℗ 2018 SOMM Recordings
| Released | April 20, 2018 |
| Duration | 1h 14m 57s |
| Record Label | SOMM Recordings |
| Genre | Classical (Piano) |
Grieg & Delius: Piano Concertos
Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Concerto in A Minor, Op. 16
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1.1
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I. Allegro molto moderato
Edvard Grieg; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
14:21 | |||
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1.2
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II. Adagio
Edvard Grieg; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
7:15 | |||
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1.3
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III. Allegro moderato molto e marcato
Edvard Grieg; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
11:17 | |||
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1.4
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Piano Concerto in C Minor, RT VII/4 (1907 Version)
Frederick Delius; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
24:21 | |||
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1.5
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Piano Concerto in B Minor, EG 120 (Fragment) (Arr. R. Matthew-Walker for Piano & Orchestra)
Edvard Grieg; Robert Matthew-Walker; Mark Bebbington; Royal Philharmonic Orchestra; Jan Latham-Koenig |
3:48 | |||
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1.6
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Piano Concerto in B Minor, EG 120 (Fragment) (Arr. R. Matthew-Walker for Piano)
Edvard Grieg; Robert Matthew-Walker; Mark Bebbington |
3:58 | |||
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3 Preludes, RT IX/8
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1.7
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No. 1, Scherzando
Frederick Delius; Mark Bebbington |
2:09 | |||
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1.8
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No. 2, Quick
Frederick Delius; Mark Bebbington |
1:12 | |||
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1.9
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No. 3, Con moto
Frederick Delius; Mark Bebbington |
1:25 | |||
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2 Pieces for Small Orchestra, RT VI/19
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1.10
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No. 1, On Hearing the First Cuckoo in Spring (Arr. P. Warlock for Piano 4 Hands)
Peter Warlock; Frederick Delius; Mark Bebbington; Irene Loh |
5:11 | |||
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Digital Booklet
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"Grieg’s fingerprints are clearly audible. ...This isn’t a novelty that changes world history, but it’s good to have the evidence laid out, and I’d happily hear Bebbington play anything...[the A minor Concerto and the Delius] are both presented with nimble grace, some grandiloquent aplomb, and succulent orchestral playing."
- The Times
"This Good Friday release includes Grieg’s evergreen Piano Concerto (first heard in 1869) given a fresh and rewarding performance, with discretion, affection and character by Mark Bebbington and accompanied with sympathy and detail by the RPO and Jan Latham-Koenig, a cohesive reading that also gives the work’s various episodes full value, the poetic ones especially. "
- Classical Source
96 kHz / 24-bit PCM – SOMM Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.35 -10.73 to -0.32 | -28.68 -33.87 to -23.82 | -24.56 -30.70 to -18.80 | 14 11 to 16 | |
| 1 | I. Allegro molto moderato | -1.88 | -26.14 | -21.9 | 15 |
| 2 | II. Adagio | -6.46 | -31.38 | -27.0 | 15 |
| 3 | III. Allegro moderato molto e marcato | -0.38 | -23.82 | -19.6 | 14 |
| 4 | Piano Concerto in C Minor, RT VII/4 (1907 Version) | -0.32 | -24.05 | -18.8 | 15 |
| 5 | Piano Concerto in B Minor, EG 120 (Fragment) (Arr. R. Matthew-Walker for Piano & Orchestra) | -1.39 | -26.58 | -22.9 | 16 |
| 6 | Piano Concerto in B Minor, EG 120 (Fragment) (Arr. R. Matthew-Walker for Piano) | -4.09 | -28.46 | -24.7 | 15 |
| 7 | No. 1, Scherzando | -7.97 | -30.27 | -26.0 | 13 |
| 8 | No. 2, Quick | -10.73 | -30.17 | -26.3 | 11 |
| 9 | No. 3, Con moto | -9.76 | -32.05 | -27.7 | 13 |
| 10 | No. 1, On Hearing the First Cuckoo in Spring (Arr. P. Warlock for Piano 4 Hands) | -10.47 | -33.87 | -30.7 | 13 |