℗ 2017 Odradek Records
| Released | March 23, 2018 |
| Duration | 1h 04m 04s |
| Record Label | Odradek Records |
| Genre | Classical (Keyboard) |
Brahms the Progressive
Pina Napolitano
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Klavierstücke, Op. 118
|
|||||
|
1.1
|
I. Intermezzo. Allegro non assai, ma molto appassionato
Johannes Brahms; Pina Napolitano |
1:49 | |||
|
1.2
|
Klavierstücke, Op. 118 : II. Intermezzo. Andante teneramente
Johannes Brahms; Pina Napolitano |
5:32 | |||
|
1.3
|
III. Ballade. Allegro energico
Johannes Brahms; Pina Napolitano |
3:23 | |||
|
1.4
|
IV. Intermezzo. Allegretto un poco agitato
Johannes Brahms; Pina Napolitano |
2:47 | |||
|
1.5
|
V. Romanze. Andante
Johannes Brahms; Pina Napolitano |
3:49 | |||
|
1.6
|
VI. Intermezzo. Andante, largo e mesto
Johannes Brahms; Pina Napolitano |
5:14 | |||
|
1.7
|
Kinderstück
Anton Webern; Pina Napolitano |
2:11 | |||
|
1.8
|
Satz für Klavier
Anton Webern; Pina Napolitano |
6:34 | |||
|
1.9
|
Sonata, Op. 1
Alban Berg; Pina Napolitano |
11:01 | |||
|
1.10
|
Klavierstück - Im Tempo eines Menuetts
Anton Webern; Pina Napolitano |
1:33 | |||
|
Variations, Op. 27
|
|||||
|
1.11
|
I. Sehr mäßig
Anton Webern; Pina Napolitano |
1:45 | |||
|
1.12
|
II. Sehr schnell
Anton Webern; Pina Napolitano |
0:49 | |||
|
1.13
|
III. Ruhig, fließend
Anton Webern; Pina Napolitano |
3:09 | |||
|
Klavierstücke, Op. 119
|
|||||
|
1.14
|
I. Intermezzo
Johannes Brahms; Pina Napolitano |
3:19 | |||
|
1.15
|
II. Intermezzo
Johannes Brahms; Pina Napolitano |
4:26 | |||
|
1.16
|
III. Intermezzo
Johannes Brahms; Pina Napolitano |
1:38 | |||
|
1.17
|
IV. Rhapsodie
Johannes Brahms; Pina Napolitano |
5:05 | |||
Legendary pianist Pina Napolitano accepts Schoenberg's invitation to view Brahms as "the father of modernism" in his essay entitled " Brahms the Progressive." She chooses a program to showcase the evolution of modernism, starting with romantic echoes in Brahm's involvement with the Second Viennese School, moving to Webern's unique musical language and stress on silences, and ending with Berg's signature metrical ambiguity. This album musically proves Brahm was, in fact, a progressive.
"Brahms considered himself, tragically, the last heir of a great musical tradition destines to close with his death. It was the future that told us that Brahms is not only this, but it is also the father of great musical transformation of which we are still children."
- Pina Napolitano
96 kHz / 24-bit PCM – Odradek Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.89 -17.17 to -0.01 | -22.46 -38.20 to -16.81 | -18.21 -33.80 to -12.90 | 12 10 to 15 | |
| 1 | I. Intermezzo. Allegro non assai, ma molto appassionato | -0.26 | -16.83 | -13.7 | 11 |
| 2 | Klavierstücke, Op. 118 : II. Intermezzo. Andante teneramente | -1.38 | -23.80 | -20.2 | 12 |
| 3 | III. Ballade. Allegro energico | -0.26 | -18.23 | -14.6 | 10 |
| 4 | IV. Intermezzo. Allegretto un poco agitato | -0.26 | -19.16 | -14.4 | 11 |
| 5 | V. Romanze. Andante | -3.43 | -25.72 | -22.6 | 13 |
| 6 | VI. Intermezzo. Andante, largo e mesto | -0.26 | -20.68 | -15.4 | 11 |
| 7 | Kinderstück | -17.17 | -38.20 | -33.8 | 13 |
| 8 | Satz für Klavier | -0.26 | -19.94 | -15.6 | 11 |
| 9 | Sonata, Op. 1 | -0.01 | -19.67 | -15.4 | 11 |
| 10 | Klavierstück - Im Tempo eines Menuetts | -2.03 | -23.76 | -19.2 | 13 |
| 11 | I. Sehr mäßig | -1.28 | -25.85 | -20.1 | 14 |
| 12 | II. Sehr schnell | -0.26 | -22.25 | -18.0 | 15 |
| 13 | III. Ruhig, fließend | -0.78 | -24.86 | -19.0 | 15 |
| 14 | I. Intermezzo | -3.70 | -26.76 | -22.0 | 13 |
| 15 | II. Intermezzo | -0.26 | -20.95 | -17.3 | 13 |
| 16 | III. Intermezzo | -0.26 | -18.32 | -15.3 | 11 |
| 17 | IV. Rhapsodie | -0.26 | -16.81 | -12.9 | 10 |