Brahms: Symphony No. 3
Anneke Scott, Nuala Hebert, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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5 Lieder, Op. 41
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1.1
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No. 1. Ich schwing mein Horn ins Jammertal
Johannes Brahms; Monteverdi Choir; John Eliot Gardiner |
4:23 | |||
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4 Gesänge, Op. 17 (text by F. Ruperti)
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1.2
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No. 1. Es tont ein voller Harfenklang
Johannes Brahms; Monteverdi Choir; Anneke Scott; Nuala Hebert; John Eliot Gardiner |
3:19 | |||
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5 Gesänge, Op. 104
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1.3
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No. 1. Nachtwache I
Johannes Brahms; Monteverdi Choir; John Eliot Gardiner |
3:06 | |||
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13 Canons, Op. 113 (Ruckert settings only)
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1.4
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No. 13. Einformig ist der Liebe Gram
Johannes Brahms; Monteverdi Choir; John Eliot Gardiner |
2:40 | |||
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1.5
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Gesang der Parzen, Op. 89
Johannes Brahms; Monteverdi Choir; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner |
11:15 | |||
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Symphony No. 3 in F Major, Op. 90
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1.6
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I. Allegro con brio - Un poco sostenuto
Johannes Brahms; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner |
11:30 | |||
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1.7
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II. Andante
Johannes Brahms; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner |
8:25 | |||
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1.8
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III. Poco allegretto
Johannes Brahms; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner |
5:54 | |||
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1.9
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IV. Allegro - Un poco sostenuto
Johannes Brahms; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner |
7:40 | |||
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1.10
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Nänie, Op. 82: Nanie, Op. 82
Johannes Brahms; Monteverdi Choir; Orchestre Révolutionnaire et Romantique; John Eliot Gardiner |
12:01 | |||
"Throughout, there’s the satisfying phrasing that Gardiner excels in, with melodic lines and their accompaniments shifting and undulating to a satisfying degree...Riveting, enlightening and enjoyable in equal measure."
- BBC
"It’s hard to under-emphasise the lift Gardiner’s historically informed performance has given to Brahms’s Third Symphony..."
- Classic FM
"Gardiner sets his face against anything that could be construed as false consolation. In his element in Song of the Fates, he gives the sublime Nänie an unusually taut, sharp-edged feel."
- Gramophone
48 kHz / 24-bit PCM – SDG Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.53 -10.70 to -2.07 | -25.56 -34.58 to -20.37 | -21.41 -30.60 to -15.50 | 14 13 to 15 | |
| 1 | No. 1. Ich schwing mein Horn ins Jammertal | -10.70 | -34.58 | -30.6 | 15 |
| 2 | No. 1. Es tont ein voller Harfenklang | -2.07 | -25.26 | -21.5 | 13 |
| 3 | No. 1. Nachtwache I | -2.31 | -27.57 | -22.5 | 14 |
| 4 | No. 13. Einformig ist der Liebe Gram | -7.70 | -29.47 | -25.9 | 14 |
| 5 | Gesang der Parzen, Op. 89 | 0.00 | -20.90 | -15.7 | 13 |
| 6 | I. Allegro con brio - Un poco sostenuto | 0.00 | -20.99 | -16.9 | 13 |
| 7 | II. Andante | -4.35 | -26.08 | -22.7 | 13 |
| 8 | III. Poco allegretto | -6.05 | -27.16 | -23.8 | 13 |
| 9 | IV. Allegro - Un poco sostenuto | 0.00 | -20.37 | -15.5 | 13 |
| 10 | Nänie, Op. 82: Nanie, Op. 82 | 0.00 | -23.22 | -19.0 | 14 |