℗ 2023 Delos Productions
Released | October 6, 2023 |
Duration | 1h 16m 50s |
Record Label | Delos |
Catalogue No. | DE 3593 |
Genre | Classical (Art Song) |
We have tomorrow
Eric Ferring, Madeline Slettedahl, Quatuor Agate
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Melodies passageres, Op. 27
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1.1
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I. Puisque tout passe
Samuel Barber; Rainer Maria Rilke; Eric Ferring; Madeline Slettedahl |
1:41 | |||
1.2
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II. Un cygne
Samuel Barber; Rainer Maria Rilke; Eric Ferring; Madeline Slettedahl |
2:40 | |||
1.3
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III. Tombeau dans un parc
Samuel Barber; Rainer Maria Rilke; Eric Ferring; Madeline Slettedahl |
1:55 | |||
1.4
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IV. Le clocher chante
Samuel Barber; Rainer Maria Rilke; Eric Ferring; Madeline Slettedahl |
1:13 | |||
1.5
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V. Départ
Samuel Barber; Rainer Maria Rilke; Eric Ferring; Madeline Slettedahl |
1:51 | |||
1.6
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Hold Fast to Dreams
Florence Price; Langston Hughes; Eric Ferring; Madeline Slettedahl |
1:50 | |||
1.7
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We have tomorrow
Florence Price; Langston Hughes; Eric Ferring; Madeline Slettedahl |
1:17 | |||
Zwei Gesänge, Op. 91
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1.8
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I. Gestillte Sehnsucht
Johannes Brahms; Friedrich Rückert; Eric Ferring; Madeline Slettedahl; Raphaël Pagnon |
6:26 | |||
1.9
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II. Geistliches Wiegenlied
Johannes Brahms; Friedrich Rückert; Eric Ferring; Madeline Slettedahl; Raphaël Pagnon |
5:31 | |||
Three Songs, Op. 19
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1.10
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No. 2, Ecstasy
Amy Beach; Eric Ferring; Madeline Slettedahl; Adrien Jurkovic |
2:31 | |||
Three Songs, Op. 21
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1.11
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No. 1, Chanson d'Amour
Amy Beach; Victor Hugo; Eric Ferring; Madeline Slettedahl; Simon Iachemet |
5:03 | |||
Two Songs, Op. 100
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1.12
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No. 1, A mirage
Amy Beach; Bertha Ochsner; Eric Ferring; Madeline Slettedahl; Thomas Descamps; Simon Iachemet |
2:52 | |||
1.13
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No. 2, Stella viatoris
Amy Beach; Jessie Hague Nettleton; Eric Ferring; Madeline Slettedahl; Thomas Descamps; Simon Iachemet |
3:26 | |||
Triptych for High Voice and String Quartet
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1.14
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I. He it is
Arthur Shepherd; Rabindranath Tagore; Eric Ferring; Quatuor Agate |
6:19 | |||
1.15
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II. The day is no more
Arthur Shepherd; Rabindranath Tagore; Eric Ferring; Quatuor Agate |
4:32 | |||
1.16
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III. Light, my light
Arthur Shepherd; Rabindranath Tagore; Eric Ferring; Quatuor Agate |
4:10 | |||
La bonne chanson, Op. 61
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1.17
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I. Une sainte en son auréole
Paul Verlaine; Gabriel Faure; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:16 | |||
1.18
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II. Puisque l'aube grandit
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:05 | |||
1.19
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III. La lune blanche luit dans les bois
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:59 | |||
1.20
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IV. J'allais par des chemins perfides
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
1:57 | |||
1.21
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V. J'ai presque peur, en vérité
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:23 | |||
1.22
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VI. Avant que tu ne t'en ailles
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:49 | |||
1.23
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VII. Donc, ce sera par un clair jour d'été
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:46 | |||
1.24
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VIII. N'est-ce pas?
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
2:48 | |||
1.25
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IX. L'hiver a cessé
Gabriel Faure; Paul Verlaine; Eric Ferring; Madeline Slettedahl; Quatuor Agate |
3:30 | |||
Digital Booklet
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The emotive young American tenor Eric Ferring delivers a moving and ambitious collection of art songs with a chamber music emphasis. In this follow-up release to his acclaimed debut album No Choice but Love (Lexicon Classics), Ferring is joined to great effect by pianist Madeline Slettedahl and the French ensemble Quatuor Agate. Still in the early phases of his singing career, the Iowa-born Ferring has already performed numerous times with the Metropolitan Opera, and appeared at Santa Fe Opera, the Spoleto Festival and Lyric Opera of Chicago, where he garnered an Emmy Award for his performance in Pagliacci. Ferring has also sung widely in Europe, in such houses as Opéra de Rouen, Opéra de Paris and the Opéra national du Rhin. He also participated in a world tour of Rodelinda with The English Concert. We have tomorrow is an impressive survey featuring important cycles by Samuel Barber, Gabriel Fauré and Arthur Shepherd, and songs by Florence Price, Johannes Brahms and Amy Beach. Ferring’s sometimes unusual choice of materials shows him to be a musician of wide-ranging taste and interests. Ferring and Slettedahl, his close collaborator for the past several years, have given the album an original cast by including six works that require string players. The Paris-based Quatuor Agate – Adrien Jurkovic and Thomas Descamps, violins; Raphaël Pagnon, viola; Simon Iachemet, cello – eloquently demonstrates art song’s affinity with small instrumental ensembles.
96 kHz / 24-bit PCM – Delos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.74 -8.93 to -0.61 | -27.16 -32.58 to -23.12 | -22.62 -27.40 to -17.70 | 13 11 to 15 | |
1 | I. Puisque tout passe | -5.61 | -28.29 | -24.1 | 13 |
2 | II. Un cygne | -4.23 | -27.85 | -23.6 | 15 |
3 | III. Tombeau dans un parc | -8.93 | -32.58 | -27.4 | 14 |
4 | IV. Le clocher chante | -5.40 | -24.92 | -21.5 | 13 |
5 | V. Départ | -3.77 | -27.14 | -21.1 | 14 |
6 | Hold Fast to Dreams | -4.09 | -23.28 | -17.7 | 11 |
7 | We have tomorrow | -2.53 | -23.12 | -18.1 | 12 |
8 | I. Gestillte Sehnsucht | -4.95 | -29.11 | -24.8 | 15 |
9 | II. Geistliches Wiegenlied | -4.44 | -27.28 | -22.6 | 14 |
10 | No. 2, Ecstasy | -5.77 | -29.58 | -24.3 | 13 |
11 | No. 1, Chanson d'Amour | -0.63 | -24.54 | -20.3 | 15 |
12 | No. 1, A mirage | -5.07 | -30.31 | -26.1 | 14 |
13 | No. 2, Stella viatoris | -0.61 | -24.91 | -18.4 | 14 |
14 | I. He it is | -3.46 | -26.75 | -21.6 | 14 |
15 | II. The day is no more | -6.63 | -29.39 | -25.5 | 14 |
16 | III. Light, my light | -1.94 | -23.48 | -19.3 | 12 |
17 | I. Une sainte en son auréole | -7.62 | -28.57 | -24.2 | 14 |
18 | II. Puisque l'aube grandit | -3.62 | -24.64 | -20.2 | 14 |
19 | III. La lune blanche luit dans les bois | -6.44 | -29.55 | -25.9 | 13 |
20 | IV. J'allais par des chemins perfides | -7.39 | -28.75 | -25.1 | 13 |
21 | V. J'ai presque peur, en vérité | -5.63 | -27.50 | -23.5 | 13 |
22 | VI. Avant que tu ne t'en ailles | -3.62 | -26.54 | -21.9 | 13 |
23 | VII. Donc, ce sera par un clair jour d'été | -7.18 | -28.14 | -23.8 | 12 |
24 | VIII. N'est-ce pas? | -4.85 | -26.75 | -23.0 | 12 |
25 | IX. L'hiver a cessé | -4.18 | -26.11 | -21.5 | 13 |