℗ 2018 Accentus Music
| Released | March 2, 2018 |
| Duration | 46m 55s |
| Record Label | Accentus Music |
| Genre | Classical (Sacred) |
Bruckner: Missa solemnis in B-Flat Minor, WAB 29
RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Missa solemnis in B-Flat Minor, WAB 29 (2017 Critical Ed. by B.-G. Cohrs)
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1.1
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I. Kyrie
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:53 | |||
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1.2
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IIa. Gloria. Gloria in excelsis Deo
Anton Bruckner; Johanna Winkel; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:15 | |||
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1.3
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IIb. Gloria. Qui tollis peccata mundi
Anton Bruckner; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:37 | |||
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1.4
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IIc. Gloria. Quoniam tu solus sanctus
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
0:44 | |||
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1.5
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IId. Gloria. In gloria Dei Patris
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:03 | |||
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1.6
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Christus factus est
Robert Führer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:38 | |||
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1.7
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IIIa. Credo. Credo in unum Deum
Anton Bruckner; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:30 | |||
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1.8
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IIIb. Credo. Et incarnatus est
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:25 | |||
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1.9
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IIIc. Credo. Crucifixus etiam pro nobis
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:55 | |||
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1.10
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IIId. Credo. Et resurrexit tertia die
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
3:17 | |||
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1.11
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IIIe. Credo. Et vitam venturi saeculi
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:05 | |||
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1.12
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Magna et mirabilia, HV 108
Joseph Eybler; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:52 | |||
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1.13
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IVa. Sanctus. Sanctus Dominus Deus Sabaoth
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:54 | |||
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1.14
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IVb. Sanctus. Benedictus
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:49 | |||
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1.15
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Va. Agnus Dei. Agnus Dei
Anton Bruckner; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:53 | |||
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1.16
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Vb. Agnus Dei. Dona nobis pacem
Anton Bruckner; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:59 | |||
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Te Deum, Op. 45
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1.17
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I. Te Deum laudamus
Johann Gänsbacher; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:07 | |||
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1.18
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II. Te ergo quaesumus
Johann Gänsbacher; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; Akademie für Alte Musik Berlin; Łukasz Borowicz |
0:52 | |||
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1.19
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III. Per singulos dies
Johann Gänsbacher; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
1:15 | |||
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1.20
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Tantum ergo, WAB 44 (Reconstructed by B.-G. Cohrs)
Anton Bruckner; Benjamin-Gunnar Cohrs; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
2:21 | |||
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1.21
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Magnificat, WAB 24 (Reconstructed by B.-G. Cohrs)
Anton Bruckner; Benjamin-Gunnar Cohrs; Johanna Winkel; Sophie Harmsen; Sebastian Kohlhepp; Ludwig Mittelhammer; RIAS Kammerchor; Akademie für Alte Musik Berlin; Łukasz Borowicz |
4:31 | |||
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Digital Booklet
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In this rarely ever heard recording, recently re-edited and newly remastered version of Bruckner's Missa Solemnis, audiences can hear how his symphonic architecture is rooted in the Viennese Classicism traditions. Bruckner composed this piece for the inauguration service of collegiate provost Friedrich Mayr in 1854 and conductor Łukasz Borowicz perfectly captures this specific kind of celebration in this performance.
48 kHz / 24-bit PCM – Accentus Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.02 -9.47 to -0.29 | -24.84 -33.95 to -19.74 | -21.25 -30.60 to -16.00 | 13 11 to 16 | |
| 1 | I. Kyrie | -3.49 | -26.66 | -22.6 | 14 |
| 2 | IIa. Gloria. Gloria in excelsis Deo | -1.48 | -22.66 | -18.6 | 13 |
| 3 | IIb. Gloria. Qui tollis peccata mundi | -8.71 | -33.95 | -30.6 | 16 |
| 4 | IIc. Gloria. Quoniam tu solus sanctus | -2.94 | -24.41 | -20.7 | 12 |
| 5 | IId. Gloria. In gloria Dei Patris | -0.84 | -21.89 | -18.7 | 13 |
| 6 | Christus factus est | -5.11 | -28.34 | -25.2 | 13 |
| 7 | IIIa. Credo. Credo in unum Deum | -2.49 | -22.27 | -18.5 | 13 |
| 8 | IIIb. Credo. Et incarnatus est | -6.38 | -27.69 | -24.6 | 13 |
| 9 | IIIc. Credo. Crucifixus etiam pro nobis | -3.87 | -25.74 | -21.8 | 12 |
| 10 | IIId. Credo. Et resurrexit tertia die | -0.59 | -22.66 | -18.1 | 14 |
| 11 | IIIe. Credo. Et vitam venturi saeculi | -1.70 | -22.31 | -19.1 | 13 |
| 12 | Magna et mirabilia, HV 108 | -0.65 | -22.06 | -18.8 | 13 |
| 13 | IVa. Sanctus. Sanctus Dominus Deus Sabaoth | -1.73 | -21.27 | -17.6 | 11 |
| 14 | IVb. Sanctus. Benedictus | -1.20 | -27.32 | -23.9 | 13 |
| 15 | Va. Agnus Dei. Agnus Dei | -7.15 | -29.00 | -26.0 | 13 |
| 16 | Vb. Agnus Dei. Dona nobis pacem | -1.33 | -24.50 | -20.6 | 14 |
| 17 | I. Te Deum laudamus | -0.29 | -20.47 | -16.8 | 13 |
| 18 | II. Te ergo quaesumus | -9.47 | -29.02 | -25.8 | 12 |
| 19 | III. Per singulos dies | -0.35 | -19.74 | -16.0 | 12 |
| 20 | Tantum ergo, WAB 44 (Reconstructed by B.-G. Cohrs) | -1.31 | -24.78 | -21.0 | 15 |
| 21 | Magnificat, WAB 24 (Reconstructed by B.-G. Cohrs) | -2.42 | -25.00 | -21.3 | 14 |