℗ 2018 Grand Piano
| Released | May 11, 2018 |
| Duration | 1h 24m 07s |
| Record Label | Grand Piano |
| Genre | Classical (Piano) |
Satie: Complete Piano Works, Vol. 3 (New Salabert Edition)
Nicolas Horvath
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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4 Préludes
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1.1
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No. 3, 1er prélude du Nazaréen - No. 4, 2me prélude du Nazaréen
Erik Satie; Nicolas Horvath |
10:23 | |||
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Uspud (Version for Piano)
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1.2
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Act I
Erik Satie; Nicolas Horvath |
9:33 | |||
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1.3
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Act II
Erik Satie; Nicolas Horvath |
6:20 | |||
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1.4
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Act III
Erik Satie; Nicolas Horvath |
7:53 | |||
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4 Préludes
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1.5
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No. 2, Eginhard prélude
Erik Satie; Nicolas Horvath |
2:04 | |||
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1.6
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Danses gothiques
Erik Satie; Nicolas Horvath |
10:34 | |||
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1.7
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Vexations
Erik Satie; Nicolas Horvath |
7:01 | |||
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1.8
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Modéré (Version for Piano)
Erik Satie; Nicolas Horvath |
1:04 | |||
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1.9
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Prélude de la porte héroïque du ciel
Erik Satie; Nicolas Horvath |
4:50 | |||
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Gnossiennes
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1.10
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Gnossienne No. 6
Erik Satie; Nicolas Horvath |
2:17 | |||
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1.11
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Petite ouverture à danser
Erik Satie; Nicolas Horvath |
2:09 | |||
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Pièces froides No. 1 "Airs à faire fuir"
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1.12
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No. 1, D'une manière très particulière
Erik Satie; Nicolas Horvath |
4:30 | |||
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1.13
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No. 2, Modestement
Erik Satie; Nicolas Horvath |
1:09 | |||
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1.14
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No. 3, S'inviter
Erik Satie; Nicolas Horvath |
4:19 | |||
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1.15
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No. 2, Modestement (Version plus chromatique)
Erik Satie; Nicolas Horvath |
0:26 | |||
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Pièces froides No. 2 "Danses de travers"
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1.16
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No. 1, En y regardant à 2 fois
Erik Satie; Nicolas Horvath |
2:02 | |||
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1.17
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No. 2, Passer
Erik Satie; Nicolas Horvath |
1:44 | |||
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1.18
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No. 3, Encore
Erik Satie; Nicolas Horvath |
2:37 | |||
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1.19
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Danse de travers II
Erik Satie; Nicolas Horvath |
3:12 | |||
This third volume of Erik Satie’s complete solo piano music using Satie scholar Robert Orledge’s new Salabert Edition focuses on music composed between 1892-1897, including theatrical scores such as the revolutionary "Uspud", and the "Danses gothiques" and famous "Vexations" written while the composer was hiding from a tempestuous love affair. The period closes with Satie composing in what he called “a more flexible and accessible way" with the final "Gnossienne" and the six "Pieces froides".
Recognized at once as a great interpreter of Liszt’s music, Nicolas Horvath became in recent years one of the most sought after pianists of his generation. Holder of a number of awards, like the First Prize of the Scriabin and the Luigi Nono International Competitions, he frequently organizes events and concerts of unusual length, sometimes over twelve hours, such as Philip Glass complete piano music or Erik Satie’s "Vexations".
44.1 kHz / 24-bit PCM – Grand Piano Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.45 -11.05 to -0.10 | -28.01 -32.83 to -22.17 | -24.50 -29.90 to -18.70 | 14 11 to 17 | |
| 1 | No. 3, 1er prélude du Nazaréen - No. 4, 2me prélude du Nazaréen | -9.05 | -30.69 | -27.3 | 15 |
| 2 | Act I | -0.10 | -27.51 | -21.8 | 17 |
| 3 | Act II | -0.81 | -26.20 | -21.3 | 16 |
| 4 | Act III | -0.27 | -26.98 | -21.8 | 17 |
| 5 | No. 2, Eginhard prélude | -0.10 | -24.23 | -19.5 | 15 |
| 6 | Danses gothiques | -0.20 | -25.37 | -21.0 | 16 |
| 7 | Vexations | -6.31 | -32.83 | -28.9 | 15 |
| 8 | Modéré (Version for Piano) | -1.52 | -22.17 | -18.7 | 12 |
| 9 | Prélude de la porte héroïque du ciel | -9.11 | -29.49 | -26.6 | 14 |
| 10 | Gnossienne No. 6 | -10.06 | -29.66 | -27.0 | 13 |
| 11 | Petite ouverture à danser | -9.34 | -29.84 | -26.6 | 13 |
| 12 | No. 1, D'une manière très particulière | -3.57 | -29.39 | -26.6 | 16 |
| 13 | No. 2, Modestement | -4.64 | -24.29 | -21.6 | 12 |
| 14 | No. 3, S'inviter | -7.53 | -32.66 | -29.9 | 15 |
| 15 | No. 2, Modestement (Version plus chromatique) | -4.73 | -24.95 | -21.7 | 11 |
| 16 | No. 1, En y regardant à 2 fois | -10.86 | -29.74 | -27.2 | 13 |
| 17 | No. 2, Passer | -11.05 | -30.76 | -28.1 | 12 |
| 18 | No. 3, Encore | -9.56 | -28.68 | -26.0 | 13 |
| 19 | Danse de travers II | -4.70 | -26.73 | -23.9 | 13 |