℗ 2017 La Prima Volta
| Released | April 13, 2018 |
| Duration | 1h 06m 31s |
| Record Label | La Dolce Volta |
| Genre | Classical (Keyboard (specific genres)) |
Album d'un voyageur
Florian Noack
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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British Folk-Music Settings
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1.1
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I. Molly on the Shore
Percy Grainger; Florian Noack |
3:21 | |||
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1.2
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II. The Knight and the Shepherd’s Daughter
Percy Grainger; Florian Noack |
2:31 | |||
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49 Deutsche Volkslieder, WoO 33
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1.3
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XXX. All’ mein’ Gedanken
Johannes Brahms; Florian Noack |
1:54 | |||
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1.4
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XXXI. Dort in den Weiden steht ein Haus
Johannes Brahms; Florian Noack |
1:05 | |||
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1.5
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VII. Gunhilde
Johannes Brahms; Florian Noack |
2:20 | |||
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1.6
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XXXIV. Wie komm’ ich dann de Poots eren?
Johannes Brahms; Florian Noack |
1:32 | |||
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1.7
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Chant russe No. 3, Op. 41
Sergei Rachmaninov; Florian Noack |
3:39 | |||
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Danses arméniennes
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1.8
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II. Yerangi
Komitas; Florian Noack |
2:30 | |||
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1.9
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V. Shushiki
Komitas; Florian Noack |
1:51 | |||
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Slåtter, Op. 72
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1.10
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XIV. Tussebrureferda på Vossevangen
Edvard Grieg; Florian Noack |
2:07 | |||
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1.11
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VI. Gangar (etter Myllarguten)
Edvard Grieg; Florian Noack |
1:15 | |||
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1.12
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IV. Haugelåt (Halling)
Edvard Grieg; Florian Noack |
3:26 | |||
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Variations sur des airs de biniou
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1.13
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I. Ronde
Paul Ladmirault; Florian Noack |
0:52 | |||
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1.14
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II. Bal
Paul Ladmirault; Florian Noack |
0:56 | |||
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1.15
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III. Passepied
Paul Ladmirault; Florian Noack |
0:57 | |||
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1.16
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IV. Bal (2)
Paul Ladmirault; Florian Noack |
0:59 | |||
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1.17
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V. Bal (3)
Paul Ladmirault; Florian Noack |
0:47 | |||
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38 Waltzes, Ländler and Ecossaises, D. 145
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1.18
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I. Valse No. 1
Franz Schubert; Florian Noack |
1:16 | |||
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1.19
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II. Valse No. 2
Franz Schubert; Florian Noack |
0:45 | |||
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1.20
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III. Valse No. 3
Franz Schubert; Florian Noack |
1:35 | |||
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1.21
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IV. Valse No. 4
Franz Schubert; Florian Noack |
0:36 | |||
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1.22
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V. Valse No. 5
Franz Schubert; Florian Noack |
0:32 | |||
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1.23
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VI. Valse No. 6
Franz Schubert; Florian Noack |
1:16 | |||
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1.24
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VII. Valse No. 7
Franz Schubert; Florian Noack |
0:58 | |||
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1.25
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VIII. Valse No. 8
Franz Schubert; Florian Noack |
0:29 | |||
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1.26
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IX. Valse No. 9
Franz Schubert; Florian Noack |
0:37 | |||
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1.27
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X. Valse No. 10
Franz Schubert; Florian Noack |
0:43 | |||
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1.28
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XI. Valse No. 11
Franz Schubert; Florian Noack |
0:56 | |||
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1.29
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XII. Valse No. 12
Franz Schubert; Florian Noack |
1:07 | |||
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Danses de Lachie
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1.30
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I. Požehnaný
Leoš Janáček; Florian Noack |
2:20 | |||
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1.31
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II. Čeladenský
Leoš Janáček; Florian Noack |
2:05 | |||
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1.32
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Danza Ibérica (Une nuit de Mai à Séville)
Joaquin Nin; Florian Noack |
7:18 | |||
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Quatre Danses polonaises
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1.33
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I. Mazurka
Karol Szymanowski; Florian Noack |
1:06 | |||
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1.34
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II. Krakowiak
Karol Szymanowski; Florian Noack |
1:13 | |||
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1.35
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III. Oberek
Karol Szymanowski; Florian Noack |
3:48 | |||
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1.36
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Tarantelle No. 6, Op. 44
Giuseppe Martucci; Florian Noack |
5:49 | |||
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Digital Booklet
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Florian Noack takes his listeners on a journey through the folklore of many different nations. This amazing sonic adventure highlights the unique flavor of these compositions and Noack's virtuosity.
96 kHz / 24-bit PCM – La Dolce Volta Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.02 -15.71 to -1.00 | -25.13 -34.30 to -20.01 | -21.73 -31.10 to -16.70 | 12 10 to 14 | |
| 1 | I. Molly on the Shore | -2.86 | -23.80 | -21.0 | 13 |
| 2 | II. The Knight and the Shepherd’s Daughter | -6.94 | -28.89 | -25.5 | 14 |
| 3 | XXX. All’ mein’ Gedanken | -2.92 | -26.13 | -22.9 | 14 |
| 4 | XXXI. Dort in den Weiden steht ein Haus | -5.43 | -25.09 | -22.3 | 13 |
| 5 | VII. Gunhilde | -15.71 | -34.30 | -31.1 | 11 |
| 6 | XXXIV. Wie komm’ ich dann de Poots eren? | -8.15 | -27.28 | -24.3 | 12 |
| 7 | Chant russe No. 3, Op. 41 | -3.74 | -23.67 | -19.6 | 11 |
| 8 | II. Yerangi | -9.80 | -29.92 | -26.2 | 13 |
| 9 | V. Shushiki | -12.47 | -31.94 | -27.8 | 11 |
| 10 | XIV. Tussebrureferda på Vossevangen | -2.28 | -22.99 | -18.7 | 11 |
| 11 | VI. Gangar (etter Myllarguten) | -1.63 | -20.63 | -16.7 | 11 |
| 12 | IV. Haugelåt (Halling) | -1.69 | -23.14 | -18.1 | 12 |
| 13 | I. Ronde | -4.77 | -23.54 | -20.3 | 12 |
| 14 | II. Bal | -2.09 | -20.99 | -18.2 | 11 |
| 15 | III. Passepied | -4.23 | -21.66 | -18.8 | 10 |
| 16 | IV. Bal (2) | -2.93 | -21.15 | -18.2 | 11 |
| 17 | V. Bal (3) | -2.38 | -22.66 | -19.7 | 11 |
| 18 | I. Valse No. 1 | -2.18 | -23.61 | -19.8 | 12 |
| 19 | II. Valse No. 2 | -11.69 | -31.78 | -28.9 | 11 |
| 20 | III. Valse No. 3 | -2.13 | -24.13 | -21.2 | 13 |
| 21 | IV. Valse No. 4 | -2.90 | -21.29 | -18.1 | 12 |
| 22 | V. Valse No. 5 | -9.74 | -28.34 | -24.8 | 11 |
| 23 | VI. Valse No. 6 | -8.08 | -29.67 | -26.7 | 13 |
| 24 | VII. Valse No. 7 | -3.83 | -25.84 | -22.4 | 12 |
| 25 | VIII. Valse No. 8 | -5.63 | -25.95 | -22.9 | 11 |
| 26 | IX. Valse No. 9 | -4.92 | -23.99 | -20.9 | 12 |
| 27 | X. Valse No. 10 | -14.74 | -32.89 | -29.7 | 10 |
| 28 | XI. Valse No. 11 | -3.39 | -22.89 | -19.0 | 11 |
| 29 | XII. Valse No. 12 | -2.34 | -21.93 | -17.4 | 12 |
| 30 | I. Požehnaný | -1.81 | -22.20 | -19.1 | 12 |
| 31 | II. Čeladenský | -2.15 | -21.63 | -18.6 | 11 |
| 32 | Danza Ibérica (Une nuit de Mai à Séville) | -1.00 | -21.93 | -18.3 | 13 |
| 33 | I. Mazurka | -5.13 | -27.90 | -25.0 | 10 |
| 34 | II. Krakowiak | -7.19 | -27.51 | -24.3 | 11 |
| 35 | III. Oberek | -1.00 | -23.44 | -18.8 | 13 |
| 36 | Tarantelle No. 6, Op. 44 | -1.00 | -20.01 | -17.1 | 12 |