℗ 2018 Dynamic
| Released | April 20, 2018 |
| Duration | 1h 05m 34s |
| Record Label | Dynamic |
| Genre | Classical (Piano) |
Satie: Gymnopédies, Gnossiennes & Other Works
Giacomo Scinardo
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
3 Gymnopédies
|
|||||
|
1.1
|
No. 1. Lent et douloureux
Erik Satie; Giacomo Scinardo |
4:09 | |||
|
Gnossiennes
|
|||||
|
1.2
|
No. 1
Erik Satie; Giacomo Scinardo |
3:28 | |||
|
1.3
|
Je te veux
Erik Satie; Giacomo Scinardo |
4:28 | |||
|
3 Gymnopédies
|
|||||
|
1.4
|
No. 2. Lent et triste
Erik Satie; Giacomo Scinardo |
3:19 | |||
|
Gnossiennes
|
|||||
|
1.5
|
No. 2
Erik Satie; Giacomo Scinardo |
2:19 | |||
|
1.6
|
Poudre d'or
Erik Satie; Giacomo Scinardo |
4:26 | |||
|
3 Gymnopédies
|
|||||
|
1.7
|
No. 3. Lent et grave
Erik Satie; Giacomo Scinardo |
3:26 | |||
|
Gnossiennes
|
|||||
|
1.8
|
No. 3
Erik Satie; Giacomo Scinardo |
2:39 | |||
|
1.9
|
Fantaisie-valse
Erik Satie; Giacomo Scinardo |
2:06 | |||
|
1.10
|
No. 4
Erik Satie; Giacomo Scinardo |
2:42 | |||
|
1.11
|
Valse-ballet
Erik Satie; Giacomo Scinardo |
1:41 | |||
|
1.12
|
No. 5
Erik Satie; Giacomo Scinardo |
3:30 | |||
|
La Porte héroïque du ciel
|
|||||
|
1.13
|
Prélude
Erik Satie; Giacomo Scinardo |
4:23 | |||
|
Gnossiennes
|
|||||
|
1.14
|
No. 6
Erik Satie; Giacomo Scinardo |
1:29 | |||
|
Le Piccadilly
|
|||||
|
1.15
|
Le Piccadilly
Erik Satie; Giacomo Scinardo |
1:33 | |||
|
Pièces froides No. 1 "Airs à faire fuir"
|
|||||
|
1.16
|
No. 1. D'une manière très particulière
Erik Satie; Giacomo Scinardo |
3:12 | |||
|
1.17
|
No. 2. Modestement
Erik Satie; Giacomo Scinardo |
1:15 | |||
|
1.18
|
No. 3. S'inviter
Erik Satie; Giacomo Scinardo |
3:00 | |||
|
Pièces froides No. 2 "Danses de travers"
|
|||||
|
1.19
|
No. 1. En y regardant à 2 fois
Erik Satie; Giacomo Scinardo |
1:16 | |||
|
1.20
|
No. 2. Passer
Erik Satie; Giacomo Scinardo |
1:12 | |||
|
1.21
|
No. 3. Encore
Erik Satie; Giacomo Scinardo |
1:52 | |||
|
Descriptions automatiques
|
|||||
|
1.22
|
I. Sur un vaisseau
Erik Satie; Giacomo Scinardo |
2:05 | |||
|
1.23
|
II. Sur une lanterne
Erik Satie; Giacomo Scinardo |
2:01 | |||
|
1.24
|
III. Sur un casque
Erik Satie; Giacomo Scinardo |
0:59 | |||
|
3 Valses distinguées du précieux dégoûté
|
|||||
|
1.25
|
No. 1. Sa taille
Erik Satie; Giacomo Scinardo |
1:08 | |||
|
1.26
|
No. 2. Son binocle
Erik Satie; Giacomo Scinardo |
1:13 | |||
|
1.27
|
No. 3. Ses jambes
Erik Satie; Giacomo Scinardo |
0:43 | |||
Born at a time when the music world was under the spell of Richard Wagner’s music, Erik Satie was perhaps the first French composer who chose aesthetics and a style that ignored the rampant Wagnerism. His piano works, short, hieratic, sometimes disarmingly simple, often bearing ironic and misleading titles, have inspired many musicians, such as Claude Debussy, who was Satie’s friend and admirer.
This release offers some of the French composer’s more renowned works, such as the beautiful "Trois Gymonopedies" and the remarkable "Six Gnossiennes", the long-lasting popularity of which is perhaps the best proof of Satie’s absolutely original talent. These works are presented by young pianist Giacomo Scinardo, whose highly successful recent recording of works by Mussorgsky was described by Fanfare as “exuberantly playful.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Dynamic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.45 -13.66 to -0.12 | -22.69 -31.55 to -14.41 | -19.59 -28.30 to -11.40 | 12 8 to 15 | |
| 1 | No. 1. Lent et douloureux | -5.88 | -29.07 | -26.0 | 15 |
| 2 | No. 1 | -0.27 | -22.98 | -20.1 | 14 |
| 3 | Je te veux | -0.12 | -17.24 | -14.5 | 10 |
| 4 | No. 2. Lent et triste | -4.29 | -28.92 | -25.8 | 15 |
| 5 | No. 2 | -7.80 | -26.71 | -23.5 | 12 |
| 6 | Poudre d'or | -0.12 | -17.63 | -14.9 | 11 |
| 7 | No. 3. Lent et grave | -9.94 | -30.22 | -27.0 | 14 |
| 8 | No. 3 | -4.80 | -25.31 | -22.7 | 12 |
| 9 | Fantaisie-valse | -0.12 | -15.56 | -12.2 | 8 |
| 10 | No. 4 | -5.91 | -25.90 | -23.0 | 12 |
| 11 | Valse-ballet | -0.12 | -15.65 | -12.7 | 9 |
| 12 | No. 5 | -6.10 | -25.72 | -22.7 | 13 |
| 13 | Prélude | -4.28 | -27.64 | -24.8 | 14 |
| 14 | No. 6 | -4.25 | -22.87 | -20.0 | 12 |
| 15 | Le Piccadilly | -0.12 | -14.41 | -11.5 | 8 |
| 16 | No. 1. D'une manière très particulière | -0.12 | -21.84 | -18.9 | 14 |
| 17 | No. 2. Modestement | -3.85 | -22.38 | -19.3 | 12 |
| 18 | No. 3. S'inviter | -0.12 | -20.53 | -17.5 | 13 |
| 19 | No. 1. En y regardant à 2 fois | -3.56 | -21.69 | -19.0 | 11 |
| 20 | No. 2. Passer | -4.85 | -23.62 | -20.6 | 11 |
| 21 | No. 3. Encore | -4.23 | -23.58 | -20.7 | 13 |
| 22 | I. Sur un vaisseau | -8.19 | -28.04 | -25.1 | 12 |
| 23 | II. Sur une lanterne | -0.12 | -22.73 | -18.5 | 14 |
| 24 | III. Sur un casque | -0.12 | -15.77 | -12.5 | 9 |
| 25 | No. 1. Sa taille | -0.12 | -19.60 | -15.8 | 10 |
| 26 | No. 2. Son binocle | -13.66 | -31.55 | -28.3 | 11 |
| 27 | No. 3. Ses jambes | -0.12 | -15.31 | -11.4 | 8 |