℗ 1979 Deutsche Grammophon GmbH, Berlin
Released October 1, 1979
Duration 2h 29m 48s
Record Label Deutsche Grammophon Classics
Genre Classical
 

Tchaikovsky: Swan Lake, Op.20, TH.12

Boston Symphony Orchestra, Seiji Ozawa

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
↵ discounted price

 
Swan Lake, Op.20, TH.12  
1.1
Introduction
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:52
Swan Lake, Op.20, TH.12 / Act 1  
1.2
No.1 Scène (Allegro giusto)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:57
1.3
No.2 Valse (Corps de Ballet)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
7:10
1.4
No.3 Scène (Allegro moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:49
1.5
No.4a Pas de trois: Intrada (Allegro)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:26
1.6
No.4b Pas de trois: Andante sostenuto
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:20
1.7
No.4c Pas de trois: Allegro semplice
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:15
1.8
No.4d Pas de trois: Moderato
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:15
1.9
No.4e Pas de trois: Allegro
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:14
1.10
No.4f Pas de trois: Coda (Allegro vivace)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:38
1.11
No.5 Pas de deux: a) Intrada-Valse - b) Andante
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
7:44
1.12
No.5c Pas de deux: Valse
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:37
1.13
No.5d Pas de deux: Coda (Allegro molto vivace)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:57
1.14
No. 6 Pas d'action und No. 7 Sujet
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:51
1.15
No.8 Danse des coupes (Tempo di polacca)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
6:49
1.16
No.9 Finale (Andante)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:39
Swan Lake, Op.20, TH.12 / Act 2  
1.17
No.10 Scène (Moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:34
1.18
No.11 Scène (Allegro moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
5:35
1.19
No.12 Scène (Allegro)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:28
1.20
No.13a Danse des cygnes: Valse
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:25
1.21
No.13b Danse des cygnes: Odette solo/Première danse de la reine des cygnes (Moderato assai)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:46
1.22
No.13c Danse des cygnes: Valse
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:42
1.23
No.13d Danse des petits cygnes (Allegro moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:31
1.24
No.13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxième danse de la reine des cygnes (Andante)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
7:19
1.25
No.13f Danse des cygnes: Danse générale (Valse)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:26
1.26
No.13g Danse des cygnes: Coda (Allegro vivace)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:30
1.27
No.14 Scène (Moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:37
Swan Lake, Op.20, TH.12 / Act 3  
1.28
No.15 Danse de fançailles (Allegro giusto)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:37
1.29
No.16 Danses du corps de ballet et des nains (Moderato assai)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:51
1.30
No.17 Scène: Entrée des invités (Fanfares) et la valse (Allegro)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
6:40
1.31
No.18 Scène (Allegro)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:40
1.32
Pas de six: Intrada (moderato assai)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:41
1.33
Pas de six: Var. I (Allegro) und Var.II (Andante c.m.)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
4:55
1.34
Pas de six: Var. III (Moderato) und Var.IV (Allegro)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
1:28
1.35
Pas de six: Var. V (Moderato) und Coda (Allegro molto)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:07
1.36
No.20 Danse hongroise (Czárdás)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:03
1.37
Danse russe (Moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
4:29
1.38
No.21 Danse espagnole (Allegro non troppo. Tempo di bolero)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:47
1.39
No.22 Danse napolitaine
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
2:09
1.40
No.23 Mazurka
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:58
1.41
No.24 Scène (Allegro - Valse - Allegro vivo)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:31
Swan Lake, Op.20, TH.12 / Act 4  
1.42
No. 25 Entr'acte und No. 26 Scène
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
4:57
1.43
No.27 Danses des petits cygnes (Moderato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
5:37
1.44
No.28 Scène (Allegro agitato)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
3:13
1.45
No.29 Scène finale (Andante)
Pyotr Ilyich Tchaikovsky; Boston Symphony Orchestra; Seiji Ozawa
5:39
Seiji Ozawa leads the Boston Symphony Orchestra in one of Tchaikovsky's most well-known ballets. This orchestra takes on this massive musical project and brings to life this dramatic story of Odette, a princess turned into a swan by an evil sorcerer's curse.
96 kHz / 24-bit PCM – Deutsche Grammophon Classics Studio Masters

This album contains high-resolution digital transfers of material originating from an analogue master source.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.46
-14.12 to -0.65
-26.20
-36.53 to -18.73
-21.63
-32.90 to -14.30
13
10 to 21
1
Introduction
-1.49-24.55-17.812
2
No.1 Scène (Allegro giusto)
-2.46-22.62-18.313
3
No.2 Valse (Corps de Ballet)
-1.00-22.55-16.512
4
No.3 Scène (Allegro moderato)
-2.29-24.90-20.013
5
No.4a Pas de trois: Intrada (Allegro)
-11.91-32.88-29.111
6
No.4b Pas de trois: Andante sostenuto
-14.12-36.53-32.912
7
No.4c Pas de trois: Allegro semplice
-4.86-29.87-26.115
8
No.4d Pas de trois: Moderato
-3.72-22.32-18.312
9
No.4e Pas de trois: Allegro
-4.26-29.96-25.913
10
No.4f Pas de trois: Coda (Allegro vivace)
-0.84-19.99-16.111
11
No.5 Pas de deux: a) Intrada-Valse - b) Andante
-3.26-31.03-26.315
12
No.5c Pas de deux: Valse
-8.72-32.06-28.813
13
No.5d Pas de deux: Coda (Allegro molto vivace)
-2.43-21.66-17.513
14
No. 6 Pas d'action und No. 7 Sujet
-5.18-31.89-27.516
15
No.8 Danse des coupes (Tempo di polacca)
-2.69-22.74-18.513
16
No.9 Finale (Andante)
-0.65-23.25-18.412
17
No.10 Scène (Moderato)
-2.97-22.38-18.111
18
No.11 Scène (Allegro moderato)
-2.77-24.48-19.812
19
No.12 Scène (Allegro)
-2.44-24.93-19.913
20
No.13a Danse des cygnes: Valse
-5.00-31.14-26.615
21
No.13b Danse des cygnes: Odette solo/Première danse de la reine des cygnes (Moderato assai)
-6.08-29.93-25.413
22
No.13c Danse des cygnes: Valse
-10.49-31.37-26.712
23
No.13d Danse des petits cygnes (Allegro moderato)
-4.24-36.12-32.621
24
No.13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxième danse de la reine des cygnes (Andante)
-3.10-32.73-27.419
25
No.13f Danse des cygnes: Danse générale (Valse)
-2.83-22.17-19.213
26
No.13g Danse des cygnes: Coda (Allegro vivace)
-1.05-19.73-15.211
27
No.14 Scène (Moderato)
-2.51-22.48-17.711
28
No.15 Danse de fançailles (Allegro giusto)
-1.21-21.24-18.013
29
No.16 Danses du corps de ballet et des nains (Moderato assai)
-0.75-22.69-17.513
30
No.17 Scène: Entrée des invités (Fanfares) et la valse (Allegro)
-2.77-28.13-23.415
31
No.18 Scène (Allegro)
-1.19-24.37-20.114
32
Pas de six: Intrada (moderato assai)
-2.00-29.32-25.816
33
Pas de six: Var. I (Allegro) und Var.II (Andante c.m.)
-3.25-26.93-18.813
34
Pas de six: Var. III (Moderato) und Var.IV (Allegro)
-1.90-22.16-18.412
35
Pas de six: Var. V (Moderato) und Coda (Allegro molto)
-0.96-20.95-15.112
36
No.20 Danse hongroise (Czárdás)
-2.40-25.46-21.613
37
Danse russe (Moderato)
-0.80-28.88-22.115
38
No.21 Danse espagnole (Allegro non troppo. Tempo di bolero)
-4.41-26.90-23.413
39
No.22 Danse napolitaine
-4.40-26.00-20.313
40
No.23 Mazurka
-1.97-21.63-16.812
41
No.24 Scène (Allegro - Valse - Allegro vivo)
-1.98-21.25-15.910
42
No. 25 Entr'acte und No. 26 Scène
-5.38-30.97-25.916
43
No.27 Danses des petits cygnes (Moderato)
-5.26-33.10-29.718
44
No.28 Scène (Allegro agitato)
-1.11-23.95-19.613
45
No.29 Scène finale (Andante)
-0.72-18.73-14.311

Offers & New Releases

exclusive benefits for mailing list members

 Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions