℗ 2023 GENUIN classics
| Released | September 1, 2023 |
| Duration | 1h 14m 16s |
| Record Label | Genuin |
| Catalogue No. | GEN23807 |
| Genre | Classical (Piano) |
The Degenhof Sessions
Jacob Leuschner
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Wir danken dir, Gott, wir danken dir, BWV 29
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1.1
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Sinfonia
Johann Sebastian Bach; Wilhelm Kempff; Jacob Leuschner |
4:46 | |||
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Herr Jesu Christ, wahr' Mensch und Gott, BWV 127
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1.2
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Aria: Die Seele ruht in Jesu Händen
Johann Sebastian Bach; Harold Bauer; Jacob Leuschner |
5:37 | |||
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L'Arlesienne Suite No. 1
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1.3
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Adagietto
Georges Bizet; Leopold Godowsky; Jacob Leuschner |
2:05 | |||
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143 Lieder, Op. 326
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1.4
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No. 27: Still wie die Nacht
Carl Bohm; Leopold Godowsky; Jacob Leuschner |
3:07 | |||
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Myrthen, Op. 25, No. 24
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1.5
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No. 24 Du bist wie eine Blume
Robert Schumann; Leopold Godowsky; Jacob Leuschner |
1:56 | |||
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Rosamunde, D. 797
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1.6
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No. 9: Ballet Music
Franz Schubert; Leopold Godowsky; Jacob Leuschner |
2:56 | |||
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Waltzes, Op. 70
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1.7
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No. 3: Posthumous Waltz in D-flat major
Frédéric Chopin; Leopold Godowsky; Jacob Leuschner |
3:11 | |||
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Six Polish Songs, S. 480
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1.8
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No. 4: Bacchanal (Hulanka)
Frédéric Chopin; Franz Liszt; Jacob Leuschner |
1:51 | |||
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Trois Polkas de salon, Op. 7
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1.9
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No. 1: Allegro comodo in F-sharp major
Bedřich Smetana; Jacob Leuschner |
4:09 | |||
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Douze Études caractéristiques, Op. 2
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1.10
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No. 6: Si oiseau j’étais, à toi je volerais
Adolph von Henselt; Jacob Leuschner |
2:31 | |||
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Canciones y Danzas
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1.11
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No. 1: Quasi moderato – Allegro non troppo
Federico Mompou; Jacob Leuschner |
3:38 | |||
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1.12
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No. 4: Moderat – Viv
Federico Mompou; Jacob Leuschner |
4:06 | |||
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1.13
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No. 6: Cantabile espressivo – Ritmado
Federico Mompou; Jacob Leuschner |
3:31 | |||
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Five Spanish Dances, Op. 12
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1.14
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I. Allegro brioso
Moritz Moszkowski; Albert Ulrich; Jacob Leuschner |
1:48 | |||
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1.15
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II. Moderato
Moritz Moszkowski; Albert Ulrich; Jacob Leuschner |
4:08 | |||
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1.16
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III. Con moto
Moritz Moszkowski; Albert Ulrich; Jacob Leuschner |
2:45 | |||
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Triakontameron. Thirty Moods and Scenes in Triple Measure
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1.17
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No. 11: Alt-Wien
Leopold Godowsky; Jacob Leuschner |
2:16 | |||
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1.18
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No. 19: A Little Tango Rag
Leopold Godowsky; Jacob Leuschner |
1:08 | |||
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1.19
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No. 18: Anachronisms
Leopold Godowsky; Jacob Leuschner |
1:59 | |||
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1.20
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No. 13: Terpsichorean Vindobona
Leopold Godowsky; Jacob Leuschner |
2:17 | |||
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1.21
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Symphonic Metamorphoses on themes from “Die Fledermaus”
Leopold Godowsky; Johann Strauss II; Jacob Leuschner |
9:23 | |||
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Estampes, Op. 22a
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1.22
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No. 4: Marquis et marquise
Ignaz Friedman; Jacob Leuschner |
2:48 | |||
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Acht Etüden für Pianoforte, Op. 3
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1.23
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No. 7: Mainacht
Dirk Schäfer; Jacob Leuschner |
2:20 | |||
Once upon a time ... at the heyday of the piano, between 1880 and the Second World War, when nearly every pianist was also a composer and arranger. The distinction between interpretation, arrangement, and composition is not always clear-cut nor decisive – the only important thing is the delightful effect of these gems for piano, which pianist Jacob Leuschner, who has been exploring the repertoire of this "Golden Age of the Piano" for decades, has recorded for his new Genuin album. The names Leopold Godowsky, Ignaz Friedman, Federico Mompou can be found there, as well as a premiere recording by the Dutchman Dirk Schäfer. These are intimate piano moments that, played enchantingly and without the noise of shellac records, nevertheless bring their era back to life before our ears.
96 kHz / 24-bit PCM – Genuin Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.22 -9.57 to -0.30 | -23.35 -31.08 to -18.33 | -19.87 -27.50 to -14.30 | 13 11 to 15 | |
| 1 | Sinfonia | -0.30 | -18.55 | -15.7 | 12 |
| 2 | Aria: Die Seele ruht in Jesu Händen | -0.53 | -25.61 | -22.3 | 15 |
| 3 | Adagietto | -4.44 | -28.07 | -23.6 | 14 |
| 4 | No. 27: Still wie die Nacht | -1.22 | -25.91 | -22.5 | 14 |
| 5 | No. 24 Du bist wie eine Blume | -9.57 | -31.08 | -27.5 | 13 |
| 6 | No. 9: Ballet Music | -2.22 | -23.45 | -20.1 | 12 |
| 7 | No. 3: Posthumous Waltz in D-flat major | -1.31 | -22.93 | -20.0 | 13 |
| 8 | No. 4: Bacchanal (Hulanka) | -0.30 | -18.33 | -14.3 | 11 |
| 9 | No. 1: Allegro comodo in F-sharp major | -0.30 | -20.83 | -17.3 | 13 |
| 10 | No. 6: Si oiseau j’étais, à toi je volerais | -2.06 | -22.52 | -19.2 | 11 |
| 11 | No. 1: Quasi moderato – Allegro non troppo | -5.90 | -27.40 | -23.9 | 12 |
| 12 | No. 4: Moderat – Viv | -1.14 | -23.59 | -19.8 | 13 |
| 13 | No. 6: Cantabile espressivo – Ritmado | -1.88 | -21.82 | -17.7 | 12 |
| 14 | I. Allegro brioso | -0.39 | -20.53 | -17.7 | 13 |
| 15 | II. Moderato | -1.04 | -20.90 | -17.1 | 12 |
| 16 | III. Con moto | -0.30 | -19.25 | -16.0 | 13 |
| 17 | No. 11: Alt-Wien | -2.65 | -25.22 | -21.6 | 12 |
| 18 | No. 19: A Little Tango Rag | -3.45 | -24.39 | -20.5 | 11 |
| 19 | No. 18: Anachronisms | -4.84 | -25.45 | -22.5 | 13 |
| 20 | No. 13: Terpsichorean Vindobona | -0.30 | -20.61 | -17.6 | 13 |
| 21 | Symphonic Metamorphoses on themes from “Die Fledermaus” | -0.30 | -18.89 | -15.6 | 11 |
| 22 | No. 4: Marquis et marquise | -3.87 | -25.81 | -22.2 | 13 |
| 23 | No. 7: Mainacht | -2.75 | -25.81 | -22.4 | 12 |