℗ 2018 Cedille
Released | May 11, 2018 |
Duration | 1h 39m 03s |
Record Label | Cedille |
Genre | Classical (Chamber) |
Bach: The Sonatas for Violin & Harpsichord
Rachel Barton Pine, Jory Vinikour
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata No. 1 in B Minor, BWV 1014
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1.1
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I. Adagio
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:10 | |||
1.2
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II. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:46 | |||
1.3
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III. Andante
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:59 | |||
1.4
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IV. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
3:04 | |||
Violin Sonata No. 2 in A Major, BWV 1015
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1.5
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I. Dolce
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:58 | |||
1.6
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II. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:58 | |||
1.7
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III. Andante un poco
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:57 | |||
1.8
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IV. Presto
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:00 | |||
Violin Sonata No. 3 in E Major, BWV 1016
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1.9
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I. (Adagio)
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:07 | |||
1.10
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II. (Allegro)
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:39 | |||
1.11
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III. Adagio ma non tanto
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:38 | |||
1.12
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IV. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
3:35 | |||
Violin Sonata No. 4 in C Minor, BWV 1017
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2.1
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I. Siciliano. Largo
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:37 | |||
2.2
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II. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:18 | |||
2.3
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III. Adagio
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
3:22 | |||
2.4
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IV. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:15 | |||
Violin Sonata No. 5 in F Minor, BWV 1018
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2.5
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I. Largo
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
7:41 | |||
2.6
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II. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:10 | |||
2.7
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III. Adagio
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:20 | |||
2.8
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IV. Vivace
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:28 | |||
Violin Sonata No. 6 in G Major, BWV 1019
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2.9
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I. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
3:07 | |||
2.10
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II. Largo
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
1:31 | |||
2.11
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III. Allegro (Cembalo solo)
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
4:07 | |||
2.12
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IV. Adagio
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
2:46 | |||
2.13
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V. Allegro
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
3:08 | |||
Violin Sonata No. 6 in G Major, BWV 1019a
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2.14
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I. Cantabile, ma un poco adagio
Johann Sebastian Bach; Rachel Barton Pine; Jory Vinikour |
8:22 |
Violinist Rachel Barton Pine and harpsichordist Jory Vinikour, critically acclaimed artists of interntional renown- and also close friends- record together for the first time on this album of J.S. Bach’s complete sonatas for violin and harpsichord. The artists approach these works as Bach intended: as trio sonatas with equally important roles for the violin and the harpsichord’s treble and bass lines. In addition to the six Sonatas, the album offers the remarkable and ravishingly poetic Cantabile, BWV 1019a, a free-standing work that Bach originally conceived as a movement of the Sonata, BWV 1019. Cedille’s audiophile engineering and the intimate acoustics of Evanston, Illinois’s Nichols Hall allow the complex trio textures to blossom with detail. In all, the album sets a new standard for a body of work that Bach’s son, CPE, considered among his father’s finest compositions. Rachel Barton Pine is a Billboard chart-topping artist. Her 2016 album ‘Testament,’ comprising JS Bach’s Sonatas and Partitas for solo violin entered the Billboard Classical Chart in the No. 1 position, as did her 2013 Cedille album ‘Violin Lullabies.’ Making his Cedille label debut, Vinikour received Grammy Award nominations in the category of Best Solo Instrumental Recording for his 2013 album of modern American music for harpsichord and his 2012 release of Rameau’s complete harpsichord works.
96 kHz / 24-bit PCM – Cedille Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.77 -7.39 to -0.26 | -21.45 -24.53 to -18.88 | -18.07 -21.40 to -15.30 | 12 10 to 13 | |
1.1 | I. Adagio | -1.24 | -23.26 | -19.6 | 13 |
1.2 | II. Allegro | -2.56 | -20.35 | -16.8 | 12 |
1.3 | III. Andante | -4.32 | -22.85 | -19.0 | 13 |
1.4 | IV. Allegro | -1.00 | -19.58 | -16.0 | 13 |
1.5 | I. Dolce | -3.24 | -21.56 | -17.9 | 12 |
1.6 | II. Allegro | -1.53 | -19.46 | -16.0 | 13 |
1.7 | III. Andante un poco | -1.85 | -21.58 | -18.2 | 13 |
1.8 | IV. Presto | -0.54 | -18.88 | -15.3 | 13 |
1.9 | I. (Adagio) | -4.49 | -22.07 | -18.6 | 12 |
1.10 | II. (Allegro) | -1.10 | -20.21 | -16.7 | 13 |
1.11 | III. Adagio ma non tanto | -4.46 | -23.10 | -19.8 | 13 |
1.12 | IV. Allegro | -0.63 | -20.30 | -16.7 | 13 |
2.1 | I. Siciliano. Largo | -4.37 | -22.86 | -19.5 | 11 |
2.2 | II. Allegro | -2.17 | -20.18 | -17.0 | 12 |
2.3 | III. Adagio | -3.63 | -21.96 | -19.1 | 10 |
2.4 | IV. Allegro | -0.26 | -19.54 | -16.4 | 13 |
2.5 | I. Largo | -3.71 | -23.44 | -20.6 | 12 |
2.6 | II. Allegro | -2.52 | -20.03 | -16.6 | 12 |
2.7 | III. Adagio | -5.27 | -21.78 | -18.9 | 11 |
2.8 | IV. Vivace | -1.32 | -19.39 | -16.0 | 12 |
2.9 | I. Allegro | -2.11 | -20.36 | -16.8 | 13 |
2.10 | II. Largo | -2.65 | -23.87 | -20.7 | 12 |
2.11 | III. Allegro (Cembalo solo) | -7.39 | -24.53 | -21.4 | 11 |
2.12 | IV. Adagio | -5.74 | -24.26 | -20.5 | 12 |
2.13 | V. Allegro | -2.08 | -20.32 | -16.9 | 13 |
2.14 | I. Cantabile, ma un poco adagio | -1.73 | -21.90 | -18.7 | 12 |