℗ 2023 Dacapo Records
| Released | May 19, 2023 |
| Duration | 59m 06s |
| Record Label | Dacapo Records |
| Catalogue No. | 8.224739 |
| Genre | Classical (Contemporary Era) |
enTmenschT
Theatre of Voices, Paul Hillier
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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enTmenschT
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1.1
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#manifest
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
2:42 | |||
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1.2
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#innocuoussouls #demagification
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
6:04 | |||
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1.3
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#suicidal
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
9:02 | |||
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1.4
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#puppetry
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
9:20 | |||
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1.5
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#explanation
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
2:11 | |||
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1.6
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#ifwarisanindustryhowcantherebepeace
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
2:04 | |||
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1.7
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#thebeastinside
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
4:46 | |||
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1.8
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#joy
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
3:05 | |||
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1.9
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#licht
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
3:55 | |||
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1.10
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#throwbacks
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
10:34 | |||
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1.11
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#lament
Line Tjørnhøj; Theatre of Voices; Paul Hillier |
5:23 | |||
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Digital Booklet
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In enTmenschT, Danish composer Line Tjørnhøj weaves together the interwoven words of four ill-fated lovers amidst the devastation of the two world wars. The narrative features the complex romantic entanglements of the German-Jewish artist Charlotte Salomon and the war-traumatized, radical voice teacher Alfred Wolfson – and the complications following expressionist artist Oskar Kokoschka’s obsessive love for the composer, writer, and socialite Alma Mahler. These tales of emotion in extremis are drawn into a modern context of environmental destruction, refugeeism, and the divide between our digital and offline selves. An exceptional exploration of the human voice as a window to the soul.
96 kHz / 24-bit PCM – Dacapo Records Studio Masters
Tracks 9, 11 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 1, 5 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 9, 11 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 1, 5 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.68 -12.52 to -0.06 | -23.63 -27.92 to -20.07 | -19.52 -25.30 to -15.30 | 12 10 to 16 | |
| 1 | #manifest | -12.52 | -27.92 | -25.3 | 11 |
| 2 | #innocuoussouls #demagification | -1.87 | -22.67 | -19.2 | 11 |
| 3 | #suicidal | -0.12 | -21.58 | -16.3 | 12 |
| 4 | #puppetry | -0.65 | -20.34 | -16.5 | 11 |
| 5 | #explanation | -11.07 | -26.61 | -24.1 | 11 |
| 6 | #ifwarisanindustryhowcantherebepeace | -0.56 | -25.06 | -20.5 | 15 |
| 7 | #thebeastinside | -0.47 | -24.23 | -19.9 | 14 |
| 8 | #joy | -0.71 | -23.42 | -18.5 | 13 |
| 9 | #licht | -0.06 | -20.07 | -15.3 | 10 |
| 10 | #throwbacks | -1.35 | -26.49 | -22.0 | 16 |
| 11 | #lament | -0.09 | -21.50 | -17.1 | 11 |