℗ 2017 harmonia mundi
 

Bach: Dialogkantaten, BWV 32, 49 & 57

Akademie für Alte Musik Berlin, Raphael Alpermann, Michael Volle, Sophie Karthäuser, Members of RIAS Kammerchor

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Liebster Jesu, mein Verlangen, BWV 32  
1
I. Aria "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach; Sophie Karthäuser; Akademie für Alte Musik Berlin; Raphael Alpermann
5:14
2
II. Recitativo "Was ists, dass du mich gesuchet?"
Johann Sebastian Bach; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
0:21
3
III. Aria "Hier, in meines Vaters Stätte"
Johann Sebastian Bach; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
6:50
4
IV. Recitativo "Ach! heiliger und großer Gott"
Johann Sebastian Bach; Sophie Karthäuser; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
2:00
5
V. Aria " Nun verschwinden alle Plagen"
Johann Sebastian Bach; Sophie Karthäuser; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
5:17
6
VI. Choral " Mein Gott, öffne mir die Pforten"
Johann Sebastian Bach; Members of RIAS Kammerchor; Akademie für Alte Musik Berlin; Raphael Alpermann
1:06
Selig ist der Mann, BWV 57  
7
I. Aria "Selig ist der Mann"
Johann Sebastian Bach; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
3:28
8
II. Recitativo "Ach! dieser süße Trost"
Johann Sebastian Bach; Sophie Karthäuser; Akademie für Alte Musik Berlin; Raphael Alpermann
1:05
9
III. Aria "Ich wünschte mir den Tod"
Johann Sebastian Bach; Sophie Karthäuser; Akademie für Alte Musik Berlin; Raphael Alpermann
4:15
10
IV. Recitativo "Ich reiche dir die Hand"
Johann Sebastian Bach; Sophie Karthäuser; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
0:21
11
V. Aria "Ja, ja, ich kann die Feinde schlagen"
Johann Sebastian Bach; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
5:07
12
VI. Recitativo "In meiner Schoß liegt Ruh un Leben"
Johann Sebastian Bach; Sophie Karthäuser; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
1:11
13
VII. Aria "Ich ende behende mein irdisches Leben"
Johann Sebastian Bach; Sophie Karthäuser; Akademie für Alte Musik Berlin; Raphael Alpermann
4:00
14
VIII. Choral "Richte dich, Liebste"
Johann Sebastian Bach; Members of RIAS Kammerchor; Akademie für Alte Musik Berlin; Raphael Alpermann
0:47
Ich geh und suche mit Verlangen, BWV 49  
15
I. Sinfonia
Johann Sebastian Bach; Akademie für Alte Musik Berlin; Raphael Alpermann
6:24
16
II. Aria "Ich geh und suche mit Verlangen"
Johann Sebastian Bach; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
5:21
17
III. Recitativo "Mein Mahl ist zubereit"
Johann Sebastian Bach; Sophie Karthäuser; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann
1:40
18
IV. Aria " Ich bin herrlich, ich bin schön"
Johann Sebastian Bach; Sophie Karthäuser; Akademie für Alte Musik Berlin; Raphael Alpermann
4:19
19
V. Recitativo " Mein Glaube hat mich selbst so angezogen"
Johann Sebastian Bach; Michael Volle; Akademie für Alte Musik Berlin; Raphael Alpermann; Sophie Karthäuser
1:16
20
VI. Aria & Choral "Dich hab ich je und je geliebet"
Johann Sebastian Bach; Sophie Karthäuser; Michael Volle; Members of RIAS Kammerchor; Akademie für Alte Musik Berlin; Raphael Alpermann
4:24
Digital Booklet
Total Playing Time    64:26
Exquisite dialogue The church cantata very quickly came to occupy a privileged place in Bach's output, but it was in his Leipzig period that he explored new stylistic possibilities for the genre in several cycles. The third of these, mostly scored for relatively small forces, features in these Dialogkantaten three fine examples of the 'madrigalian' type: in their arias, recitatives and chorales, the composer deploys a poetry that does not exclude audacity and an eloquence worthy of opera. These fervent musical conversations are here conducted con brio thanks to the rapport between two singers as moving as they are inspired.
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