Togni: Complete Piano Music, Vol. 4
Aldo Orvieto
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Suite, Op. 14a
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1.1
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I. Bourrée
Camillo Togni; Aldo Orvieto |
1:09 | |||
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1.2
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II. Pavana
Camillo Togni; Aldo Orvieto |
1:11 | |||
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1.3
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III. Furlana
Camillo Togni; Aldo Orvieto |
0:42 | |||
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1.4
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IV. Quasi minuetto
Camillo Togni; Aldo Orvieto |
0:59 | |||
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1.5
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V. Allemanda
Camillo Togni; Aldo Orvieto |
1:22 | |||
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1.6
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VI. Pastorale
Camillo Togni; Aldo Orvieto |
2:17 | |||
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1.7
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VII. Ciaccona
Camillo Togni; Aldo Orvieto |
2:05 | |||
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1.8
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VIII. Valzer
Camillo Togni; Aldo Orvieto |
1:53 | |||
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Serenata No. 2, Op. 11
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1.9
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I. Andantino
Camillo Togni; Aldo Orvieto |
8:16 | |||
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1.10
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II. Adagio assai
Camillo Togni; Aldo Orvieto |
1:45 | |||
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1.11
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III. Moderatamente mosso
Camillo Togni; Aldo Orvieto |
2:38 | |||
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1.12
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IV. Serenata. Largo
Camillo Togni; Aldo Orvieto |
5:21 | |||
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Pezzi per pianoforte, Op. 22
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1.13
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I. Allegretto
Camillo Togni; Aldo Orvieto |
0:56 | |||
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1.14
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II. —
Camillo Togni; Aldo Orvieto |
2:17 | |||
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1.15
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III. Andante
Camillo Togni; Aldo Orvieto |
0:48 | |||
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1.16
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IV. —
Camillo Togni; Aldo Orvieto |
1:22 | |||
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1.17
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Serenata No. 4, Op. 15
Camillo Togni; Aldo Orvieto |
8:14 | |||
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1.18
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Serenata No. 5, Op. 18
Camillo Togni; Aldo Orvieto |
12:06 | |||
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1.19
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Valzer ad usum Lyæ
Camillo Togni; Aldo Orvieto |
1:52 | |||
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Digital Booklet
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"Orvieto's mastery of his instrument was awesome."
- Matthew Connolly Times
"Aldo Orvieto's accompaniments are very strong."
- Fanfare
Composer Camillo Togni synthesized chromaticism and atonal techniques in his various piano compositions. Pianist, Aldo Orvieto pays tribute to Togni's musical style in this new album. Listeners can hear the complexity and elegance of these lesser-known works through Orvieto's dedication to Togni's original musical intentions.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.37 -18.87 to -0.02 | -29.27 -38.90 to -22.38 | -25.58 -35.40 to -19.20 | 14 11 to 18 | |
| 1 | I. Bourrée | -3.18 | -26.04 | -22.1 | 15 |
| 2 | II. Pavana | -18.87 | -38.90 | -35.4 | 12 |
| 3 | III. Furlana | -5.93 | -25.58 | -22.1 | 12 |
| 4 | IV. Quasi minuetto | -15.99 | -37.98 | -34.5 | 11 |
| 5 | V. Allemanda | -5.07 | -28.05 | -24.8 | 12 |
| 6 | VI. Pastorale | -9.14 | -31.48 | -27.9 | 12 |
| 7 | VII. Ciaccona | -3.50 | -26.28 | -22.5 | 15 |
| 8 | VIII. Valzer | -4.71 | -25.52 | -22.4 | 12 |
| 9 | I. Andantino | -0.02 | -30.01 | -25.8 | 18 |
| 10 | II. Adagio assai | -3.40 | -35.87 | -30.6 | 18 |
| 11 | III. Moderatamente mosso | -3.88 | -24.68 | -20.8 | 13 |
| 12 | IV. Serenata. Largo | -5.41 | -32.67 | -29.0 | 18 |
| 13 | I. Allegretto | -8.36 | -28.21 | -24.8 | 12 |
| 14 | II. — | -4.45 | -27.76 | -24.0 | 15 |
| 15 | III. Andante | -5.59 | -31.44 | -28.5 | 12 |
| 16 | IV. — | -0.43 | -22.38 | -19.2 | 12 |
| 17 | Serenata No. 4, Op. 15 | -0.85 | -26.83 | -22.9 | 16 |
| 18 | Serenata No. 5, Op. 18 | -0.02 | -27.89 | -23.4 | 18 |
| 19 | Valzer ad usum Lyæ | -3.28 | -28.59 | -25.3 | 15 |