℗ 2018 Decca Music Group Limited under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc
Released | February 2, 2018 |
Originated | November 1, 2017 |
Duration | 1h 00m 39s |
Record Label | Decca/London |
Genre | Classical |
Beethoven: Symphony No.1 in C - Piano Concerto No.1 in C
Martha Argerich, Mito Chamber Orchestra, Seiji Ozawa
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No.1 In C Major, Op.21
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1.1
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I. Adagio molto - Allegro con brio
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
9:48 | |||
1.2
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II. Andante cantabile con moto
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
7:47 | |||
1.3
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III. Menuetto (Allegro molto e vivace)
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
3:36 | |||
1.4
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IV. Finale (Adagio - Allegro molto e vivace)
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
6:01 | |||
Piano Concerto No.1 in C Major, Op.15
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1.5
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I. Allegro con brio
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
13:56 | |||
1.6
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II. Largo
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
10:33 | |||
1.7
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III. Rondo (Allegro scherzando)
Ludwig van Beethoven; Martha Argerich; Mito Chamber Orchestra; Seiji Ozawa |
8:58 | |||
Digital Booklet
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"And she plays the piano brilliantly, ferociously and, perhaps, better than anyone else on Earth."
- The Washington Post
"She doesn't need to think about technique. The music is inside her, and making a piano speak appears as natural to her as song is to a bird in the forest."
- Los Angeles Times
"Argerich, a ...pianist who by broad consent has shaped the very top of the world’s classical music scene over the last four decades..."
- Andrej Klemencic, Barecelona Metropolitian
Martha Maria Argerich, an Argentinian classical pianist, brings all of her musical passion to the Mito Chamber Orchestra, under the direction of Seiji Ozawa, on this album. Her brilliant interpretation of Beethoven's concerto is a highlight of this album. And of course the concerto is perfectly complimented by his first symphony on an altogether beautiful program of all Beethoven works.
“I have a thing for octaves."
- Martha Maria Argerich
96 kHz / 24-bit PCM – Decca/London Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.47 -2.94 to -0.67 | -22.89 -27.11 to -20.71 | -19.00 -23.60 to -16.20 | 14 13 to 14 | |
1 | I. Adagio molto - Allegro con brio | 0.00 | -21.07 | -17.4 | 14 |
2 | II. Andante cantabile con moto | -0.80 | -26.42 | -22.3 | 14 |
3 | III. Menuetto (Allegro molto e vivace) | -0.67 | -22.00 | -17.4 | 13 |
4 | IV. Finale (Adagio - Allegro molto e vivace) | 0.00 | -20.71 | -16.2 | 13 |
5 | I. Allegro con brio | 0.00 | -21.66 | -18.3 | 14 |
6 | II. Largo | -2.94 | -27.11 | -23.6 | 14 |
7 | III. Rondo (Allegro scherzando) | 0.00 | -21.24 | -17.8 | 14 |