℗ 2018 SOMM Recordings
 

Grieg & Delius: Piano Concertos

Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig

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Piano Concerto in A Minor, Op. 16  
1.1
I. Allegro molto moderato
Edvard Grieg; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig
14:21
1.2
II. Adagio
Edvard Grieg; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig
7:15
1.3
III. Allegro moderato molto e marcato
Edvard Grieg; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig
11:17
1.4
Piano Concerto in C Minor, RT VII/4 (1907 Version)
Frederick Delius; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig
24:21
1.5
Piano Concerto in B Minor, EG 120 (Fragment) (Arr. R. Matthew-Walker for Piano & Orchestra)
Edvard Grieg; Robert Matthew-Walker; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig
3:48
1.6
Piano Concerto in B Minor, EG 120 (Fragment) (Arr. R. Matthew-Walker for Piano)
Edvard Grieg; Robert Matthew-Walker; Mark Bebbington
3:58
3 Preludes, RT IX/8  
1.7
No. 1, Scherzando
Frederick Delius; Mark Bebbington
2:09
1.8
No. 2, Quick
Frederick Delius; Mark Bebbington
1:12
1.9
No. 3, Con moto
Frederick Delius; Mark Bebbington
1:25
2 Pieces for Small Orchestra, RT VI/19  
1.10
No. 1, On Hearing the First Cuckoo in Spring (Arr. P. Warlock for Piano 4 Hands)
Peter Warlock; Frederick Delius; Mark Bebbington; Irene Loh
5:11
Digital Booklet
Total Playing Time    74:57
"Grieg’s fingerprints are clearly audible. ...This isn’t a novelty that changes world history, but it’s good to have the evidence laid out, and I’d happily hear Bebbington play anything...[the A minor Concerto and the Delius] are both presented with nimble grace, some grandiloquent aplomb, and succulent orchestral playing." - The Times "This Good Friday release includes Grieg’s evergreen Piano Concerto (first heard in 1869) given a fresh and rewarding performance, with discretion, affection and character by Mark Bebbington and accompanied with sympathy and detail by the RPO and Jan Latham-Koenig, a cohesive reading that also gives the work’s various episodes full value, the poetic ones especially. " - Classical Source
96 kHz / 24-bit PCM – SOMM Recordings Studio Masters

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