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1.2
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G5: I. Largo – Fuga
Georg Philipp Telemann; La Serenissima; Adrian Chandler |
6:34 | |||
1.3
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G5: II. Loure
Georg Philipp Telemann; La Serenissima; Adrian Chandler |
4:01 | |||
1.4
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G5: III. Bourée 1 – Bourée 2
Georg Philipp Telemann; La Serenissima; Adrian Chandler |
2:47 | |||
1.5
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G5: IV.
Georg Philipp Telemann; La Serenissima; Adrian Chandler |
3:08 | |||
1.6
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G5: V. Air Angloise
Georg Philipp Telemann; La Serenissima; Adrian Chandler |
1:09 | |||
Concerto for Violin, Strings & Continuo in B-Flat Major
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1.7
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I. Sinfonia
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
2:04 | |||
1.8
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II. Adagio
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
1:18 | |||
1.9
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III. Air: Allegro e Presto
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
2:12 | |||
1.10
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IV. Sarabanda
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
3:11 | |||
1.11
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V. Allegro
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
1:37 | |||
La Verità nell’Inganno
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1.12
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Ouverture: Largo – Presto – Adagio – Presto
Antonio Caldara; La Serenissima; Adrian Chandler |
3:38 | |||
1.13
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L'Ultimo Balletto: I. Aria per li Masacari
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
1:28 | |||
1.14
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L'Ultimo Balletto: II. Aria per li Sultani
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
1:15 | |||
1.15
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L'Ultimo Balletto: III. Aria
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
0:59 | |||
1.16
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L'Ultimo Balletto: IV. Tempo di Ciaconna
Nicola Matteis the Younger; La Serenissima; Adrian Chandler |
1:59 | |||
Violin Concerto No. 2 in E Minor, Op. 11, No. 2, RV 277 "Il Favorito"
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1.17
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I. Allegro
Antonio Vivaldi; La Serenissima; Adrian Chandler |
5:18 | |||
1.18
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II. Andante
Antonio Vivaldi; La Serenissima; Adrian Chandler |
4:28 | |||
1.19
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III. Allegro
Antonio Vivaldi; La Serenissima; Adrian Chandler |
4:56 | |||
Ouverture-Suite for Strings & Continuo in C Major
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1.20
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I. Largo – Fuga
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:22 | |||
1.21
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II. Aria
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:35 | |||
1.22
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III. Adagio
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:25 | |||
1.23
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IV. Hornpipe
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:56 | |||
1.24
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V. Bourée
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:19 | |||
1.25
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VI. Aria
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:56 | |||
1.26
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VII. Aria
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:14 | |||
1.27
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VIII. Aria
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
3:09 | |||
1.28
|
IX. Aria
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:03 | |||
1.29
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X. Aria
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:43 | |||
1.30
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XI. Gigue
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:43 | |||
1.31
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Chaconne for Strings & Continuo in A Major
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
5:50 |
The latest release from renowned period ensemble La Serenissima celebrates the life and work of Nicola Matteis the Younger. Born in London to an Italian father and English mother, Matteis was immersed in the style of Henry Purcell before leaving England in 1700 for the Imperial Court in Vienna. All of the music on the album is – rather fortuitously – Carolean; either written for Charles II of England, or for (or in the realm of) Holy Roman Emperor Charles VI. It is all too easy to think that the English style and English musicians were unknown on the continent in the early C18, but this selection of music shows that this wasn’t (always) the case. There are some cracking dances and dance suites featured here as well as a ravishingly beautiful Vivaldi concerto and two superb Chaconnes, one by an Englishman, and one by an Italian.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.96 -2.90 to -0.72 | -17.08 -23.02 to -14.44 | -14.06 -19.40 to -11.10 | 10 8 to 12 | |
1 | Chacony for Strings & Continuo, Z.730 | -0.72 | -16.16 | -13.0 | 9 |
2 | G5: I. Largo – Fuga | -0.72 | -15.56 | -12.7 | 9 |
3 | G5: II. Loure | -1.84 | -19.15 | -16.2 | 11 |
4 | G5: III. Bourée 1 – Bourée 2 | -0.72 | -16.20 | -13.6 | 10 |
5 | G5: IV. | -0.72 | -17.20 | -14.5 | 11 |
6 | G5: V. Air Angloise | -0.72 | -17.55 | -13.7 | 11 |
7 | I. Sinfonia | -0.72 | -17.21 | -14.3 | 11 |
8 | II. Adagio | -2.90 | -20.75 | -17.4 | 10 |
9 | III. Air: Allegro e Presto | -0.72 | -16.87 | -14.1 | 11 |
10 | IV. Sarabanda | -1.26 | -19.36 | -16.4 | 11 |
11 | V. Allegro | -0.72 | -18.73 | -15.1 | 11 |
12 | Ouverture: Largo – Presto – Adagio – Presto | -0.72 | -16.56 | -13.7 | 10 |
13 | L'Ultimo Balletto: I. Aria per li Masacari | -0.72 | -16.01 | -13.3 | 10 |
14 | L'Ultimo Balletto: II. Aria per li Sultani | -0.72 | -15.49 | -12.2 | 9 |
15 | L'Ultimo Balletto: III. Aria | -0.72 | -17.46 | -14.4 | 10 |
16 | L'Ultimo Balletto: IV. Tempo di Ciaconna | -0.72 | -15.08 | -11.9 | 9 |
17 | I. Allegro | -0.72 | -18.11 | -14.9 | 11 |
18 | II. Andante | -2.54 | -23.02 | -19.4 | 12 |
19 | III. Allegro | -0.72 | -17.42 | -14.2 | 11 |
20 | I. Largo – Fuga | -0.72 | -15.77 | -12.9 | 10 |
21 | II. Aria | -0.72 | -15.70 | -13.0 | 9 |
22 | III. Adagio | -2.56 | -19.61 | -16.7 | 10 |
23 | IV. Hornpipe | -0.72 | -14.82 | -12.0 | 9 |
24 | V. Bourée | -0.72 | -15.93 | -12.9 | 10 |
25 | VI. Aria | -0.72 | -17.63 | -14.8 | 11 |
26 | VII. Aria | -0.72 | -14.63 | -11.9 | 9 |
27 | VIII. Aria | -0.72 | -20.12 | -17.3 | 12 |
28 | IX. Aria | -0.72 | -15.75 | -12.9 | 10 |
29 | X. Aria | -0.72 | -15.59 | -12.8 | 9 |
30 | XI. Gigue | -0.72 | -14.44 | -11.1 | 8 |
31 | Chaconne for Strings & Continuo in A Major | -0.72 | -15.70 | -12.7 | 9 |