
℗ 2018 Challenge Classics
Released | February 2, 2018 |
Duration | 58m 17s |
Record Label | Challenge Classics |
Genre | Classical |
Korngold: Violin Concerto, Op. 35 – Bernstein: Serenade After Plato's "Symposium"
Liza Ferschtman, Prague Symphony Orchestra, Jirí Malát, Het Gelders Orkest, Christian Vasquez
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Violin Concerto in D Major, Op. 35
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1.1
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I. Moderato nobile
Erich Wolfgang Korngold; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
10:01 | |||
1.2
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II. Romanze
Erich Wolfgang Korngold; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
8:47 | |||
1.3
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III. Allegro assai vivace
Erich Wolfgang Korngold; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
7:52 | |||
Serenade After Plato’s “Symposium”
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1.4
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I. Phaedrus: Pausanias. Lento and allegro
Leonard Bernstein; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
7:02 | |||
1.5
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II. Aristophanes. Allegretto
Leonard Bernstein; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
4:25 | |||
1.6
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III. Eryximachus. Presto
Leonard Bernstein; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
1:31 | |||
1.7
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IV. Agathon. Adagio
Leonard Bernstein; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
7:16 | |||
1.8
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V. Socrates: Alcibiades. Molto tenuto and allegro molto vivace)
Leonard Bernstein; Liza Ferschtman; Prague Symphony Orchestra; Het Gelders Orkest; Christian Vasquez; Jirí Malát |
11:23 |
"...Liza Ferschtman bringing refined beauty and character to the solo part of the Bernstein..."
- The New York Times
Acclaimed violinist Liza Ferschtman, is known for her unconventional program choices. On this album she plays Korngold's violin concerto and Bernstein's serenade which are two pieces outside of the expected performative canon for violinists. Ferschtman plays with such brilliance and brings these pieces to life.
44.1 kHz / 24-bit PCM – Challenge Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.11 -8.33 to -1.00 | -29.80 -33.75 to -24.88 | -25.31 -30.10 to -21.30 | 16 13 to 18 | |
1 | I. Moderato nobile | -1.77 | -28.82 | -25.2 | 18 |
2 | II. Romanze | -7.29 | -33.75 | -30.1 | 16 |
3 | III. Allegro assai vivace | -1.00 | -24.88 | -21.3 | 15 |
4 | I. Phaedrus: Pausanias. Lento and allegro | -4.37 | -29.18 | -24.6 | 16 |
5 | II. Aristophanes. Allegretto | -8.33 | -33.38 | -28.8 | 13 |
6 | III. Eryximachus. Presto | -4.09 | -29.40 | -24.7 | 17 |
7 | IV. Agathon. Adagio | -4.96 | -32.49 | -25.9 | 16 |
8 | V. Socrates: Alcibiades. Molto tenuto and allegro molto vivace) | -1.08 | -26.53 | -21.9 | 17 |