℗ 2023 Divine Art
Released | June 9, 2023 |
Duration | 1h 10m 31s |
Record Label | Divine Art |
Catalogue No. | DDX 21107 |
Genre | Classical (Piano) |
Bagatelles - Piano music by Bernard Hughes
Matthew Mills
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Song of the Walnut
Bernard Hughes; Matthew Mills |
1:30 | |||
Partita Contrafacta
|
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1.2
|
I. Boogie-Woogie instead of a Prelude (after L. Couperin)
Bernard Hughes; Matthew Mills |
3:59 | |||
1.3
|
II. Tango instead of an Allemande (after J.S. Bach)
Bernard Hughes; Matthew Mills |
2:06 | |||
1.4
|
III. Landler instead of a Courante (after H. Purcell)
Bernard Hughes; Matthew Mills |
2:37 | |||
1.5
|
IV. Bolero instead of a Sarabande (after E. Jacquet de la Guerre)
Bernard Hughes; Matthew Mills |
1:50 | |||
1.6
|
V. Halling instead of a Gavotte (after J-P Rameau)
Bernard Hughes; Matthew Mills |
1:39 | |||
1.7
|
VI. Mazurka instead of a Minuet (after G.F. Handel)
Bernard Hughes; Matthew Mills |
2:06 | |||
1.8
|
VII. Tarantella instead of a Gigue (After F. Couperin)
Bernard Hughes; Matthew Mills |
1:56 | |||
1.9
|
Song of the Button
Bernard Hughes; Matthew Mills |
1:48 | |||
Bagatelles
|
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1.10
|
I. Study for dexterity in alternating between the hands
Bernard Hughes; Matthew Mills |
1:29 | |||
1.11
|
II.
Bernard Hughes; Matthew Mills |
0:41 | |||
1.12
|
III.
Bernard Hughes; Matthew Mills |
1:27 | |||
1.13
|
IV. Footprints
Bernard Hughes; Matthew Mills |
1:40 | |||
1.14
|
V. Study for accuracy in the playing of double octaves
Bernard Hughes; Matthew Mills |
0:56 | |||
1.15
|
VI. If Eros laughs
Bernard Hughes; Matthew Mills |
1:12 | |||
1.16
|
VII. Bog-Face
Bernard Hughes; Matthew Mills |
1:39 | |||
1.17
|
VIII. 26th April 1827, morning
Bernard Hughes; Matthew Mills |
1:17 | |||
1.18
|
IX. Study for evenness in executing scale passages
Bernard Hughes; Matthew Mills |
0:59 | |||
1.19
|
X. Grazioso
Bernard Hughes; Matthew Mills |
1:08 | |||
1.20
|
XI.
Bernard Hughes; Matthew Mills |
1:48 | |||
1.21
|
XII. Nocturne
Bernard Hughes; Matthew Mills |
0:40 | |||
Miniatures
|
|||||
1.22
|
I. Melody
Bernard Hughes; Matthew Mills |
0:34 | |||
1.23
|
II. Danny’s Dance
Bernard Hughes; Matthew Mills |
0:47 | |||
1.24
|
III. Simple Canon
Bernard Hughes; Matthew Mills |
0:38 | |||
1.25
|
IV. Walse
Bernard Hughes; Matthew Mills |
0:39 | |||
1.26
|
V. Dialogue
Bernard Hughes; Matthew Mills |
0:56 | |||
1.27
|
VI. Tuesday’s Tune
Bernard Hughes; Matthew Mills |
0:28 | |||
1.28
|
VII. Cat’s Cradle
Bernard Hughes; Matthew Mills |
0:33 | |||
1.29
|
VIII. Bist du
Bernard Hughes; Matthew Mills |
2:40 | |||
1.30
|
IX. Molly’s Tune
Bernard Hughes; Matthew Mills |
0:35 | |||
1.31
|
X. Fughetta
Bernard Hughes; Matthew Mills |
1:42 | |||
1.32
|
XI. Anacharsis Cloots
Bernard Hughes; Matthew Mills |
1:40 | |||
Three Studies
|
|||||
1.33
|
I. Count me out
Bernard Hughes; Matthew Mills |
2:43 | |||
1.34
|
II. The Cornice Fish Passacaglia
Bernard Hughes; Matthew Mills |
2:54 | |||
1.35
|
III. False Alarm
Bernard Hughes; Matthew Mills |
2:37 | |||
1.36
|
O du Liebe meiner Liebe
Bernard Hughes; Matthew Mills |
5:50 | |||
1.37
|
Strettos and Striations
Bernard Hughes; Matthew Mills |
9:36 | |||
1.38
|
Cradle Song
Bernard Hughes; Matthew Mills |
1:12 | |||
Digital Booklet
|
Experience the complete works of composer Bernard Hughes for solo piano in this exceptional collaboration with pianist Matthew Mills. This eclectic collection covers over 25 years of music, featuring a range of styles and moods that are sure to captivate. From the oldest piece dating back to Hughes' student years at Oxford to a brand new suite transforming Baroque dance forms into something surprising and new, this album is a masterpiece of composition and performance. With pieces ranging from the largescale
Strettos and Striations to little occasional pieces written for the composer's children, there is something for everyone on this album. What truly makes this album special is the collaboration between Hughes and Mills. The two musicians have been working together for many years, resulting in a deep understanding of each other's artistic vision and an unparalleled ability to bring Hughes' compositions to life on the piano. Mills himself is an accomplished composer, founder and owner of publishing company Wild Woods Music, and was appointed Composer-in-Residence at St. Paul's School after receiving his Ph.D in composition from Royal Holloway College. Hughes' music has been widely performed and broadcast on BBC Radio 3 and across Europe. His latest commission, Birdchant, was chosen to receive its premiere by the BBC Singers at the 2021 Proms. He has composed operas, choral and vocal works, as well as piano music, to great acclaim.
96 kHz / 24-bit PCM – Divine Art Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.40 -19.76 to -1.10 | -29.42 -46.60 to -22.45 | -25.40 -39.80 to -18.30 | 13 9 to 17 | |
1 | Song of the Walnut | -11.01 | -30.90 | -27.9 | 12 |
2 | I. Boogie-Woogie instead of a Prelude (after L. Couperin) | -4.65 | -26.80 | -22.0 | 13 |
3 | II. Tango instead of an Allemande (after J.S. Bach) | -3.58 | -25.03 | -21.8 | 13 |
4 | III. Landler instead of a Courante (after H. Purcell) | -1.23 | -26.41 | -23.1 | 12 |
5 | IV. Bolero instead of a Sarabande (after E. Jacquet de la Guerre) | -12.57 | -39.22 | -34.8 | 14 |
6 | V. Halling instead of a Gavotte (after J-P Rameau) | -4.69 | -22.60 | -19.9 | 11 |
7 | VI. Mazurka instead of a Minuet (after G.F. Handel) | -5.78 | -24.46 | -21.2 | 12 |
8 | VII. Tarantella instead of a Gigue (After F. Couperin) | -7.41 | -24.76 | -21.8 | 11 |
9 | Song of the Button | -5.50 | -28.95 | -24.9 | 13 |
10 | I. Study for dexterity in alternating between the hands | -5.36 | -22.53 | -19.3 | 12 |
11 | II. | -19.76 | -46.60 | -39.4 | 16 |
12 | III. | -1.27 | -22.45 | -18.3 | 14 |
13 | IV. Footprints | -7.36 | -30.29 | -26.2 | 15 |
14 | V. Study for accuracy in the playing of double octaves | -1.10 | -22.55 | -18.5 | 14 |
15 | VI. If Eros laughs | -10.39 | -30.83 | -26.2 | 12 |
16 | VII. Bog-Face | -16.45 | -42.00 | -37.4 | 13 |
17 | VIII. 26th April 1827, morning | -6.83 | -29.21 | -21.8 | 11 |
18 | IX. Study for evenness in executing scale passages | -8.25 | -27.06 | -23.3 | 11 |
19 | X. Grazioso | -9.59 | -31.82 | -27.0 | 14 |
20 | XI. | -1.70 | -25.22 | -21.1 | 15 |
21 | XII. Nocturne | -6.59 | -29.99 | -25.5 | 10 |
22 | I. Melody | -12.69 | -32.31 | -28.8 | 11 |
23 | II. Danny’s Dance | -11.95 | -33.35 | -30.1 | 13 |
24 | III. Simple Canon | -11.25 | -31.44 | -27.6 | 9 |
25 | IV. Walse | -3.00 | -27.74 | -23.7 | 11 |
26 | V. Dialogue | -10.97 | -32.22 | -28.6 | 12 |
27 | VI. Tuesday’s Tune | -14.25 | -32.04 | -28.3 | 10 |
28 | VII. Cat’s Cradle | -9.68 | -27.86 | -24.5 | 11 |
29 | VIII. Bist du | -17.48 | -43.87 | -39.8 | 15 |
30 | IX. Molly’s Tune | -3.61 | -25.39 | -21.7 | 12 |
31 | X. Fughetta | -7.80 | -29.59 | -25.1 | 12 |
32 | XI. Anacharsis Cloots | -5.82 | -27.07 | -23.8 | 13 |
33 | I. Count me out | -2.41 | -25.43 | -21.5 | 14 |
34 | II. The Cornice Fish Passacaglia | -4.58 | -27.71 | -24.0 | 15 |
35 | III. False Alarm | -3.57 | -25.35 | -21.6 | 13 |
36 | O du Liebe meiner Liebe | -1.60 | -29.37 | -24.9 | 17 |
37 | Strettos and Striations | -1.61 | -24.33 | -20.9 | 15 |
38 | Cradle Song | -7.76 | -33.27 | -28.9 | 14 |