℗ 2018 Künstlersekretariat Astrid Schoerke
| Released | April 13, 2018 |
| Duration | 1h 07m 56s |
| Record Label | NoMadMusic |
| Genre | Classical |
Hindemith: Complete Sonatas for Viola Solo
Ruth Killius
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Viola Solo
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1.1
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I. Lebhafte Halbe (1937)
Paul Hindemith; Ruth Killius |
3:24 | |||
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1.2
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II. Langsame Viertel (1937)
Paul Hindemith; Ruth Killius |
6:21 | |||
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1.3
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III. Massig schnelle Viertel (1937)
Paul Hindemith; Ruth Killius |
4:22 | |||
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Sonata for Viola, No. 4, Op.31
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1.4
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I. Ausserst lebhaft
Paul Hindemith; Ruth Killius |
3:19 | |||
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1.5
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II. Lied
Paul Hindemith; Ruth Killius |
3:52 | |||
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1.6
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III. Thema mit Variationen
Paul Hindemith; Ruth Killius |
10:51 | |||
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Sonata for Viola No. 1, Op. 25
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1.7
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I. Breit. Viertel
Paul Hindemith; Ruth Killius |
2:03 | |||
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1.8
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II. Sehf frisch und straff
Paul Hindemith; Ruth Killius |
2:02 | |||
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1.9
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III. Sehr langsam
Paul Hindemith; Ruth Killius |
6:17 | |||
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1.10
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IV. Rasendes Zeitmass. Wild. Tonschonheit ist Nebensache
Paul Hindemith; Ruth Killius |
1:22 | |||
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1.11
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V. Langsam, mit viel Ausdruck
Paul Hindemith; Ruth Killius |
4:46 | |||
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Sonata for Viola No. 5, Op. 11
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1.12
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I. Lebhaft, aber nicht geeilt
Paul Hindemith; Ruth Killius |
2:46 | |||
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1.13
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II. Massig schnell, mit viel Warme vortragen
Paul Hindemith; Ruth Killius |
4:49 | |||
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1.14
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III. Scherzo
Paul Hindemith; Ruth Killius |
2:44 | |||
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1.15
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IV. In Form und Zeitmass einer Passacaglia
Paul Hindemith; Ruth Killius |
8:58 | |||
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Digital Booklet
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Often compared to Bach’s Sonatas and Partitas, these four solo sonatas by Paul Hindemith are certainly a challenge for any artist, one to which Ruth Killius - notably recognisable as a member of the Zehetmair Quartet - rises with fire and lyricism.
96 kHz / 24-bit PCM – NoMadMusic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.28 -9.64 to -1.70 | -28.85 -34.89 to -25.57 | -24.75 -29.80 to -21.70 | 15 13 to 17 | |
| 1 | I. Lebhafte Halbe (1937) | -4.98 | -27.10 | -23.3 | 14 |
| 2 | II. Langsame Viertel (1937) | -3.53 | -31.88 | -27.0 | 17 |
| 3 | III. Massig schnelle Viertel (1937) | -3.49 | -26.47 | -22.9 | 15 |
| 4 | I. Ausserst lebhaft | -4.53 | -25.92 | -22.9 | 14 |
| 5 | II. Lied | -9.10 | -34.89 | -29.8 | 14 |
| 6 | III. Thema mit Variationen | -1.70 | -26.27 | -22.0 | 16 |
| 7 | I. Breit. Viertel | -4.53 | -26.95 | -23.2 | 13 |
| 8 | II. Sehf frisch und straff | -2.15 | -25.57 | -21.7 | 15 |
| 9 | III. Sehr langsam | -9.64 | -33.01 | -27.7 | 13 |
| 10 | IV. Rasendes Zeitmass. Wild. Tonschonheit ist Nebensache | -4.84 | -25.70 | -22.5 | 14 |
| 11 | V. Langsam, mit viel Ausdruck | -7.77 | -32.57 | -27.8 | 14 |
| 12 | I. Lebhaft, aber nicht geeilt | -3.64 | -27.17 | -23.3 | 16 |
| 13 | II. Massig schnell, mit viel Warme vortragen | -7.23 | -31.41 | -27.0 | 15 |
| 14 | III. Scherzo | -7.24 | -29.26 | -25.4 | 15 |
| 15 | IV. In Form und Zeitmass einer Passacaglia | -4.84 | -28.59 | -24.7 | 16 |