℗ 2018 Innsbruck Records/Hey Boy Music
| Released | March 16, 2018 |
| Duration | 36m 25s |
| Record Label | Innsbruck Records |
| Genre | Jazz |
|
1.1
|
Sculptures
Aaron Comess |
3:55 | |||
|
1.2
|
Berlin
Aaron Comess |
4:04 | |||
|
1.3
|
Dogs
Aaron Comess |
2:04 | |||
|
1.4
|
Whaky
Aaron Comess |
1:53 | |||
|
1.5
|
The Beast
Aaron Comess |
3:04 | |||
|
1.6
|
The Pink Room
Aaron Comess |
6:01 | |||
|
1.7
|
Soundcheck-Oceans
Aaron Comess |
6:41 | |||
|
1.8
|
Falling Leaves
Aaron Comess |
4:13 | |||
|
1.9
|
Berlin Part Two
Aaron Comess |
4:30 |
Drummer Aaron Comess focuses on tight harmonic kernels with an emphasis on texture rather than melody on each of the tracks of this unique jazz album. Comess' musical bravery and ambition shine through on some of the most difficult jazz arrangements and compositions on this intense program.
48 kHz / 24-bit PCM – Innsbruck Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.10 -0.10 to -0.10 | -13.35 -14.59 to -12.16 | -11.53 -12.40 to -10.10 | 9 7 to 11 | |
| 1 | Sculptures | -0.10 | -14.59 | -12.2 | 11 |
| 2 | Berlin | -0.10 | -13.04 | -11.0 | 8 |
| 3 | Dogs | -0.10 | -14.58 | -12.4 | 11 |
| 4 | Whaky | -0.10 | -13.07 | -12.0 | 9 |
| 5 | The Beast | -0.10 | -13.45 | -11.7 | 8 |
| 6 | The Pink Room | -0.10 | -12.64 | -10.9 | 8 |
| 7 | Soundcheck-Oceans | -0.10 | -13.59 | -11.7 | 9 |
| 8 | Falling Leaves | -0.10 | -12.16 | -10.1 | 7 |
| 9 | Berlin Part Two | -0.10 | -12.98 | -11.8 | 9 |