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Tomás Luis de Victoria: Tenebrae Responsories

Stile Antico

Available in 88.2 kHz / 24-bit AIFF and FLAC high-resolution audio formats

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Maundy Thursday Responsories, Second and Third Nocturns  
1
I. Amicus meus
Tomás Luis de Victoria; Stile Antico
2:59
2
II. Judas mercator
Tomás Luis de Victoria; Stile Antico
2:26
3
III. Unus ex discipulis meis
Tomás Luis de Victoria; Stile Antico
2:26
4
IV. Eram quasi agnus
Tomás Luis de Victoria; Stile Antico
3:06
5
V. Una hora
Tomás Luis de Victoria; Stile Antico
2:51
6
VI. Seniores populi
Tomás Luis de Victoria; Stile Antico
2:40
7
Incipit lamentatio Jeremiæ
Tomás Luis de Victoria; Stile Antico
3:33
Good Friday Responsories, Second and Third Nocturns  
8
I. Tamquam ad latronem
Tomás Luis de Victoria; Stile Antico
3:39
9
II. Tenebræ factæ sunt
Tomás Luis de Victoria; Stile Antico
4:27
10
III. Animam meam dilectam
Tomás Luis de Victoria; Stile Antico
4:35
11
IV. Tradiderunt me
Tomás Luis de Victoria; Stile Antico
2:13
12
V. Jesum tradidit impius
Tomás Luis de Victoria; Stile Antico
3:03
13
VI. Caligaverunt oculi mei
Tomás Luis de Victoria; Stile Antico
4:28
Plainsong  
14
De lamentatione Jeremiæ
Tomás Luis de Victoria; Stile Antico
3:42
Holy Saturday Responsories, Second and Third Nocturns  
15
I. Recessit pastor noster
Tomás Luis de Victoria; Stile Antico
3:00
16
II. O vos omnes
Tomás Luis de Victoria; Stile Antico
3:05
17
III. Ecce quomodo moritur
Tomás Luis de Victoria; Stile Antico
3:26
18
IV. Astiterunt reges terræ
Tomás Luis de Victoria; Stile Antico
2:05
19
V. Æstimatus sum
Tomás Luis de Victoria; Stile Antico
2:45
20
VI. Sepulto Domino
Tomás Luis de Victoria; Stile Antico
2:49
21
De lamentatione Jeremiæ Prophetæ
Tomás Luis de Victoria; Stile Antico
4:08
Motet  
22
O Domine Jesu Christe
Tomás Luis de Victoria; Stile Antico
3:43
Digital Booklet
Total Playing Time    71:09
Tomás Luis Victoria honed his compositional skills in the office of Tenebrae which was known to provide fertile ground for composers of sacred music. Victoria's sacred compositions display unparalleled expressive power and amply justify his reputation as the greatest polyphonist of the Spanish Renaissance.
88.2 kHz / 24-bit PCM – harmonia mundi Studio Masters

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