℗ 2018 BR-Klassik
| Released | February 2, 2018 |
| Duration | 1h 14m 09s |
| Record Label | BR-Klassik |
| Genre | Classical (Orchestral) |
Rachmaninoff: The Bells – Symphonic Dances
Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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The Bells, Op. 35
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1.1
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I. Allegro, ma non tanto
Sergei Rachmaninoff; Oleg Dolgov; Chor des Bayerischen Rundfunks; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
6:40 | |||
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1.2
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II. Lento
Sergei Rachmaninoff; Tatiana Pavlovskaya; Chor des Bayerischen Rundfunks; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
11:01 | |||
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1.3
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III. Presto
Sergei Rachmaninoff; Chor des Bayerischen Rundfunks; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
10:11 | |||
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1.4
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IV. Lento lugubre
Sergei Rachmaninoff; Alexey Markov; Chor des Bayerischen Rundfunks; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
11:15 | |||
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Symphonic Dances, Op. 45
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1.5
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I. Non allegro
Sergei Rachmaninoff; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
11:09 | |||
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1.6
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II. Andante con moto (Tempo di valse)
Sergei Rachmaninoff; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
10:08 | |||
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1.7
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III. Lento assai
Sergei Rachmaninoff; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
13:45 | |||
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Digital Booklet
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Grammy Award nomination – Best Choral Performance, 2018 – Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
"...an old-school craftsman who knows the music inside out and prepares every performance thoroughly but who gives them their heads in performance."
- The Chicago Tribune
Conductor Mariss Jansons pays tribute to Russian composer Sergei Rachmaninov's symphonic poems, including The Bells, a poem based on Edgar Allan Poe's writings. Jansons brings out the wide variety of musical colors in Rachmaninov's work which suits his orchestra perfectly. It is clear throughout the album how careful Jansons is to interpreting exactly what Rachmaninov would have wanted.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.54 -0.56 to -0.51 | -23.17 -25.60 to -18.36 | -18.70 -21.40 to -14.30 | 14 10 to 16 | |
| 1 | I. Allegro, ma non tanto | -0.55 | -22.34 | -16.8 | 13 |
| 2 | II. Lento | -0.56 | -25.60 | -21.4 | 16 |
| 3 | III. Presto | -0.55 | -18.36 | -14.3 | 10 |
| 4 | IV. Lento lugubre | -0.55 | -24.01 | -19.0 | 14 |
| 5 | I. Non allegro | -0.52 | -23.92 | -19.6 | 15 |
| 6 | II. Andante con moto (Tempo di valse) | -0.54 | -25.39 | -21.2 | 15 |
| 7 | III. Lento assai | -0.51 | -22.59 | -18.6 | 14 |