℗ 2018 Navona
| Released | February 9, 2018 |
| Duration | 1h 06m 56s |
| Record Label | Navona |
| Genre | Classical (Contemporary Era) |
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3 Quotations
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1.1
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No. 1, Morning Chorus
Mark Volker; Luna Nova Ensemble |
5:22 | |||
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1.2
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No. 2, I Am
Mark Volker; Luna Nova Ensemble |
7:59 | |||
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1.3
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No. 3, Future Shock
Mark Volker; Luna Nova Ensemble |
5:14 | |||
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1.4
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Dust to Dust
Mark Volker; Katelyn Westergard; Alicia Enstrom; Jim Grosjean; Emily Nelson |
6:21 | |||
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1.5
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Echoes of Yesterday
Mark Volker; Matthew Davich |
5:40 | |||
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Young Prometheus
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1.6
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Scene 1, Daybreak and Opening
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
7:07 | |||
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1.7
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Scene 2, The Bully, the Cheerleader, and the Shy Girl
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
6:16 | |||
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1.8
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Scene 3, The Blind Girl
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
4:20 | |||
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1.9
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Scene 4, Frank, the Jock, and the Cheerleader
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
3:44 | |||
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1.10
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Scene 5, The Misfits
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
3:05 | |||
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1.11
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Scene 6, Love Ballad
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
3:06 | |||
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1.12
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Scene 7, Confrontation
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
5:14 | |||
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1.13
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Scene 8, Finale
Mark Volker; Carolyn Treybig; Matthew Davich; Alison Gooding Hoffman; Stephen Drake; Kristian Klefstad |
3:28 | |||
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Digital Booklet
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Mark Volker: Young Prometheus creates a sonic experience for listeners of both optimistic and ominous sounds. Overall this album was inspired by the prose and poetry from composer Mark Volker's latest artistic release. Listeners can hear a combination of electronic and acoustics sounds that purposefully creates tension, in turn, to further the narrative about the dangers of too much technology in our modern society.
48 kHz / 24-bit PCM – Navona Studio Masters
Track 5 – 44.1 kHz / 24-bit PCM
Track 5 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.64 -6.50 to -0.50 | -26.89 -30.24 to -22.60 | -22.25 -24.50 to -17.40 | 14 12 to 18 | |
| 1 | No. 1, Morning Chorus | -0.50 | -22.60 | -17.4 | 13 |
| 2 | No. 2, I Am | -0.50 | -26.88 | -21.5 | 16 |
| 3 | No. 3, Future Shock | -0.50 | -23.08 | -19.5 | 13 |
| 4 | Dust to Dust | -4.68 | -30.24 | -24.5 | 14 |
| 5 | Echoes of Yesterday | -0.50 | -26.53 | -21.9 | 16 |
| 6 | Scene 1, Daybreak and Opening | -0.50 | -26.65 | -22.3 | 18 |
| 7 | Scene 2, The Bully, the Cheerleader, and the Shy Girl | -4.20 | -28.23 | -23.6 | 15 |
| 8 | Scene 3, The Blind Girl | -6.50 | -26.61 | -22.5 | 12 |
| 9 | Scene 4, Frank, the Jock, and the Cheerleader | -4.50 | -26.40 | -21.6 | 13 |
| 10 | Scene 5, The Misfits | -2.50 | -27.73 | -23.6 | 14 |
| 11 | Scene 6, Love Ballad | -4.50 | -27.08 | -22.9 | 13 |
| 12 | Scene 7, Confrontation | -2.50 | -29.51 | -23.9 | 15 |
| 13 | Scene 8, Finale | -2.50 | -28.01 | -24.1 | 16 |