℗ 2021 Olnard Records
| Released | May 19, 2023 |
| Duration | 1h 13m 26s |
| Record Label | Solo Musica |
| Catalogue No. | SM429 |
| Genre | Classical (Chamber) |
Violoncello solo e in duo (feat. Anton Kernjak, Conrad Steinmann, Matthias Arter)
Käthi Gohl Moser, Anton Kernjak, Helena Winkelman, Conrad Steinmann, Matthias Arter, Roland Moser
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Federchen (-nach den Flügen) für Violoncello und Klavier
Roland Moser; Käthi Gohl Moser; Anton Kernjak |
7:14 | |||
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1.2
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Vier kurze Selbstgespräche mit einem Violoncello
Roland Moser; Käthi Gohl Moser |
7:37 | |||
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1.3
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Kleine chromatisch-enharmonische Phantasie für Violine solo für Hansheinz Schneeberger
Roland Moser; Helena Winkelman |
0:51 | |||
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Drei Widmungen für Violine und Violoncello
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1.4
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I. Kleine chromatisch-enharmonische Phantasie
Roland Moser; Käthi Gohl Moser; Helena Winkelman |
0:57 | |||
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1.5
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II. Petite Sarabande
Roland Moser; Käthi Gohl Moser; Helena Winkelman |
3:03 | |||
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1.6
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III. Barcarola - Paraphrase per le due
Roland Moser; Käthi Gohl Moser; Helena Winkelman |
3:16 | |||
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1.7
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Petite Sarabande pour Käthi für Violoncello solo
Roland Moser; Käthi Gohl Moser |
3:10 | |||
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1.8
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...wie ein Walzer auf Glas... für Violoncello solo
Roland Moser; Käthi Gohl Moser |
5:37 | |||
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1.9
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...e torna l'aria della sera... Canto strumentale sopra una ballata del Pasolini per violino e violoncello
Roland Moser; Käthi Gohl Moser; Helena Winkelman |
12:59 | |||
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1.10
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....dass also alles mehr Gesang und reine Stimme ist...für eine Aulos-Flöte und Violoncello
Roland Moser; Käthi Gohl Moser; Conrad Steinmann |
7:18 | |||
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A Poem and a Scene (prose lyrique) Improvisation nach Interpunktionen von Rimbaud
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1.11
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I. Poem
Roland Moser; Käthi Gohl Moser |
1:46 | |||
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A Poem and a Scene Improvisation nach Interpunktionen von Joyce
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1.12
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II. Scene
Roland Moser; Käthi Gohl Moser |
3:20 | |||
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1.13
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...e torna l'aria della sera... Canto strumentale sopra una ballata del Pasolini per oboe d'amore e violoncello
Roland Moser; Käthi Gohl Moser; Matthias Arter |
16:18 | |||
The CD includes Moser's most important works for violoncello with and without accompaniment. Moser - one of the most renowned Swiss composers - explores new tonal systems and the dialogue between sound and language with a never-ending spirit of research. Almost like a sound-sealing alchemist, he develops new playing techniques that reveal astonishing sound phenomena. Thomas Meyer on the CD: "When was the last time I heard such intimate music! The loving togetherness is, as it were, the prerequisite for most of the pieces on this CD, for the composer is composing here for the cellist with whom he has long shared life (...), for Käthi Gohl Moser."
Roman Brotbeck on Moser: "... Moser (...) pays attention to clarity. Better to say too little than too much, better to remain precise in the little than to become diffuse with too much information. However, this has nothing to do with new simplicity. What is clear and few, precisely because it is understood, very quickly becomes very complex.”
Heinz Holliger: "Great music, insanely well played."
96 kHz / 24-bit PCM – Solo Musica Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.41 -14.95 to 0.00 | -29.69 -39.67 to -25.99 | -25.08 -36.50 to -21.40 | 15 9 to 18 | |
| 1 | Federchen (-nach den Flügen) für Violoncello und Klavier | -0.21 | -28.20 | -23.5 | 18 |
| 2 | Vier kurze Selbstgespräche mit einem Violoncello | 0.00 | -25.99 | -21.7 | 17 |
| 3 | Kleine chromatisch-enharmonische Phantasie für Violine solo für Hansheinz Schneeberger | -10.91 | -31.40 | -25.5 | 9 |
| 4 | I. Kleine chromatisch-enharmonische Phantasie | -9.88 | -31.97 | -27.0 | 10 |
| 5 | II. Petite Sarabande | -1.80 | -27.69 | -23.6 | 15 |
| 6 | III. Barcarola - Paraphrase per le due | -7.44 | -32.24 | -28.2 | 16 |
| 7 | Petite Sarabande pour Käthi für Violoncello solo | -5.02 | -28.07 | -23.8 | 13 |
| 8 | ...wie ein Walzer auf Glas... für Violoncello solo | -0.82 | -27.10 | -23.1 | 14 |
| 9 | ...e torna l'aria della sera... Canto strumentale sopra una ballata del Pasolini per violino e violoncello | -0.95 | -28.47 | -23.4 | 18 |
| 10 | ....dass also alles mehr Gesang und reine Stimme ist...für eine Aulos-Flöte und Violoncello | -4.29 | -30.80 | -25.3 | 12 |
| 11 | I. Poem | -14.95 | -39.67 | -36.5 | 15 |
| 12 | II. Scene | -0.80 | -27.99 | -23.1 | 18 |
| 13 | ...e torna l'aria della sera... Canto strumentale sopra una ballata del Pasolini per oboe d'amore e violoncello | -0.30 | -26.33 | -21.4 | 18 |