
℗ 2021 Hyperion Records Limited
Released | May 28, 2021 |
Duration | 2h 28m 26s |
Record Label | Hyperion |
Genre | Classical |
Bach: The 6 Partitas for Harpsichord, BWV 825-830
Mahan Esfahani
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Partita No. 1 in B-Flat Major, BWV 825
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1.1
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I. Praeludium
Johann Sebastian Bach; Mahan Esfahani |
1:53 | |||
1.2
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II. Allemande
Johann Sebastian Bach; Mahan Esfahani |
3:20 | |||
1.3
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III. Corrente
Johann Sebastian Bach; Mahan Esfahani |
3:01 | |||
1.4
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IV. Sarabande
Johann Sebastian Bach; Mahan Esfahani |
5:44 | |||
1.5
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V. Menuet I – VI. Menuet II
Johann Sebastian Bach; Mahan Esfahani |
2:51 | |||
1.6
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VII. Giga
Johann Sebastian Bach; Mahan Esfahani |
2:18 | |||
Partita No. 2 in C Minor, BWV 826
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1.7
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I. Sinfonia. Grave, Adagio – Andante
Johann Sebastian Bach; Mahan Esfahani |
5:12 | |||
1.8
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II. Allemande
Johann Sebastian Bach; Mahan Esfahani |
5:27 | |||
1.9
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III. Courante
Johann Sebastian Bach; Mahan Esfahani |
2:19 | |||
1.10
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IV. Sarabande
Johann Sebastian Bach; Mahan Esfahani |
3:58 | |||
1.11
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V. Rondeaux
Johann Sebastian Bach; Mahan Esfahani |
1:34 | |||
1.12
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VI. Capriccio
Johann Sebastian Bach; Mahan Esfahani |
3:45 | |||
Partita No. 6 in E Minor, BWV 830
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1.13
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I. Toccata
Johann Sebastian Bach; Mahan Esfahani |
8:36 | |||
1.14
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II. Allemande
Johann Sebastian Bach; Mahan Esfahani |
4:18 | |||
1.15
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III. Corrente
Johann Sebastian Bach; Mahan Esfahani |
4:49 | |||
1.16
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IV. Air
Johann Sebastian Bach; Mahan Esfahani |
1:07 | |||
1.17
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V. Sarabande
Johann Sebastian Bach; Mahan Esfahani |
4:56 | |||
1.18
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VI. Tempo di gavotta
Johann Sebastian Bach; Mahan Esfahani |
2:46 | |||
1.19
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VII. Gigue
Johann Sebastian Bach; Mahan Esfahani |
6:00 | |||
Partita No. 3 in A Minor, BWV 827
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2.1
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I. Fantasia
Johann Sebastian Bach; Mahan Esfahani |
2:33 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Mahan Esfahani |
3:46 | |||
2.3
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III. Corrente
Johann Sebastian Bach; Mahan Esfahani |
3:02 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Mahan Esfahani |
4:28 | |||
2.5
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V. Burlesca
Johann Sebastian Bach; Mahan Esfahani |
2:15 | |||
2.6
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VI. Scherzo
Johann Sebastian Bach; Mahan Esfahani |
1:26 | |||
2.7
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VII. Gigue
Johann Sebastian Bach; Mahan Esfahani |
3:22 | |||
Partita No. 4 in D Major, BWV 828
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2.8
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I. Ouverture
Johann Sebastian Bach; Mahan Esfahani |
6:24 | |||
2.9
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II. Allemande
Johann Sebastian Bach; Mahan Esfahani |
10:18 | |||
2.10
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III. Courante
Johann Sebastian Bach; Mahan Esfahani |
3:31 | |||
2.11
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IV. Aria
Johann Sebastian Bach; Mahan Esfahani |
2:18 | |||
2.12
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V. Sarabande
Johann Sebastian Bach; Mahan Esfahani |
4:04 | |||
2.13
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VI. Menuet
Johann Sebastian Bach; Mahan Esfahani |
1:18 | |||
2.14
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VII. Gigue
Johann Sebastian Bach; Mahan Esfahani |
4:00 | |||
Partita No. 5 in G Major, BWV 829
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2.15
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I. Praeambulum
Johann Sebastian Bach; Mahan Esfahani |
2:24 | |||
2.16
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II. Allemande
Johann Sebastian Bach; Mahan Esfahani |
4:20 | |||
2.17
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III. Corrente
Johann Sebastian Bach; Mahan Esfahani |
2:07 | |||
2.18
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IV. Sarabande
Johann Sebastian Bach; Mahan Esfahani |
4:52 | |||
2.19
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V. Tempo di minuetto
Johann Sebastian Bach; Mahan Esfahani |
1:53 | |||
2.20
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VI. Passepied
Johann Sebastian Bach; Mahan Esfahani |
1:53 | |||
2.21
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VII. Gigue
Johann Sebastian Bach; Mahan Esfahani |
4:18 | |||
Digital Booklet
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‘A comprehensive overview of every style available to Bach, from the archaic to the modern’: Mahan Esfahani rises confidently to the challenge of his own brilliant appraisal of the Partitas in performances brimming with intellectual and emotional energy.
96 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.68 -9.53 to -0.56 | -22.84 -27.99 to -17.42 | -18.82 -24.20 to -13.00 | 12 11 to 14 | |
1.1 | I. Praeludium | -1.41 | -19.67 | -15.7 | 12 |
1.2 | II. Allemande | -4.16 | -22.65 | -18.1 | 12 |
1.3 | III. Corrente | -3.15 | -20.86 | -16.6 | 12 |
1.4 | IV. Sarabande | -5.90 | -24.45 | -20.5 | 13 |
1.5 | V. Menuet I – VI. Menuet II | -3.80 | -22.42 | -17.9 | 13 |
1.6 | VII. Giga | -4.10 | -21.60 | -16.7 | 12 |
1.7 | I. Sinfonia. Grave, Adagio – Andante | -1.32 | -23.35 | -18.8 | 13 |
1.8 | II. Allemande | -6.63 | -23.61 | -19.9 | 12 |
1.9 | III. Courante | -2.24 | -19.65 | -15.1 | 13 |
1.10 | IV. Sarabande | -7.89 | -26.97 | -22.2 | 14 |
1.11 | V. Rondeaux | -2.27 | -22.45 | -18.2 | 14 |
1.12 | VI. Capriccio | -0.56 | -17.42 | -13.0 | 12 |
1.13 | I. Toccata | -0.65 | -21.79 | -17.5 | 14 |
1.14 | II. Allemande | -7.08 | -25.61 | -21.3 | 13 |
1.15 | III. Corrente | -5.01 | -22.59 | -18.7 | 13 |
1.16 | IV. Air | -5.92 | -22.92 | -18.7 | 11 |
1.17 | V. Sarabande | -2.51 | -22.45 | -18.5 | 13 |
1.18 | VI. Tempo di gavotta | -6.14 | -23.64 | -19.8 | 12 |
1.19 | VII. Gigue | -0.95 | -19.20 | -14.9 | 13 |
2.1 | I. Fantasia | -7.72 | -24.45 | -20.7 | 12 |
2.2 | II. Allemande | -9.37 | -27.44 | -23.4 | 13 |
2.3 | III. Corrente | -3.11 | -21.46 | -17.6 | 12 |
2.4 | IV. Sarabande | -7.09 | -24.67 | -21.3 | 12 |
2.5 | V. Burlesca | -5.65 | -21.97 | -18.1 | 12 |
2.6 | VI. Scherzo | -7.35 | -24.39 | -20.7 | 12 |
2.7 | VII. Gigue | -2.31 | -20.00 | -15.9 | 12 |
2.8 | I. Ouverture | -2.14 | -21.70 | -17.8 | 13 |
2.9 | II. Allemande | -7.53 | -24.38 | -21.1 | 12 |
2.10 | III. Courante | -4.40 | -22.23 | -18.5 | 12 |
2.11 | IV. Aria | -6.46 | -23.92 | -20.4 | 12 |
2.12 | V. Sarabande | -8.68 | -25.62 | -21.9 | 11 |
2.13 | VI. Menuet | -9.53 | -25.93 | -22.0 | 12 |
2.14 | VII. Gigue | -1.32 | -19.74 | -15.8 | 12 |
2.15 | I. Praeambulum | -1.83 | -20.66 | -16.3 | 12 |
2.16 | II. Allemande | -6.57 | -23.29 | -19.9 | 12 |
2.17 | III. Corrente | -5.11 | -22.49 | -18.5 | 12 |
2.18 | IV. Sarabande | -4.92 | -24.74 | -21.3 | 13 |
2.19 | V. Tempo di minuetto | -7.20 | -27.99 | -24.2 | 13 |
2.20 | VI. Passepied | -4.42 | -21.97 | -18.3 | 12 |
2.21 | VII. Gigue | -2.90 | -21.15 | -17.0 | 12 |