℗ 2018 Chloë Hanslip & Danny Driver
| Released | March 23, 2018 |
| Duration | 1h 08m 02s |
| Record Label | RUBICON |
| Genre | Classical (Sonata for keyboard, violin, etc) |
Beethoven: Violin Sonatas, Vol. 2
Chloë Hanslip, Danny Driver
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Sonata No.4 in A Minor, Op.23
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1.1
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I. Presto
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
7:23 | |||
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1.2
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II. Andante scherzoso - più Allegretto
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
7:55 | |||
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1.3
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III. Allegro molto
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
5:10 | |||
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Violin Sonata No.5 in F Major, Op. 24 "Spring"
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1.4
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I. Allegro
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
9:49 | |||
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1.5
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II. Adagio molto espressivo
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
5:41 | |||
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1.6
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III. Scherzo (Allegro molto)
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
1:06 | |||
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1.7
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IV. Rondo (Allegro ma non troppo)
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
6:25 | |||
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Violin Sonata No.7 in C Minor, Op. 30/2
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1.8
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I. Allegro con brio
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
7:37 | |||
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1.9
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II. Adagio cantabile
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
7:41 | |||
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1.10
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III. Scherzo (Allegro)
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
3:46 | |||
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1.11
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IV. Finale (Allegro)
Ludwig van Beethoven; Chloë Hanslip; Danny Driver |
5:29 | |||
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Digital Booklet
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"Chloë Hanslip and Danny Driver make an exceptionally good duo. The sense of intimate responsiveness to each other runs through all four sonatas…Everything sounds as though it’s minutely calculated..."
- BBC Music Magazine
"...a superb collaborative relationship. What also struck me was the freshness and spontaneity of their approach."
- ClassicalSource
Chloë Hanslip and Danny Driver take on the supreme challenge of recording all ten of Beethoven's violin sonatas. This album is the second volume of this large-scale project and consists of his fourth, fifth, and seventh sonatas, all different yet all stunning.
96 kHz / 24-bit PCM – RUBICON Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.96 -8.27 to -0.24 | -26.45 -31.15 to -24.01 | -23.07 -28.00 to -20.40 | 15 12 to 18 | |
| 1 | I. Presto | -1.39 | -24.55 | -21.3 | 14 |
| 2 | II. Andante scherzoso - più Allegretto | -4.78 | -28.95 | -25.1 | 15 |
| 3 | III. Allegro molto | 0.00 | -24.80 | -20.7 | 14 |
| 4 | I. Allegro | -0.76 | -25.01 | -21.9 | 16 |
| 5 | II. Adagio molto espressivo | -8.27 | -31.15 | -28.0 | 12 |
| 6 | III. Scherzo (Allegro molto) | -5.24 | -26.29 | -23.2 | 14 |
| 7 | IV. Rondo (Allegro ma non troppo) | -2.35 | -24.68 | -21.6 | 14 |
| 8 | I. Allegro con brio | -0.24 | -24.01 | -20.4 | 15 |
| 9 | II. Adagio cantabile | -3.60 | -29.54 | -26.5 | 18 |
| 10 | III. Scherzo (Allegro) | -2.05 | -27.54 | -24.2 | 17 |
| 11 | IV. Finale (Allegro) | -0.90 | -24.45 | -20.9 | 15 |