℗ 2009 Alia Vox
| Released | March 30, 2018 |
| Duration | 3h 15m 27s |
| Record Label | Alia Vox |
| Genre | Classical (Baroque) |
Maestros del Siglo de Oro
La Capella Reial de Catalunya, Hespèrion XX, Jordi Savall
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Officium Defunctorum
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1.1
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I. Ad Matutinum
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:01 | |||
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1.2
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II. Invitatorium
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
11:21 | |||
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1.3
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III. In Primo Nocturno (Lecti I)
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:16 | |||
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1.4
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IV. In Primo Nocturno (Lecti II)
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:42 | |||
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1.5
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V. In Primo Nocturno (Lecti III)
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:10 | |||
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1.6
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VI. In Secundo Nocturno
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
4:49 | |||
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Missa pro Defunctis
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1.7
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I. Introitus
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
6:00 | |||
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1.8
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II. Kyrie
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
5:55 | |||
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1.9
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III. Graduale
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
7:13 | |||
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1.10
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IV. Sequentia
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
9:22 | |||
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1.11
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V. Offetorium
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
8:24 | |||
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1.12
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VI. Sanctus
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
1:46 | |||
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1.13
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VII. Benedictus
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
1:11 | |||
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1.14
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VIII. Agnus Dei
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:35 | |||
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1.15
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IX. Communio
Cristóbal de Morales; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:35 | |||
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Sacrae Cantiones
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2.1
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I. Ave Maria (A 4)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:50 | |||
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2.2
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II. Alma Redemptoris Mater (A 4)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:30 | |||
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2.3
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III. Beata Dei Ginitrix, Maria (A 6)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
5:18 | |||
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2.4
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IV. Pater Noster (A 8)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
5:02 | |||
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2.5
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V. O Domine Jesu Christe I (Instrumental A 4)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:34 | |||
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2.6
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VI. O Domine Jesu Christe Ii (A 4)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:32 | |||
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2.7
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VII. O Sacrum Convivium (A 5)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:30 | |||
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2.8
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VIII. Laudate Dominum De Caelis (A 8)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:20 | |||
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2.9
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IX. Gabriel Archangelus (A 4)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
4:34 | |||
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2.10
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X. Ave, Vrgo Sanctissima (A 5)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:46 | |||
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2.11
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XI. Salve Regina (A 4)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
8:50 | |||
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2.12
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XII. Regina Caeli (A 8)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
4:55 | |||
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2.13
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XIII. ʻO Altitudo Divitiarum (Instrumental A 8)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:53 | |||
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2.14
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XIV. Trahe Me Post Te, Virgo Maria (A 5)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
4:07 | |||
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2.15
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XV. Duo Seraphim (A 12)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:40 | |||
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2.16
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XVI. Ave Maria (A 8)
Francisco Guerrero; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:53 | |||
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Cantica Beatae Virginis
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3.1
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I. Hymn: Ave Maria, for 4 Voices (Attributed; c1575-1600)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:13 | |||
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3.2
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II. Motet: Gaude, Maria Virgo, for 5 Voices (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:05 | |||
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3.3
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III. Motet: Trahe me, post te, for 6 Voices (1583)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
2:37 | |||
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3.4
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IV. Motet: Salve Regina, for 8 Voices (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
10:33 | |||
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3.5
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V. Antiphon: Ave regina caelorum, for 5 Voices (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
4:48 | |||
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3.6
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VI. Motet: Sancta Maria succurre miseris, for 4 Voices (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:40 | |||
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3.7
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VII. Motet: Ne timeas, Maria, for 4 Voices (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:08 | |||
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3.8
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VIII. Motet: Senex puerum portabat, a 4 (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:16 | |||
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3.9
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IX. Motet: O magnum mysterium, for 4 Voices (1572)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
3:24 | |||
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3.10
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X. Motete Vidi, speciosam, 1572
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
7:36 | |||
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3.11
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XI. Magnificat Primi toni, for 8 Voices (1600)
Tomás Luis de Victoria; La Capella Reial de Catalunya; Hespèrion XX; Jordi Savall |
11:33 | |||
"Masterpieces of musical severity and mystical depth, the flags of the sacred repertoire of Europe and Spain in the sixteenth century, here reconstructed and executed by Savall and the royal Capeilla with a superb elevation."
- La Quinta de Mahler
"Personally, I want to dedicate it to all the people who at the moment in my country suffer political persecution..."
- Jordi Savall
44.1 kHz / 24-bit PCM – Alia Vox Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.93 -10.97 to -0.20 | -23.59 -30.13 to -20.16 | -20.27 -27.30 to -17.10 | 12 10 to 15 | |
| 1.1 | I. Ad Matutinum | -4.68 | -22.94 | -19.5 | 11 |
| 1.2 | II. Invitatorium | -3.13 | -24.23 | -20.5 | 13 |
| 1.3 | III. In Primo Nocturno (Lecti I) | -4.57 | -25.33 | -21.5 | 13 |
| 1.4 | IV. In Primo Nocturno (Lecti II) | -8.57 | -29.25 | -25.8 | 13 |
| 1.5 | V. In Primo Nocturno (Lecti III) | -3.59 | -24.60 | -20.8 | 12 |
| 1.6 | VI. In Secundo Nocturno | -3.14 | -26.38 | -22.3 | 14 |
| 1.7 | I. Introitus | -5.62 | -25.12 | -22.2 | 12 |
| 1.8 | II. Kyrie | -2.54 | -23.73 | -20.0 | 13 |
| 1.9 | III. Graduale | -5.37 | -24.52 | -21.6 | 12 |
| 1.10 | IV. Sequentia | -6.98 | -27.35 | -24.3 | 14 |
| 1.11 | V. Offetorium | -2.69 | -23.92 | -20.9 | 12 |
| 1.12 | VI. Sanctus | -2.06 | -21.33 | -17.7 | 11 |
| 1.13 | VII. Benedictus | -6.44 | -24.66 | -21.0 | 10 |
| 1.14 | VIII. Agnus Dei | -5.06 | -24.02 | -20.3 | 12 |
| 1.15 | IX. Communio | -2.15 | -22.30 | -18.7 | 11 |
| 2.1 | I. Ave Maria (A 4) | -7.02 | -27.84 | -24.8 | 13 |
| 2.2 | II. Alma Redemptoris Mater (A 4) | -0.44 | -22.40 | -19.2 | 12 |
| 2.3 | III. Beata Dei Ginitrix, Maria (A 6) | -1.84 | -22.38 | -19.1 | 13 |
| 2.4 | IV. Pater Noster (A 8) | -0.95 | -22.12 | -19.0 | 13 |
| 2.5 | V. O Domine Jesu Christe I (Instrumental A 4) | -2.86 | -25.62 | -22.7 | 12 |
| 2.6 | VI. O Domine Jesu Christe Ii (A 4) | -1.44 | -24.23 | -20.9 | 14 |
| 2.7 | VII. O Sacrum Convivium (A 5) | -2.92 | -22.09 | -19.1 | 12 |
| 2.8 | VIII. Laudate Dominum De Caelis (A 8) | -1.57 | -20.86 | -17.6 | 12 |
| 2.9 | IX. Gabriel Archangelus (A 4) | -1.98 | -22.63 | -19.5 | 13 |
| 2.10 | X. Ave, Vrgo Sanctissima (A 5) | -2.68 | -24.44 | -21.2 | 12 |
| 2.11 | XI. Salve Regina (A 4) | -0.20 | -23.95 | -20.9 | 13 |
| 2.12 | XII. Regina Caeli (A 8) | -1.11 | -20.16 | -17.1 | 12 |
| 2.13 | XIII. ʻO Altitudo Divitiarum (Instrumental A 8) | -2.88 | -23.47 | -20.4 | 12 |
| 2.14 | XIV. Trahe Me Post Te, Virgo Maria (A 5) | -1.45 | -22.39 | -19.2 | 13 |
| 2.15 | XV. Duo Seraphim (A 12) | -0.21 | -20.84 | -17.1 | 12 |
| 2.16 | XVI. Ave Maria (A 8) | -0.77 | -21.33 | -18.3 | 11 |
| 3.1 | I. Hymn: Ave Maria, for 4 Voices (Attributed; c1575-1600) | -2.80 | -26.48 | -22.8 | 15 |
| 3.2 | II. Motet: Gaude, Maria Virgo, for 5 Voices (1572) | -3.08 | -21.79 | -18.6 | 11 |
| 3.3 | III. Motet: Trahe me, post te, for 6 Voices (1583) | -1.36 | -20.64 | -17.5 | 12 |
| 3.4 | IV. Motet: Salve Regina, for 8 Voices (1572) | -0.20 | -20.51 | -17.1 | 12 |
| 3.5 | V. Antiphon: Ave regina caelorum, for 5 Voices (1572) | -1.72 | -22.42 | -19.3 | 13 |
| 3.6 | VI. Motet: Sancta Maria succurre miseris, for 4 Voices (1572) | -1.56 | -23.23 | -19.9 | 13 |
| 3.7 | VII. Motet: Ne timeas, Maria, for 4 Voices (1572) | -3.00 | -24.25 | -20.5 | 12 |
| 3.8 | VIII. Motet: Senex puerum portabat, a 4 (1572) | -10.97 | -30.13 | -27.3 | 12 |
| 3.9 | IX. Motet: O magnum mysterium, for 4 Voices (1572) | -0.48 | -21.89 | -18.4 | 13 |
| 3.10 | X. Motete Vidi, speciosam, 1572 | -0.66 | -22.07 | -19.0 | 13 |
| 3.11 | XI. Magnificat Primi toni, for 8 Voices (1600) | -0.32 | -21.00 | -17.6 | 13 |