℗ 2023 Fantasy Records, Distributed by Concord.
| Released | May 19, 2023 |
| Duration | 33m 59s |
| Record Label | Craft Recordings |
| Catalogue No. | CR06331 |
| Genre | Jazz |
Pyramid
Cannonball Adderley Quintet
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Phases
Cannonball Adderley Quintet |
6:00 | |||
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1.2
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My Lady Blue
Cannonball Adderley Quintet |
4:45 | |||
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1.3
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Book-Ends
Cannonball Adderley Quintet |
5:35 | |||
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1.4
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Pyramid
Cannonball Adderley Quintet |
3:40 | |||
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Suite Cannon
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1.5
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Part 1 - The King And I
Cannonball Adderley Quintet |
3:14 | |||
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1.6
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Part 2 - Time In
Cannonball Adderley Quintet |
4:34 | |||
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1.7
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Part 3 - For Melvin Lastie
Cannonball Adderley Quintet |
2:35 | |||
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1.8
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Oh Bess, Oh Where's My Bess
Cannonball Adderley Quintet |
3:36 | |||
Among his other achievements, Cannonball Adderley pioneered the use of electric keyboards in jazz combos. It was Joe Zawinul’s work with Adderley that inspired Miles Davis to have Herbie Hancock “switch on,” and (perhaps as a way to return the compliment) Adderley follows Davis’s lead on this album by employing two keyboard players. Hal Galper, who would later gain fame with Phil Woods and in his own trio, is at the electric piano and contributes two originals, while George Duke’s clavinets and ARP synthesizer add all manner of additional textures. This was the first studio Adderley quintet album after several successful live ventures, and it features the ambitious “Suite Cannon,” which traverses a stylistic path from Africa to New Orleans. Brother Nat Adderley’s cornet and the seasoned Walter Booker/Roy McCurdy rhythm team are typically sympathetic, and Cannonball even looks back to his roots in a ballad duet with the great Jimmy Jones on piano.
192 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-8 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.25 -0.49 to -0.20 | -16.72 -20.24 to -15.49 | -13.90 -16.90 to -13.10 | 12 11 to 13 | |
| 1 | Phases | -0.20 | -15.86 | -13.1 | 11 |
| 2 | My Lady Blue | -0.20 | -15.63 | -13.1 | 11 |
| 3 | Book-Ends | -0.20 | -15.54 | -13.2 | 11 |
| 4 | Pyramid | -0.20 | -16.28 | -13.2 | 11 |
| 5 | Part 1 - The King And I | -0.26 | -20.24 | -16.9 | 13 |
| 6 | Part 2 - Time In | -0.20 | -15.49 | -13.1 | 11 |
| 7 | Part 3 - For Melvin Lastie | -0.20 | -16.01 | -13.7 | 12 |
| 8 | Oh Bess, Oh Where's My Bess | -0.49 | -18.69 | -14.9 | 12 |