℗ 2018 Grigory Krotenko
| Released | March 23, 2018 |
| Duration | 57m 51s |
| Record Label | RUBICON |
| Genre | Classical (Solo concerto, concerto grosso, sinfonia concertante) |
Travels with Goliath, In the footsteps of Josef Kämpfer
Grigory Krotenko, Barocco Concertato, Maria Krestinskaya, Ilya Mazurov
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Concerto for Double Bass in E-Flat
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1.1
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I. Allegro moderato
Franz Anton Hoffmeister; Maria Krestinskaya; Grigory Krotenko; Barocco Concertato |
9:39 | |||
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1.2
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II. Adagio
Franz Anton Hoffmeister; Maria Krestinskaya; Barocco Concertato; Grigory Krotenko |
4:44 | |||
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1.3
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III. Adagio – Allegro
Franz Anton Hoffmeister; Maria Krestinskaya; Barocco Concertato; Grigory Krotenko |
4:30 | |||
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Sonata per il Contrabasso e Viola d’amore
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1.4
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I. Allegro moderato
Johann Matthias Sperger; Maria Krestinskaya; Grigory Krotenko |
5:58 | |||
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1.5
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II. Adagio
Johann Matthias Sperger; Maria Krestinskaya; Grigory Krotenko |
4:25 | |||
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1.6
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III. Rondo – Moderato
Johann Matthias Sperger; Maria Krestinskaya; Grigory Krotenko |
5:07 | |||
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Concerto for Double Bass in E-Flat
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1.7
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I. Allegro moderato
Johann-Baptist Vanhal; Maria Krestinskaya; Barocco Concertato; Grigory Krotenko |
6:09 | |||
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1.8
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II. Adagio
Johann-Baptist Vanhal; Maria Krestinskaya; Barocco Concertato; Grigory Krotenko |
6:31 | |||
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1.9
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III. Allegro
Johann-Baptist Vanhal; Maria Krestinskaya; Barocco Concertato; Grigory Krotenko |
4:30 | |||
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1.10
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Concert aria for bass voice, double bass and orchestra, K. 612 "Per questa bella mano"
Wolfgang Amadeus Mozart; Ilya Mazurov; Maria Krestinskaya; Barocco Concertato; Grigory Krotenko |
6:18 | |||
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Digital Booklet
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Joseph Kämpfer (1735-88?) is a mysterious figure in the double bass world and Russian double bassist Grigory Krotenko seeks to demystify him on this album. This skilfully curated album featuring music by publisher and composer Hoffmeister, double bass virtuoso Sperger, Haydn and Mozart’s friend and fellow composer Vanhal, and last but by no means least Mozart himself.
44.1 kHz / 24-bit PCM – RUBICON Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.07 -5.85 to -1.15 | -25.36 -27.56 to -23.97 | -22.37 -24.40 to -20.90 | 14 12 to 16 | |
| 1 | I. Allegro moderato | -3.75 | -24.96 | -21.9 | 14 |
| 2 | II. Adagio | -5.85 | -26.24 | -23.0 | 12 |
| 3 | III. Adagio – Allegro | -2.63 | -23.99 | -21.2 | 14 |
| 4 | I. Allegro moderato | -1.73 | -24.68 | -21.9 | 16 |
| 5 | II. Adagio | -3.26 | -26.60 | -23.6 | 13 |
| 6 | III. Rondo – Moderato | -2.75 | -26.02 | -22.9 | 14 |
| 7 | I. Allegro moderato | -2.95 | -24.99 | -22.1 | 14 |
| 8 | II. Adagio | -5.12 | -27.56 | -24.4 | 14 |
| 9 | III. Allegro | -1.47 | -24.57 | -21.8 | 16 |
| 10 | Concert aria for bass voice, double bass and orchestra, K. 612 "Per questa bella mano" | -1.15 | -23.97 | -20.9 | 15 |