℗ 2018 Yarlung Records
| Released | February 23, 2018 |
| Duration | 1h 05m 22s |
| Record Label | Yarlung Records |
| Genre | Classical (Chamber) |
South America
Alberto Lysy, Antonio Lysy
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
O Canto do Cisne Negro, W122 (Arr. for Cello & Harp)
Anonymous; Heitor Villa-Lobos; Marcia Dickstein; Antonio Lysy |
2:58 | |||
|
1.2
|
Resurrección del Ángel (Arr. E. Colón)
Ástor Piazzolla; Emilio Colón; Antonio Lysy |
7:10 | |||
|
Duo for Violin & Cello, Op. 7
|
|||||
|
1.3
|
I. Allegro serioso, non troppo
Zoltán Kodály; Alberto Lysy; Antonio Lysy |
8:13 | |||
|
1.4
|
II. Adagio
Zoltán Kodály; Alberto Lysy; Antonio Lysy |
6:54 | |||
|
1.5
|
III. Maestoso e largamente - IV. Presto
Zoltán Kodály; Alberto Lysy; Antonio Lysy |
8:06 | |||
|
1.6
|
Les trois mages
Pablo Casals; Antonio Lysy |
6:17 | |||
|
Assobio a Jato
|
|||||
|
1.7
|
I. Allegro non troppo
Heitor Villa-Lobos; Anastasia Petanova; Antonio Lysy |
2:52 | |||
|
1.8
|
II. Adagio
Heitor Villa-Lobos; Anastasia Petanova; Antonio Lysy |
2:54 | |||
|
1.9
|
III. Vivo
Heitor Villa-Lobos; Anastasia Petanova; Antonio Lysy |
3:37 | |||
|
The Well-Tempered Clavier, Book 1
|
|||||
|
1.10
|
Prelude No. 22 in B-Flat Minor, BWV 867 (Arr. H. Villa-Lobos for Cello)
Johann Sebastian Bach; Heitor Villa-Lobos; Antonio Lysy |
3:02 | |||
|
1.11
|
Volver (Arr. C. Trivisonno for Bandoneon & Cello)
Carlos Gardel; Coco Trivisonno; Coco Trivisonno; Antonio Lysy |
3:36 | |||
|
1.12
|
Divina (Arr. C. Trivisonno for Bandoneon & Cello)
Juan de Dios Filiberto; Coco Trivisonno; Antonio Lysy; Coco Trivisonno |
4:04 | |||
|
1.13
|
Yo te Bendigo
Joaquín Mora; Coco Trivisonno; Antonio Lysy; Coco Trivisonno |
5:39 | |||
|
Digital Booklet
|
|||||
Antonio Lysy breaks new ground in his album tribute to South American composers such as Astor Piazzolla, Heitor Villa-Lobos, Carlos Gardel, Antonio’s father the violinist Alberto Lysy, and Argentinian bandoneon master Coco Trivsonno. Lysy collaborates with instrumentalists like Marcia Dickstein Vogler and Anastasia Petanova to bring to life these beautiful South American composer's musical visions.
88.2 kHz / 24-bit PCM – Yarlung Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.03 -6.50 to -0.50 | -25.08 -30.50 to -20.73 | -21.62 -27.10 to -17.60 | 13 10 to 16 | |
| 1 | O Canto do Cisne Negro, W122 (Arr. for Cello & Harp) | -1.96 | -20.73 | -17.6 | 10 |
| 2 | Resurrección del Ángel (Arr. E. Colón) | -0.50 | -22.40 | -19.2 | 14 |
| 3 | I. Allegro serioso, non troppo | -2.22 | -25.58 | -21.9 | 15 |
| 4 | II. Adagio | -3.62 | -27.91 | -23.2 | 14 |
| 5 | III. Maestoso e largamente - IV. Presto | -0.60 | -26.70 | -23.1 | 16 |
| 6 | Les trois mages | -1.88 | -21.73 | -18.7 | 11 |
| 7 | I. Allegro non troppo | -6.13 | -27.00 | -23.2 | 14 |
| 8 | II. Adagio | -6.50 | -30.50 | -27.1 | 12 |
| 9 | III. Vivo | -2.97 | -24.26 | -19.9 | 14 |
| 10 | Prelude No. 22 in B-Flat Minor, BWV 867 (Arr. H. Villa-Lobos for Cello) | -2.26 | -20.89 | -18.0 | 11 |
| 11 | Volver (Arr. C. Trivisonno for Bandoneon & Cello) | -2.89 | -26.82 | -23.7 | 15 |
| 12 | Divina (Arr. C. Trivisonno for Bandoneon & Cello) | -3.60 | -25.31 | -22.2 | 13 |
| 13 | Yo te Bendigo | -4.27 | -26.20 | -23.3 | 16 |