℗ 2018 Signum Records
Released | May 4, 2018 |
Duration | 2h 24m 30s |
Record Label | Signum Records |
Genre | Classical (Opera) |
Mozart in London
The Mozartists, Ian Page
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 1 in E-Flat Major, K. 16
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1.1
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I. Molto allegro
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
5:39 | |||
1.2
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II. Andante
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
4:57 | |||
1.3
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III. Presto
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
1:33 | |||
Judith
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1.4
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Act II: “Sleep, gentle Cherub! Sleep descend”
Thomas Arne; The Mozartists; Ana Maria Labin; Ian Page |
3:01 | |||
1.5
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Act I: “O torment great, too great to bear”
Thomas Arne; The Mozartists; Ana Maria Labin; Ian Page |
3:46 | |||
Artaxerxes
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1.6
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Act I, Scene 2: "Amid a thousand racking Woes"
Thomas Arne; The Mozartists; Helen Sherman; Ian Page |
4:47 | |||
1.7
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Act I, Scene 13: “O too lovely, too unkind”
Thomas Arne; The Mozartists; Helen Sherman; Ian Page |
4:35 | |||
Harpsichord Concerto in D Major, Op. 1 No. 6
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1.8
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I. Allegro assai
Johann Christian Bach; The Mozartists; Steven Devine; Ian Page |
4:44 | |||
1.9
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II. Andante
Johann Christian Bach; The Mozartists; Steven Devine; Ian Page |
3:31 | |||
1.10
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III. Allegro moderato
Johann Christian Bach; The Mozartists; Steven Devine; Ian Page |
2:54 | |||
Ezio
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1.11
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"Non so d’onde viene"
Johann Christian Bach; The Mozartists; Ben Johnson; Ian Page |
8:26 | |||
Berenice
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1.12
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"Confusa, smarrita"
Johann Christian Bach; The Mozartists; Anna Devin; Ian Page |
5:56 | |||
The Guardian Outwitted
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1.13
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"O Dolly, I part"
Thomas Arne; The Mozartists; Rebecca Bottone; Robert Murray; Ian Page |
2:35 | |||
The Maid of the Mill
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1.14
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Act III, Scene 1: "To speak my mind of womankind"
Egidio Dun; Samuel Arnold; The Mozartists; Robert Murray; Ian Page |
1:02 | |||
1.15
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Act II, Scene 8: "Hist, hist! I hear my mother call"
Samuel Arnold; The Mozartists; Rebecca Bottone; Ian Page |
1:54 | |||
Symphony No. 4 in D Major, K. 19
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1.16
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I. Allegro
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
2:18 | |||
1.17
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II. Andante
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
3:55 | |||
1.18
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III. Presto
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
2:49 | |||
Ezio
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1.19
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"Caro mio bene, addio"
Giovanni Battista Pescetti; The Mozartists; Martene Grimson; Ian Page |
9:02 | |||
Symphony in F Major, K. 19a
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2.1
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I. Allegro assai
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
4:59 | |||
2.2
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II. Andante
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
4:58 | |||
2.3
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III. Presto
Wolfgang Amadeus Mozart; The Mozartists; Ian Page |
1:29 | |||
Adriano in Siria
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2.4
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Act II: "Ah, come mi balza il cor!"
Johann Christian Bach; The Mozartists; Anna Devin; Ian Page |
2:09 | |||
2.5
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Act II: "Deh lascia, o ciel pietoso"
Johann Christian Bach; The Mozartists; Anna Devin; Ian Page |
6:22 | |||
2.6
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Act II; "Cara la dolce amma"
Johann Christian Bach; The Mozartists; Eleanor Dennis; Ian Page |
8:50 | |||
The Capricious Lovers
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2.7
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Overture: I. Allegro
George Rush; The Mozartists; Ian Page |
2:16 | |||
2.8
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Overture: II. Allegretto
George Rush; The Mozartists; Ian Page |
0:56 | |||
2.9
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Overture: III. Allegro
George Rush; The Mozartists; Ian Page |
2:06 | |||
2.10
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Act I, Scene 8: "Thus laugh’d at, jilted and betray’d"
George Rush; The Mozartists; Robert Murray; Ian Page |
2:37 | |||
Pharnaces
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2.11
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"In this I fear my latest breath"
William Bates; The Mozartists; Rebecca Bottone; Ian Page |
2:41 | |||
2.12
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Va, dal furor portata, K. 21
Wolfgang Amadeus Mozart; The Mozartists; Ben Johnson; Ian Page |
6:14 | |||
Solimano
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2.13
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"Se non ti moro a lato"
Davide Perez; The Mozartists; Martene Grimson; Ian Page |
9:28 | |||
Symphony in E-Flat Major, Op. 7 No. 6
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2.14
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I. Allegro
Karl Friedrich Abel; The Mozartists; Ian Page |
3:39 | |||
2.15
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II. Andante
Karl Friedrich Abel; The Mozartists; Ian Page |
5:28 | |||
2.16
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III. Presto
Karl Friedrich Abel; The Mozartists; Ian Page |
2:54 |
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.84 -16.93 to -0.38 | -26.32 -36.05 to -21.79 | -22.46 -33.50 to -17.20 | 13 11 to 16 | |
1.1 | I. Molto allegro | -3.09 | -22.83 | -19.6 | 13 |
1.2 | II. Andante | -6.15 | -26.85 | -23.1 | 13 |
1.3 | III. Presto | -2.67 | -22.69 | -18.7 | 13 |
1.4 | Act II: “Sleep, gentle Cherub! Sleep descend” | -2.63 | -26.52 | -22.2 | 13 |
1.5 | Act I: “O torment great, too great to bear” | -0.42 | -21.79 | -17.2 | 14 |
1.6 | Act I, Scene 2: "Amid a thousand racking Woes" | -0.38 | -23.64 | -20.1 | 14 |
1.7 | Act I, Scene 13: “O too lovely, too unkind” | -3.94 | -26.39 | -22.4 | 12 |
1.8 | I. Allegro assai | -8.35 | -28.93 | -25.6 | 14 |
1.9 | II. Andante | -16.93 | -36.05 | -33.5 | 13 |
1.10 | III. Allegro moderato | -8.53 | -29.19 | -25.7 | 12 |
1.11 | "Non so d’onde viene" | -3.77 | -25.87 | -21.8 | 15 |
1.12 | "Confusa, smarrita" | -0.57 | -23.38 | -19.2 | 15 |
1.13 | "O Dolly, I part" | -2.28 | -25.03 | -20.9 | 13 |
1.14 | Act III, Scene 1: "To speak my mind of womankind" | -3.76 | -27.69 | -23.6 | 16 |
1.15 | Act II, Scene 8: "Hist, hist! I hear my mother call" | -3.18 | -25.18 | -19.9 | 12 |
1.16 | I. Allegro | -4.79 | -22.61 | -18.9 | 12 |
1.17 | II. Andante | -11.14 | -29.90 | -27.1 | 11 |
1.18 | III. Presto | -4.39 | -23.10 | -19.8 | 12 |
1.19 | "Caro mio bene, addio" | -0.89 | -26.68 | -22.8 | 16 |
2.1 | I. Allegro assai | -6.19 | -24.73 | -20.9 | 12 |
2.2 | II. Andante | -12.64 | -32.58 | -29.6 | 13 |
2.3 | III. Presto | -5.32 | -25.65 | -21.7 | 13 |
2.4 | Act II: "Ah, come mi balza il cor!" | -1.71 | -27.14 | -22.3 | 16 |
2.5 | Act II: "Deh lascia, o ciel pietoso" | -1.02 | -24.21 | -19.7 | 15 |
2.6 | Act II; "Cara la dolce amma" | -2.11 | -26.20 | -22.3 | 15 |
2.7 | Overture: I. Allegro | -5.44 | -25.23 | -21.2 | 13 |
2.8 | Overture: II. Allegretto | -13.04 | -32.66 | -28.6 | 11 |
2.9 | Overture: III. Allegro | -5.32 | -26.36 | -22.8 | 13 |
2.10 | Act I, Scene 8: "Thus laugh’d at, jilted and betray’d" | -3.67 | -25.11 | -21.2 | 14 |
2.11 | "In this I fear my latest breath" | -0.45 | -26.84 | -22.2 | 16 |
2.12 | Va, dal furor portata, K. 21 | -1.80 | -24.11 | -20.1 | 15 |
2.13 | "Se non ti moro a lato" | -4.18 | -27.59 | -23.9 | 15 |
2.14 | I. Allegro | -6.14 | -24.65 | -21.1 | 11 |
2.15 | II. Andante | -9.66 | -28.97 | -25.3 | 12 |
2.16 | III. Presto | -2.84 | -24.77 | -21.1 | 15 |