℗ 1983 Universal International Music B.V.
| Released | 1983 |
| Duration | 48m 34s |
| Record Label | Universal Music Australia Pty. |
| Genre | Classical |
An die Musik - Schubert: Lieder (Elly Ameling – The Philips Recitals, Vol. 11)
Elly Ameling, Dalton Baldwin
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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An die Musik, D. 547
Franz Schubert; Franz von Schober; Elly Ameling; Dalton Baldwin |
2:53 | |||
|
1.2
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Schwestergruss, D. 762
Franz Schubert; Franz Seraph Ritter von Bruchmann; Elly Ameling; Dalton Baldwin |
6:37 | |||
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1.3
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Sei mir gegrüsst, D. 741
Franz Schubert; Friedrich Rückert; Elly Ameling; Dalton Baldwin |
3:30 | |||
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1.4
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Die Blumensprache, D. 519
Franz Schubert; Elly Ameling; Dalton Baldwin |
1:53 | |||
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1.5
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An den Mond, D. 296
Franz Schubert; Elly Ameling; Dalton Baldwin |
5:04 | |||
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1.6
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Abendbilder, D. 650
Franz Schubert; Johann Petrus Silbert; Elly Ameling; Dalton Baldwin |
5:15 | |||
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1.7
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III. Frühlingssehnsucht
Franz Schubert; Ludwig Heinrich Friedrich Rellstab; Elly Ameling; Dalton Baldwin |
3:09 | |||
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1.8
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Erster Verlust, D. 226
Franz Schubert; Elly Ameling; Dalton Baldwin |
2:02 | |||
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1.9
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Nachthymne, D. 687
Franz Schubert; Elly Ameling; Dalton Baldwin |
5:07 | |||
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1.10
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Die Sterne, D. 684
Franz Schubert; Elly Ameling; Dalton Baldwin |
3:43 | |||
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1.11
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Der Knabe, D. 692
Franz Schubert; Friedrich von Schlegel; Elly Ameling; Dalton Baldwin |
1:43 | |||
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1.12
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Wiegenlied, D. 498
Franz Schubert; Anonymous; Elly Ameling; Dalton Baldwin |
3:05 | |||
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1.13
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Bertas Lied in der Nacht, D. 653
Franz Schubert; Elly Ameling; Dalton Baldwin |
4:33 |
A glorious celebration of 'the Dutch nightingale': all of Elly Ameling's song-recital albums for Philips are being released by Universal Music!
In a career that spanned 43 years, Elly Ameling recorded over 150 LPs and CDs, many of them recognized with an Edison Award, the Grand Prix du Disque and the Deutscher Schallplattenpreis. She chose, from early on, to place art song at the heart of her repertoire. It is the full range of her mastery in this repertoire, from Monteverdi to Mahler, from Schubert to Cole Porter, which is celebrated in the present collection of her Philips and Decca recordings, issued to mark her 90th birthday.
Purity and beauty of voice, lively characterization and the art that conceals art were the hallmarks of Ameling as a singer. She loved singing as a child, and studying languages as a teenager, and her singing radiated an inner warmth and intelligence throughout her career. That career began in earnest soon after she won a Dutch singing competition in 1956, when a recording was made of the 'Laudate Dominum' from Mozart's Dominican Vespers, K. 321, issued by Philips on a 45rpm record and quickly forgotten. Only now has it been transferred to digital formats, from a rare copy of the disc in the collection of the Dutch writer René Seghers.
She recorded with pleasure and brought an imagined audience into the studio with her, and her communicative gifts transferred readily to the microphone. Philips captured her in Baroque cantatas by Vivaldi and Handel, and in the central German Lied repertoire from Haydn, Mozart and Schubert (eight glorious albums, including his little-known theatre music) to Wolf's Italienisches Liederbuch and Mörike-Lieder. Her perfect French is on display in mélodies by Debussy, Poulenc and Satie, and her linguistic virtuosity comes to the fore in several immaculately curated albums of mixed repertoire from Dowland to Castelnuovo-Tedesco.
Digitally recorded in 1982, Ameling's 'An die Musik' Schubert album had the distinction of being the first Lieder recital to appear on CD, and still deserves the accolades heaped upon it then. Though they were made in the CD era and received with just as much lavish praise as their predecessors, Ameling's later Philips albums have become collectors' items, and several of them receive their first reissue in this box. There are even two albums of jazz standards, which Ameling sings in inimitable style.
48 kHz / 24-bit PCM – Universal Music Australia Pty. Studio Masters
Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.69 -10.49 to -0.70 | -27.89 -34.57 to -24.55 | -24.12 -31.30 to -21.00 | 14 12 to 15 | |
| 1 | An die Musik, D. 547 | -1.76 | -25.94 | -21.9 | 14 |
| 2 | Schwestergruss, D. 762 | -1.38 | -27.41 | -23.6 | 14 |
| 3 | Sei mir gegrüsst, D. 741 | -4.64 | -26.00 | -22.3 | 12 |
| 4 | Die Blumensprache, D. 519 | -1.25 | -27.44 | -24.2 | 14 |
| 5 | An den Mond, D. 296 | -3.09 | -27.90 | -23.1 | 14 |
| 6 | Abendbilder, D. 650 | -3.42 | -26.57 | -23.3 | 14 |
| 7 | III. Frühlingssehnsucht | -0.70 | -24.55 | -21.0 | 15 |
| 8 | Erster Verlust, D. 226 | -3.87 | -29.84 | -25.9 | 12 |
| 9 | Nachthymne, D. 687 | -0.94 | -25.80 | -22.0 | 14 |
| 10 | Die Sterne, D. 684 | -4.39 | -27.95 | -24.3 | 14 |
| 11 | Der Knabe, D. 692 | -3.79 | -26.22 | -22.1 | 14 |
| 12 | Wiegenlied, D. 498 | -10.49 | -34.57 | -31.3 | 14 |
| 13 | Bertas Lied in der Nacht, D. 653 | -8.26 | -32.39 | -28.5 | 14 |