℗ 2023 Oehms Classics
Released | September 15, 2023 |
Duration | 1h 13m 54s |
Record Label | Oehms Classics |
Catalogue No. | OC483 |
Genre | Classical (Organ) |
The Bruckner Symphonies, Vol. 7 - Organ Transcriptions
Hansjörg Albrecht
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Prelude (1884) in C Major, WAB 129
Anton Bruckner; Hansjörg Albrecht |
1:52 | |||
1.2
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Te Deum (Window on Bruckner´s 7th Symphony, Choralvorspiel XL) for Organ solo (2023)
Philipp Maintz; Hansjörg Albrecht |
5:12 | |||
Symphony in E Major, WAB 107
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1.3
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I. Allegro moderato
Anton Bruckner; Erwin Horn; Hansjörg Albrecht |
19:07 | |||
1.4
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II. Adagio. Sehr feierlich und sehr langsam
Anton Bruckner; Erwin Horn; Hansjörg Albrecht |
22:27 | |||
1.5
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III. Scherzo. Sehr schnell
Anton Bruckner; Erwin Horn; Hansjörg Albrecht |
12:45 | |||
1.6
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IV. Finale. Bewegt, doch nicht schnell
Anton Bruckner; Erwin Horn; Hansjörg Albrecht |
12:31 | |||
Digital Booklet
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Hansjörg Albrecht's ongoing organ series marks the 200th anniversary of the birth of Anton Bruckner, which falls in 2024. It’s dedicated to Bruckner’s symphonies, most of them recorded in new transcriptions for organ by Hansjörg Albrecht. The 8th recording was made on the organ at Gewandhaus in Leipzig with the transcription of Bruckner’s 7th Symphony by Erwin Horn.
Anton Bruckner (1824-1896) stands like a cliff in the waves with his symphonic works. His late Romantic symphonies point far into the future as great monoliths, and his deep faith and music dedicated to God connects him with Johann Sebastian Bach in the 18th century as well as with Olivier Messiaen in the 20th century.
While Bruckner had to struggle throughout his life for respect and public recognition as a composer, he achieved international fame early on thanks to his outstanding abilities as an organist. He was known throughout Europe for his virtuoso playing and received invitations to concert tours to France, England and Switzerland, among other places. In London he played to more than 70,000 people and at his concert in Notre Dame de Paris fellow composers such as Camille Saint-Saens, César Franck, Ambroise Thomas, Daniel Auber and Charles Gounod cheered Bruckner's symphonic organ improvisations. He celebrated triumphs and recognition with, among other things, great fantasies on his own themes as well as motifs from Richard Wagner's operas.
96 kHz / 24-bit PCM – Oehms Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.78 -8.63 to -0.23 | -23.82 -24.98 to -22.12 | -21.80 -23.20 to -19.90 | 12 9 to 13 | |
1 | Prelude (1884) in C Major, WAB 129 | -8.63 | -23.91 | -23.2 | 9 |
2 | Te Deum (Window on Bruckner´s 7th Symphony, Choralvorspiel XL) for Organ solo (2023) | -2.25 | -22.12 | -19.9 | 12 |
3 | I. Allegro moderato | -0.23 | -24.98 | -22.7 | 13 |
4 | II. Adagio. Sehr feierlich und sehr langsam | -2.06 | -23.95 | -22.8 | 13 |
5 | III. Scherzo. Sehr schnell | -1.66 | -23.64 | -21.4 | 12 |
6 | IV. Finale. Bewegt, doch nicht schnell | -1.85 | -24.29 | -20.8 | 13 |