℗ 2023 CPO
Released | April 17, 2023 |
Duration | 53m 50s |
Record Label | CPO |
Catalogue No. | cpo 777 973-2 |
Genre | Classical (Orchestral) |
Aram Khachaturian: Symphony No. 3 · Suite No. 3
Robert-Schumann-Philharmonie, Frank Beermann
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Symphony No. 3
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1.1
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1. Allegro moderato, maestoso
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
6:10 | |||
1.2
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2. Poco meno mosso
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
9:54 | |||
1.3
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3. Doppio piu mosso
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
9:12 | |||
Suite No. 3 from the Ballet "Gayaneh"
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1.4
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4. Harvest Day (Baumwollernte)
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
6:07 | |||
1.5
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5. Dance of the Yourh (Tanz der jungen Kurden)
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
3:38 | |||
1.6
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6. Introduction and Dance of the Men (Einleitung und Tanz der alten Männer)
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
7:57 | |||
1.7
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7. Carpet Making (Teppichweberei)
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
5:17 | |||
1.8
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8. Sabre Dance (Säbeltanz)
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
2:17 | |||
1.9
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9. Gopak
Aram Khachaturian; Robert-Schumann-Philharmonie; Frank Beermann |
3:18 | |||
Digital Booklet
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When Aram Khachaturian composed his Symphony-Poem in 1947 in search of new, contemporary forms of expression, he took a great risk. His idea of music for the modern Soviet man collided abruptly with the ideas of those who believed they had the right to decide on the limits of creative spirits and who had the power to enforce these ideas by any means. The result was that the symphonic poem for fifteen solo trumpets, organ and large orchestra disappeared from the scene for a decade and a half before it experienced its resurrection as the 'third symphony' now exactly sixty years ago and has since received ever greater attention. The forces of nature unleashed here actually eclipse everything else that the highly decorated composer has created, and pile up at the end to rhythmic-sound eruptions that had to unhinge the staid cosmos of the ideologists. This musical singularity, whose author can nevertheless be heard in every bar, is coupled with a suite from the successful ballet Gayaneh, whose Sabre Dance soon broke away from its context and conquered the world on an independent course, while dragging a tail of similarly attractive pieces with it - the Gopak, for example, whose spirited accelerando sets a surprising final point behind this new production.
48 kHz / 24-bit PCM – CPO Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.88 -5.62 to -0.50 | -21.70 -25.50 to -17.62 | -17.92 -22.20 to -14.40 | 12 11 to 16 | |
1 | 1. Allegro moderato, maestoso | -2.89 | -22.08 | -18.2 | 12 |
2 | 2. Poco meno mosso | -0.50 | -25.35 | -20.9 | 16 |
3 | 3. Doppio piu mosso | -0.50 | -18.59 | -14.8 | 11 |
4 | 4. Harvest Day (Baumwollernte) | -0.50 | -21.08 | -17.3 | 13 |
5 | 5. Dance of the Yourh (Tanz der jungen Kurden) | -3.91 | -22.87 | -19.3 | 12 |
6 | 6. Introduction and Dance of the Men (Einleitung und Tanz der alten Männer) | -2.03 | -23.83 | -19.8 | 13 |
7 | 7. Carpet Making (Teppichweberei) | -5.62 | -25.50 | -22.2 | 12 |
8 | 8. Sabre Dance (Säbeltanz) | -0.50 | -17.62 | -14.4 | 11 |
9 | 9. Gopak | -0.50 | -18.36 | -14.4 | 12 |