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℗ 2023 ECM Records
Released | April 14, 2023 |
Duration | 39m 20s |
Record Label | ECM New Series |
Genre | Classical |
El último aliento
Zsófia Boros
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
De rêve et de pluie
Mathias Duplessy; Zsófia Boros |
5:25 | |||
1.2
|
Salir adentro
Joaquín Alem; Zsófia Boros |
3:02 | |||
1.3
|
El abrazo
Quique Sinesi; Zsófia Boros |
3:19 | |||
1.4
|
Milonga
Alberto Ginastera; Zsófia Boros |
2:50 | |||
1.5
|
Le secret d'Hiroshigé
Mathias Duplessy; Zsófia Boros |
4:40 | |||
1.6
|
Perle de Rosée
Mathias Duplessy; Zsófia Boros |
3:44 | |||
1.7
|
Tormenta de ilusión (Ronroco)
Quique Sinesi; Zsófia Boros |
2:41 | |||
1.8
|
Le labyrinthe de Vermeer
Mathias Duplessy; Zsófia Boros |
5:06 | |||
1.9
|
Berceuse
Mathias Duplessy; Zsófia Boros |
2:23 | |||
1.10
|
Valse pour Camille
Mathias Duplessy; Zsófia Boros |
2:34 | |||
1.11
|
El último aliento
Carlos Moscardini; Zsófia Boros |
3:36 | |||
Digital Booklet
|
The focus of Zsófia Boros’s third recording for ECM’s New Series is split two-ways, with one spotlight turned towards contemporary compositions from Argentina and the other on the multiple-idioms spanning music of French composer Mathias Duplessy. Fanfare magazine has spoken of the Vienna-based Hungarian guitarist in glowing terms, noting her “clear, beautiful tone, liquid phrasing, precise layering of melody and accompaniment, fluid figuration and her emphatic sense of mood and emotion” – all qualities that are especially apparent on El último aliento. The album takes its name from the Carlos Moscardini composition which closes the record. Other Argentinian composers interpreted by Boros here are Joaquín Alem, Quique Sinesi and Alberto Ginastera, together making for a vivid repertory that sees the guitarist alternating technique, pace and mood in supple waves. For Sinesi’s “Tormenta de ilusión” Boros switches to the ronroco, a stringed instrument that hails from the Andean regions. By combining the Argentinian music with the expressive pieces by Duplessy, Zsófia Boros creates a suspenseful programme that emphasizes her distinct touch, commitment and wide ranging influences in a quietly compelling manner. The album was recorded at the Auditorio Stelio Molo in Lugano and produced by Manfred Eicher.
96 kHz / 24-bit PCM – ECM New Series Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.97 -9.81 to -3.32 | -28.32 -31.68 to -26.36 | -24.96 -28.60 to -22.90 | 13 12 to 14 | |
1 | De rêve et de pluie | -4.79 | -26.36 | -23.0 | 13 |
2 | Salir adentro | -3.32 | -26.89 | -23.7 | 14 |
3 | El abrazo | -7.90 | -29.22 | -26.4 | 12 |
4 | Milonga | -9.81 | -31.68 | -28.6 | 14 |
5 | Le secret d'Hiroshigé | -3.55 | -27.09 | -22.9 | 13 |
6 | Perle de Rosée | -6.57 | -27.43 | -24.1 | 12 |
7 | Tormenta de ilusión (Ronroco) | -5.94 | -27.17 | -23.9 | 14 |
8 | Le labyrinthe de Vermeer | -5.55 | -27.18 | -23.9 | 14 |
9 | Berceuse | -6.45 | -30.02 | -27.2 | 13 |
10 | Valse pour Camille | -5.59 | -27.90 | -24.6 | 14 |
11 | El último aliento | -6.23 | -30.56 | -26.3 | 14 |