℗ 2017 Mirare
| Released | March 9, 2018 |
| Duration | 1h 14m 05s |
| Record Label | Mirare |
| Genre | Classical (Sonata for keyboard, violin, etc) |
Prokofiev / Ravel
Nathalia Milstein
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Sonata No. 4, Op. 29
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1.1
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I. Allegro molto sostenuto
Sergei Prokofiev; Nathalia Milstein |
6:28 | |||
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1.2
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II. Andante assai
Sergei Prokofiev; Nathalia Milstein |
7:42 | |||
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1.3
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III. Allegro con brio, ma non leggiero
Sergei Prokofiev; Nathalia Milstein |
3:49 | |||
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10 Pieces for Piano, Op. 12
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1.4
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I. March
Sergei Prokofiev; Nathalia Milstein |
1:47 | |||
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1.5
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II. Gavotte
Sergei Prokofiev; Nathalia Milstein |
2:51 | |||
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1.6
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III. Rigaudon
Sergei Prokofiev; Nathalia Milstein |
1:29 | |||
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1.7
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IV. Mazurka
Sergei Prokofiev; Nathalia Milstein |
1:34 | |||
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1.8
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V. Capriccio
Sergei Prokofiev; Nathalia Milstein |
3:19 | |||
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1.9
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VI. Legenda
Sergei Prokofiev; Nathalia Milstein |
3:17 | |||
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1.10
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VII. Prelude
Sergei Prokofiev; Nathalia Milstein |
2:23 | |||
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1.11
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VIII. Allemande
Sergei Prokofiev; Nathalia Milstein |
3:20 | |||
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1.12
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IX. Humorous Scherzo
Sergei Prokofiev; Nathalia Milstein |
2:46 | |||
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1.13
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X. Scherzo
Sergei Prokofiev; Nathalia Milstein |
2:27 | |||
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Le Tombeau de Couperin, M. 68
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1.14
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I. Prélude
Maurice Ravel; Nathalia Milstein |
3:05 | |||
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1.15
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II. Fugue
Maurice Ravel; Nathalia Milstein |
3:18 | |||
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1.16
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III. Forlane
Maurice Ravel; Nathalia Milstein |
7:27 | |||
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1.17
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IV. Rigaudon
Maurice Ravel; Nathalia Milstein |
3:31 | |||
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1.18
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V. Menuet
Maurice Ravel; Nathalia Milstein |
4:53 | |||
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1.19
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VI. Toccata
Maurice Ravel; Nathalia Milstein |
4:15 | |||
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1.20
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Toccata, Op. 11
Sergei Prokofiev; Nathalia Milstein |
4:24 | |||
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Digital Booklet
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"Milstein's insight into how the music expands in stature stays in the memory. ... astonishingly mature and complete reading of music ... Balance, colour and momentum emerged from her accomplished virtuosity with spellbinding immediacy..."
- Classical Source
Written in times that were marked by the war and the historic upheavals of the early 20th century, Ravel's Le Tombeau de Couperin and Prokofiev's Fourth Sonata are linked to the memory of their dedicatees. Between memory and imagination, the works carry on a dialogue that the brilliant pianist Nathalia Milstein brings to life on this album.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.48 -7.16 to 0.00 | -23.27 -33.12 to -18.75 | -19.94 -29.20 to -15.30 | 13 11 to 16 | |
| 1 | I. Allegro molto sostenuto | 0.00 | -22.14 | -18.0 | 14 |
| 2 | II. Andante assai | -0.38 | -23.73 | -19.8 | 14 |
| 3 | III. Allegro con brio, ma non leggiero | 0.00 | -19.37 | -16.1 | 12 |
| 4 | I. March | 0.00 | -19.83 | -16.0 | 12 |
| 5 | II. Gavotte | -0.09 | -21.91 | -18.6 | 13 |
| 6 | III. Rigaudon | -2.56 | -21.61 | -18.4 | 12 |
| 7 | IV. Mazurka | -1.22 | -23.23 | -20.2 | 13 |
| 8 | V. Capriccio | -1.42 | -22.77 | -19.5 | 13 |
| 9 | VI. Legenda | -7.16 | -33.12 | -29.2 | 14 |
| 10 | VII. Prelude | -3.46 | -24.29 | -21.4 | 11 |
| 11 | VIII. Allemande | 0.00 | -20.03 | -16.7 | 13 |
| 12 | IX. Humorous Scherzo | -4.24 | -26.40 | -23.5 | 14 |
| 13 | X. Scherzo | -1.86 | -22.21 | -19.2 | 12 |
| 14 | I. Prélude | -2.68 | -23.18 | -20.4 | 12 |
| 15 | II. Fugue | -6.53 | -26.97 | -23.7 | 12 |
| 16 | III. Forlane | -2.73 | -27.63 | -24.4 | 16 |
| 17 | IV. Rigaudon | 0.00 | -22.22 | -18.6 | 15 |
| 18 | V. Menuet | -0.37 | -26.67 | -23.3 | 16 |
| 19 | VI. Toccata | 0.00 | -19.41 | -16.4 | 11 |
| 20 | Toccata, Op. 11 | 0.00 | -18.75 | -15.3 | 12 |