℗ 2017 Little Tribeca
 

Debussy, Hindmith & Salzedo: Ballad in Red

Emmanuel Ceysson, Quatuor Voce

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1.1
Ballade fantastique pour harpe
Henriette Renié; Emmanuel Ceysson
11:54
1.2
Conte fantastique
André Caplet; Emmanuel Ceysson; Quatuor Voce
16:33
1.3
Red Quintet
Gustavo Leone; Emmanuel Ceysson; Quatuor Voce
11:51
Sonate pour harpe  
1.4
I. Mäßig schnell
Paul Hindemith; Emmanuel Ceysson
5:00
1.5
II. Lebhaft
Paul Hindemith; Emmanuel Ceysson
2:29
1.6
III. Sehr langsam
Paul Hindemith; Emmanuel Ceysson
3:06
3 Morceaux pour harpe seule  
1.7
I. Ballade, Op. 28
Carlos Salzédo; Emmanuel Ceysson
9:31
Danse sacrée et danse profane, L. 103  
1.8
I. Danse sacrée
Claude Debussy; Emmanuel Ceysson; Quatuor Voce
4:31
1.9
II. Danse profane
Claude Debussy; Emmanuel Ceysson; Quatuor Voce
4:54
1.10
Le Fil rouge d'après un thème de Mathias
Emmanuel Ceysson; Emmanuel Ceysson
2:18
Digital Booklet
Total Playing Time    72:07
Harp prodigy Emmanuel Ceysson, a member of the orchestra of the Opéra national de Paris and more recently of the Metropolitan Opera, is a real star. The scores come to life under his fingers: Debussy's impressionist atmospheres shimmer, Caplet [and Henriette Renié]'s fantastic sceneries come alive, and the beauties of Hindemith's writing unfold through the infinite palette of this instrument-band. Powerful in the low register, crystalline in the high notes, the harp matches harmoniously with the four instruments of the quartet: the timbral possibilities are extended and amplified. Gustavo Leone makes the most of this original instrumental combination in his Red Quintet. Placed under the sign of mystery and poetry, this recording crosses the 20th century and includes, alongside the giant Debussy, more confidential musicians. The opportunity is given to Henriette Renié and Carlo Salzédo, well known to harpists, to now introduce themselves to the general public through the bewitching interpretations of the virtuoso Emmanuel Ceysson.
96 kHz / 24-bit PCM – Aparté Studio Masters

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