℗ 1973 Universal Music Italia
| Released | April 4, 1973 |
| Duration | 33m 30s |
| Record Label | Universal Music Italia |
| Genre | Rock |
Felona E Sorona (50th Anniversary / Remastered)
Le Orme
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Sospesi Nell'Incredibile (Remastered 2022)
Le Orme |
8:43 | |||
|
1.2
|
Felona (Remastered 2022)
Le Orme |
1:59 | |||
|
1.3
|
La Solitudine Di Chi Protegge Il Mondo (Remastered 2022)
Le Orme |
1:58 | |||
|
1.4
|
L'Equilibrio (Remastered 2022)
Le Orme |
3:45 | |||
|
1.5
|
Sorona (Remastered 2022)
Le Orme |
2:30 | |||
|
1.6
|
Attesa Inerte (Remastered 2022)
Le Orme |
3:25 | |||
|
1.7
|
Ritratto Di Un Mattino (Remastered 2022)
Le Orme |
3:29 | |||
|
1.8
|
All'Infuori Del Tempo (Remastered 2022)
Le Orme |
4:06 | |||
|
1.9
|
Ritorno Al Nulla (Remastered 2022)
Le Orme |
3:35 |
Italian progressive rock band Le Orme releases the 50th Anniversary remaster for their classic 1973 album Felona e Sorona. Named one of the "finest examples of Italian progressive rock", it is a concept album pivoting on the story of two planets which revolve one around the other, without ever coming in contact. While Felona is shiny and flourishing, Sorona is dark and home to plagues and catastrophes: however, in the second part of the suite, the fate of the two planets is inverted.
Apart from two acoustic interludes, the music is mainly keyboard- and synth-driven, producing gloomy and spacey effects, especially in the opening "Sospesi nell'incredibile" and in the instrumental ending piece, "Ritorno al nulla" ("Return to Naught").
A version with English lyrics written by Peter Hammill of Van der Graaf Generator was issued in the U.K. by Charisma Records in 1974. The English title is Felona and Sorona.
96 kHz / 24-bit PCM – Universal Music Italia Studio Masters
Tracks 1-4, 6-9 – contains high-resolution digital transfers of material originating from an analogue master source Track 5 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-4, 6-9 – contains high-resolution digital transfers of material originating from an analogue master source Track 5 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.11 -2.83 to -0.80 | -16.30 -21.43 to -13.71 | -13.37 -17.50 to -10.60 | 9 7 to 11 | |
| 1 | Sospesi Nell'Incredibile (Remastered 2022) | -0.80 | -15.88 | -13.7 | 9 |
| 2 | Felona (Remastered 2022) | -0.80 | -15.76 | -13.4 | 10 |
| 3 | La Solitudine Di Chi Protegge Il Mondo (Remastered 2022) | -1.54 | -21.43 | -17.5 | 11 |
| 4 | L'Equilibrio (Remastered 2022) | -0.80 | -13.71 | -10.6 | 7 |
| 5 | Sorona (Remastered 2022) | -2.83 | -17.61 | -15.1 | 9 |
| 6 | Attesa Inerte (Remastered 2022) | -0.80 | -15.93 | -13.5 | 11 |
| 7 | Ritratto Di Un Mattino (Remastered 2022) | -0.80 | -16.47 | -12.2 | 9 |
| 8 | All'Infuori Del Tempo (Remastered 2022) | -0.80 | -15.87 | -13.2 | 9 |
| 9 | Ritorno Al Nulla (Remastered 2022) | -0.80 | -14.08 | -11.1 | 8 |