℗ 2018 Accentus Music
| Released | April 27, 2018 |
| Duration | 1h 02m 49s |
| Record Label | Accentus Music |
| Genre | Classical (Violin) |
Stravinsky & Sibelius: Violin Concertos
Zhi-Jong Wang, Philharmonia Orchestra, Thomas Sanderling
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto in D Minor, Op. 47
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1.1
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I. Allegro moderato
Jean Sibelius; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
16:46 | |||
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1.2
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II. Adagio di molto
Jean Sibelius; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
8:35 | |||
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1.3
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III. Allegro, ma non tanto
Jean Sibelius; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
7:46 | |||
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Violin Concerto in D Major
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1.4
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I. Toccata
Igor Stravinsky; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
5:37 | |||
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1.5
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II. Aria I
Igor Stravinsky; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
4:05 | |||
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1.6
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III. Aria II
Igor Stravinsky; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
5:32 | |||
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1.7
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IV. Capriccio
Igor Stravinsky; Zhi-Jong Wang; Philharmonia Orchestra; Thomas Sanderling |
6:02 | |||
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4 Fantasies on Chinese Folk Tunes
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1.8
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No. 3, Drama. Beijing Opera
Pei Lu; Zhi-Jong Wang |
8:26 | |||
Zhi-Jong Wang and the Philharmonia Orchestra, conducted by Thomas Sanderling, dedicate themselves to early twentieth century violin concertos by Jean Sibelius and Igor Stravinsky. Although the two works were composed only thirty years apart from one another, they could not be any more contrasting: minor against major, dark, mystical and introverted against exciting, suspenseful and sometimes ironic, yet the virtuoso and inspiring interpretation of the Chinese violinist reveals something amazingly unifying. Noticed by Yehudi Menuhin at a young age, Zhi-Jong Wang is considered one of the most promising violinists of her generation.
96 kHz / 24-bit PCM – Accentus Music Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.27 -6.72 to -0.19 | -27.00 -31.13 to -23.94 | -23.24 -26.90 to -20.30 | 15 14 to 16 | |
| 1 | I. Allegro moderato | -0.19 | -24.26 | -20.3 | 15 |
| 2 | II. Adagio di molto | -0.91 | -25.02 | -21.2 | 14 |
| 3 | III. Allegro, ma non tanto | -0.19 | -23.94 | -20.7 | 15 |
| 4 | I. Toccata | -1.44 | -25.68 | -22.4 | 15 |
| 5 | II. Aria I | -3.41 | -29.98 | -26.8 | 16 |
| 6 | III. Aria II | -6.72 | -31.13 | -26.9 | 14 |
| 7 | IV. Capriccio | -2.55 | -27.35 | -24.4 | 16 |
| 8 | No. 3, Drama. Beijing Opera | -2.75 | -28.69 | -23.2 | 16 |