Guitar Music of Mexico
Cecilio Perera
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Siena
Ernesto Hernández Lunagómez; Cecilio Perera |
3:45 | |||
Imágenes de Yucatán
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1.2
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I. Mérida
Julio César Oliva; Cecilio Perera |
5:37 | |||
1.3
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II. Paseo Montejo
Julio César Oliva; Cecilio Perera |
5:08 | |||
1.4
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III. Chichén Itzá
Julio César Oliva; Cecilio Perera |
6:02 | |||
1.5
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La Llorona (Arr. J.C. Oliva for Guitar)
Traditional; Julio César Oliva; Cecilio Perera |
2:41 | |||
3 Pieces for Guitar
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1.6
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No. 1, Rápido
Jorge Ritter; Cecilio Perera |
2:22 | |||
1.7
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No. 2, Andante
Jorge Ritter; Cecilio Perera |
2:05 | |||
1.8
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No. 3, Jaleo
Jorge Ritter; Cecilio Perera |
2:10 | |||
1.9
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Marina
Cecilio Perera; Cecilio Perera |
4:17 | |||
Sonata para el Final de los Tiempos
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1.10
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I. Señales Proféticas
Julio César Oliva; Cecilio Perera |
8:45 | |||
1.11
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II. La Gran Tribulación
Julio César Oliva; Cecilio Perera |
8:03 | |||
1.12
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III. Paraíso Recobrado
Julio César Oliva; Cecilio Perera |
7:25 | |||
1.13
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Sueño, "Soñó mi mente loca" (arr. C. Perera for guitar)
Cecilio Perera; Alfredo Tamayo; Cecilio Perera |
3:38 | |||
1.14
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Mabi
Cutberto Córdova; Cecilio Perera |
2:25 | |||
1.15
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Un Retrato
Juan Helguera; Cecilio Perera |
2:32 | |||
Aires de Son
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1.16
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I. Aire Itsmeño
Gerardo Támez; Cecilio Perera |
2:06 | |||
1.17
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II. Quedo
Gerardo Támez; Cecilio Perera |
3:35 | |||
1.18
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III. Son Trunco
Gerardo Támez; Cecilio Perera |
2:02 | |||
Digital Booklet
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Award-winning guitarist Cecilio Perera shed light on the vibrant guitar music scene of Mexico on this album by highlighting new generations of composers who utilize traditional musical elements of Mexico in their music. Throughout Perera's career, he has championed the indigenous folkloric vitality of Mexican music and this album is a perfect representation of his musical advocacy.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.85 -13.92 to -2.58 | -31.59 -35.47 to -28.56 | -28.59 -32.00 to -25.80 | 15 13 to 19 | |
1 | Siena | -6.04 | -30.16 | -26.3 | 14 |
2 | I. Mérida | -5.70 | -29.96 | -27.3 | 17 |
3 | II. Paseo Montejo | -11.13 | -32.26 | -29.4 | 15 |
4 | III. Chichén Itzá | -4.95 | -29.45 | -26.8 | 17 |
5 | La Llorona (Arr. J.C. Oliva for Guitar) | -9.79 | -32.49 | -29.7 | 14 |
6 | No. 1, Rápido | -7.96 | -28.64 | -25.9 | 14 |
7 | No. 2, Andante | -12.91 | -33.02 | -30.1 | 14 |
8 | No. 3, Jaleo | -2.58 | -28.56 | -25.8 | 19 |
9 | Marina | -11.89 | -32.61 | -29.6 | 13 |
10 | I. Señales Proféticas | -5.43 | -30.65 | -28.0 | 16 |
11 | II. La Gran Tribulación | -5.19 | -30.11 | -27.0 | 17 |
12 | III. Paraíso Recobrado | -8.02 | -30.73 | -28.0 | 16 |
13 | Sueño, "Soñó mi mente loca" (arr. C. Perera for guitar) | -10.41 | -32.97 | -29.9 | 14 |
14 | Mabi | -12.13 | -35.10 | -32.0 | 15 |
15 | Un Retrato | -10.86 | -34.87 | -31.6 | 17 |
16 | I. Aire Itsmeño | -12.31 | -32.01 | -29.2 | 13 |
17 | II. Quedo | -13.92 | -35.47 | -31.4 | 14 |
18 | III. Son Trunco | -8.13 | -29.49 | -26.6 | 16 |