℗ 2023 ATMA Classique
| Released | August 18, 2023 |
| Duration | 1h 00m 05s |
| Record Label | Les Disques ATMA Inc. |
| Genre | Classical |
Tendres échos
Anne Thivierge, Mélisande Corriveau, Eric Milnes
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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I. La Vibray (Andante)
Michel Blavet; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:18 | |||
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1.2
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II. Allemanda (Allegro)
Michel Blavet; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
3:18 | |||
|
1.3
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III. Gavotte Les caquets (Moderato)
Michel Blavet; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:49 | |||
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1.4
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IV. Sarabanda (Largo)
Michel Blavet; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
1:45 | |||
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1.5
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V. Allegro
Michel Blavet; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
4:19 | |||
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1.6
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I. Prélude (Gracieusement)
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
1:41 | |||
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1.7
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II. Allemande fuguée (Gaiement)
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:25 | |||
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1.8
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III. Air tendre
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
3:25 | |||
|
1.9
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IV. Air contrefugué (Vivement)
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
3:21 | |||
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1.10
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V. Échos (Tendrement)
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
3:43 | |||
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1.11
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I. Prélude
Marin Marais; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:15 | |||
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1.12
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VII. Allemande
Marin Marais; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
3:01 | |||
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1.13
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V. Bourrasque
Marin Marais; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
0:33 | |||
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1.14
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VIII. La follette
Marin Marais; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
1:17 | |||
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1.15
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X. Sarabande
Marin Marais; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:45 | |||
|
1.16
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XII. Gigue La favorite
Marin Marais; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
1:56 | |||
|
1.17
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III. La linotte effarouchée
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
1:56 | |||
|
1.18
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I. Le rossignol en amour (Lentement et très tendrement) - II. Double du rossignol
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
4:53 | |||
|
1.19
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V. Le rossignol vainqueur
François Couperin; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:08 | |||
|
1.20
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I. Adagio
Jean-Marie Leclair I; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:24 | |||
|
1.21
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II. Allegro
Jean-Marie Leclair I; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:19 | |||
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1.22
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III. Sarabanda
Jean-Marie Leclair I; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
2:17 | |||
|
1.23
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IV. Allegro assai
Jean-Marie Leclair I; Anne Thivierge; Mélisande Corriveau; Eric Milnes |
3:17 | |||
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Digital Booklet
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“The flute speaks, it touches, it dazzles as if it had been revealed to mankind on a glorious day of creation.”
– Raymond Meylan, La flûte
Inspired by the French repertoire of the 17th and 18th centuries, flutist Anne Thivierge has chosen to highlight works for flute and continuo by François Couperin, Michel Blavet, Marin Marais, and Jean-Marie Leclair. Gambist Mélisande Corriveau and harpsichordist Eric Milnes accompany her on this French Baroque journey.
96 kHz / 24-bit PCM – Les Disques ATMA Inc. Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.86 -5.52 to -0.25 | -21.53 -23.12 to -19.47 | -18.65 -20.30 to -16.40 | 11 9 to 12 | |
| 1 | I. La Vibray (Andante) | -5.52 | -22.28 | -19.6 | 11 |
| 2 | II. Allemanda (Allegro) | -5.12 | -21.98 | -19.3 | 11 |
| 3 | III. Gavotte Les caquets (Moderato) | -5.08 | -21.85 | -19.1 | 10 |
| 4 | IV. Sarabanda (Largo) | -2.66 | -21.46 | -18.8 | 11 |
| 5 | V. Allegro | -2.53 | -21.45 | -18.6 | 11 |
| 6 | I. Prélude (Gracieusement) | -3.17 | -21.79 | -18.9 | 9 |
| 7 | II. Allemande fuguée (Gaiement) | -2.44 | -20.98 | -18.2 | 11 |
| 8 | III. Air tendre | -3.76 | -22.08 | -19.3 | 11 |
| 9 | IV. Air contrefugué (Vivement) | -0.25 | -21.30 | -18.6 | 12 |
| 10 | V. Échos (Tendrement) | -3.96 | -22.00 | -19.0 | 12 |
| 11 | I. Prélude | -1.25 | -19.47 | -16.4 | 10 |
| 12 | VII. Allemande | -1.18 | -20.53 | -17.7 | 11 |
| 13 | V. Bourrasque | -3.71 | -22.88 | -19.6 | 10 |
| 14 | VIII. La follette | -5.01 | -20.83 | -17.9 | 10 |
| 15 | X. Sarabande | -1.72 | -21.34 | -18.5 | 11 |
| 16 | XII. Gigue La favorite | -3.42 | -20.56 | -17.5 | 11 |
| 17 | III. La linotte effarouchée | -1.22 | -22.41 | -19.5 | 11 |
| 18 | I. Le rossignol en amour (Lentement et très tendrement) - II. Double du rossignol | -2.63 | -23.12 | -20.3 | 11 |
| 19 | V. Le rossignol vainqueur | -2.27 | -22.19 | -19.1 | 12 |
| 20 | I. Adagio | -3.28 | -22.44 | -19.5 | 10 |
| 21 | II. Allegro | -2.04 | -21.18 | -18.4 | 11 |
| 22 | III. Sarabanda | -2.35 | -20.42 | -17.3 | 10 |
| 23 | IV. Allegro assai | -1.08 | -20.75 | -17.8 | 11 |