
℗ 2023 UMG Recordings; Blue Note Records
Released | May 19, 2023 |
Duration | 1h 04m 46s |
Record Label | Blue Note Records |
Genre | Jazz |
Grateful Deadication 2
Dave McMurray
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Playing in the Band
Dave McMurray |
7:07 | |||
1.2
|
China Cat Sunflower
Dave McMurray |
7:50 | |||
1.3
|
Bird Song
Dave McMurray |
8:56 | |||
1.4
|
To Lay Me Down (feat. Jamey Johnson)
Dave McMurray; Jamey Johnson |
8:30 | |||
1.5
|
Truckin’
Dave McMurray |
6:14 | |||
1.6
|
The Other One (feat. Bob James)
Dave McMurray; Bob James |
8:54 | |||
1.7
|
If I Had the World to Give (feat. Bob James)
Dave McMurray; Bob James |
4:26 | |||
1.8
|
Scarlet Begonias (feat. Oteil Burbridge)
Dave McMurray; Oteil Burbridge |
5:45 | |||
1.9
|
Crazy Fingers
Dave McMurray |
7:04 |
Saxophonist Dave McMurray returns with Grateful Deadication 2, the follow-up to his acclaimed 2021 tribute album which once again finds the saxophonist reimagining the songs of the Grateful Dead with his gritty and soulful Detroit sound which draws upon jazz, pop, rock, soul, reggae, R&B, gospel, and more. Grateful Deadication 2 features special guests Jamey Johnson, Oteil Burbridge, Bob James, and Don Was on a collection of Dead favorites including “Truckin’,” “Scarlet Begonias,” and “China Cat Sunflower.
“My most recent journey into Grateful Dead world began when my Detroit band and I traveled to Clubhouse Studios in Upstate New York,” says McMurray. “It’s a beautiful place, surrounded by lots of open land, and filled with vintage equipment. With master engineer Elliot Scheiner in tow, and four days and nights with only creating music on the brain, the vibe was just right. The result is a dark, sparse, emotional ride into the minds of Jerry Garcia, Bob Weir, and the Grateful Dead... Detroit style.”
Reflecting upon when he first heard the Grateful Dead, McMurray says “The long-form, odd measures and complex chords of the music hooked me immediately. I noticed the songs had great melodies yet held the openness of Miles Davis’ Electric Period. The music was catchy, psychedelic, raw, with the idea that nobody solos/everybody solos—akin to Weather Report. The more I listened, the more I knew these songs would eventually become a vehicle for my jazz expression.”"
96 kHz / 24-bit PCM – Blue Note Records Studio Masters
Tracks 1-9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.38 -1.64 to -0.20 | -17.72 -21.51 to -16.05 | -15.06 -17.80 to -13.80 | 11 10 to 13 | |
1 | Playing in the Band | -0.20 | -17.07 | -14.2 | 12 |
2 | China Cat Sunflower | -0.22 | -17.81 | -15.0 | 11 |
3 | Bird Song | -0.20 | -17.87 | -15.7 | 12 |
4 | To Lay Me Down (feat. Jamey Johnson) | -0.33 | -18.64 | -15.6 | 11 |
5 | Truckin’ | -0.22 | -16.55 | -14.5 | 12 |
6 | The Other One (feat. Bob James) | -0.20 | -16.66 | -14.9 | 10 |
7 | If I Had the World to Give (feat. Bob James) | -1.64 | -21.51 | -17.8 | 13 |
8 | Scarlet Begonias (feat. Oteil Burbridge) | -0.20 | -16.05 | -13.8 | 11 |
9 | Crazy Fingers | -0.20 | -17.30 | -14.0 | 11 |