℗ 2018 Willowhayne Records
| Released | January 19, 2018 |
| Duration | 1h 06m 00s |
| Record Label | Willowhayne Records |
| Genre | Classical |
Walsh: ...And the Greatest of These Is Love
Antiphon, Antiphon Players, Matthew Cann
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Mass of the Holy Trinity
|
|||||
|
1.1
|
I. Kyrie
Michael Walsh; Ellen Williams; Antiphon; Matthew Cann |
1:57 | |||
|
1.2
|
II. Gloria
Michael Walsh; Antiphon; Matthew Cann |
3:32 | |||
|
1.3
|
III. Sanctus
Michael Walsh; Timothy Noon; Antiphon; Matthew Cann |
1:59 | |||
|
1.4
|
IV. Benedictus
Michael Walsh; Antiphon; Matthew Cann |
1:23 | |||
|
1.5
|
V. Agnus Dei
Michael Walsh; Antiphon; Matthew Cann |
2:24 | |||
|
Requiem
|
|||||
|
1.6
|
I. Requiem aeternam
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
6:15 | |||
|
1.7
|
II. Dies Irae
Michael Walsh; Julian Rippon; Timothy Parsons; Antiphon; Antiphon Players |
1:40 | |||
|
1.8
|
III. Mors stupebit et natura
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
1:26 | |||
|
1.9
|
IV. Liber scriptus proferetur
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
1:59 | |||
|
1.10
|
V. Rex tremendae majestatis
Michael Walsh; Julian Rippon; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
3:13 | |||
|
1.11
|
VI. Confutatis maledictis
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
1:12 | |||
|
1.12
|
VII. Lacrymosa
Michael Walsh; Louise Hardy; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
2:29 | |||
|
1.13
|
VIII. Offertorium
Michael Walsh; Julian Rippon; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
7:20 | |||
|
1.14
|
IX. Pie Jesu
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
3:10 | |||
|
1.15
|
X. Sanctus
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
2:04 | |||
|
1.16
|
XI. Agnus Dei
Michael Walsh; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
4:48 | |||
|
1.17
|
XII. Libera me, Domine
Michael Walsh; Louise Hardy; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
3:53 | |||
|
1.18
|
XIII. In paradisum
Michael Walsh; Louise Hardy; Ellen Williams; Timothy Parsons; Antiphon; Antiphon Players; Matthew Cann |
3:09 | |||
|
The Way of Love
|
|||||
|
1.19
|
No. 1, The Way That Lovers Use
Michael Walsh; Antiphon; Antiphon Players; Matthew Cann |
1:37 | |||
|
1.20
|
No. 2, Home
Michael Walsh; Louise Hardy; Antiphon; Antiphon Players; Matthew Cann |
3:17 | |||
|
1.21
|
No. 3, Seaside
Michael Walsh; Louise Hardy; Antiphon; Antiphon Players; Matthew Cann |
2:05 | |||
|
1.22
|
No. 4, The Way of Love
Michael Walsh; Antiphon; Antiphon Players; Matthew Cann |
1:45 | |||
|
1.23
|
No. 5, The Chilterns
Michael Walsh; Louise Hardy; Antiphon; Antiphon Players; Matthew Cann |
3:23 | |||
|
Digital Booklet
|
|||||
"Some of the best choral singing I’ve heard in 40 years."
- Lucien Nethsingha, former Director of Music, Exeter Cathedral
In this album Antiphon premiers recordings of choral works written by English composer Michael Walsh. And the Greatest of These is Love consists of a wide variety of music such as secular works, sacred, works, Masses, and five love poems written by Rupert Brooke and scored for a small chamber ensemble. In its entirety, this album gives listeners a great idea of Walsh's composing styles.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Willowhayne Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.96 -11.01 to -1.21 | -27.25 -33.02 to -19.82 | -23.50 -30.20 to -16.90 | 14 11 to 18 | |
| 1 | I. Kyrie | -7.05 | -32.78 | -28.9 | 12 |
| 2 | II. Gloria | -3.88 | -29.28 | -24.5 | 16 |
| 3 | III. Sanctus | -2.21 | -24.94 | -19.6 | 13 |
| 4 | IV. Benedictus | -1.71 | -24.94 | -19.7 | 12 |
| 5 | V. Agnus Dei | -2.69 | -28.41 | -24.4 | 16 |
| 6 | I. Requiem aeternam | -2.66 | -26.55 | -23.8 | 15 |
| 7 | II. Dies Irae | -1.49 | -19.82 | -16.9 | 12 |
| 8 | III. Mors stupebit et natura | -3.23 | -25.20 | -20.6 | 12 |
| 9 | IV. Liber scriptus proferetur | -2.64 | -24.34 | -20.6 | 13 |
| 10 | V. Rex tremendae majestatis | -3.70 | -27.39 | -23.4 | 14 |
| 11 | VI. Confutatis maledictis | -5.70 | -27.46 | -24.1 | 11 |
| 12 | VII. Lacrymosa | -7.95 | -29.68 | -26.6 | 13 |
| 13 | VIII. Offertorium | -4.15 | -28.57 | -24.4 | 15 |
| 14 | IX. Pie Jesu | -11.01 | -33.02 | -30.2 | 14 |
| 15 | X. Sanctus | -2.71 | -23.85 | -19.7 | 12 |
| 16 | XI. Agnus Dei | -4.70 | -28.75 | -25.4 | 15 |
| 17 | XII. Libera me, Domine | -2.20 | -26.66 | -23.5 | 14 |
| 18 | XIII. In paradisum | -1.93 | -30.94 | -27.6 | 18 |
| 19 | No. 1, The Way That Lovers Use | -3.04 | -25.86 | -22.7 | 13 |
| 20 | No. 2, Home | -2.68 | -25.05 | -21.7 | 14 |
| 21 | No. 3, Seaside | -7.29 | -29.46 | -26.5 | 12 |
| 22 | No. 4, The Way of Love | -5.16 | -29.83 | -25.7 | 15 |
| 23 | No. 5, The Chilterns | -1.21 | -23.97 | -19.9 | 14 |