℗ 2012 Hyperion Records Limited
| Released | October 26, 2012 |
| Duration | 1h 13m 36s |
| Record Label | Hyperion |
| Genre | Classical |
C.P.E. Bach: Keyboard Sonatas, Vol. 2
Danny Driver
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata in F-Sharp Minor, H. 37
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1.1
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I. Allegro – Adagio – Allegro
Carl Philipp Emanuel Bach; Danny Driver |
7:16 | |||
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1.2
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II. Poco andante
Carl Philipp Emanuel Bach; Danny Driver |
4:40 | |||
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1.3
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III. Allegro assai
Carl Philipp Emanuel Bach; Danny Driver |
4:36 | |||
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Sonata in E Major, H. 39
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1.4
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I. Allegro
Carl Philipp Emanuel Bach; Danny Driver |
6:02 | |||
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1.5
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II. Andantino
Carl Philipp Emanuel Bach; Danny Driver |
4:45 | |||
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1.6
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III. Vivace di molto
Carl Philipp Emanuel Bach; Danny Driver |
5:02 | |||
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Sonata in C Minor, H. 121
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1.7
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I. Allegro assai ma pomposo
Carl Philipp Emanuel Bach; Danny Driver |
4:35 | |||
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1.8
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II. Andantino pathetico
Carl Philipp Emanuel Bach; Danny Driver |
2:57 | |||
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1.9
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III. Allegro scherzando
Carl Philipp Emanuel Bach; Danny Driver |
4:25 | |||
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Sonata in A Major, H. 135
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1.10
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I. Allegro
Carl Philipp Emanuel Bach; Danny Driver |
5:38 | |||
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1.11
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II. Andante con tenerezza
Carl Philipp Emanuel Bach; Danny Driver |
5:09 | |||
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1.12
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III. Allegretto
Carl Philipp Emanuel Bach; Danny Driver |
2:39 | |||
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1.13
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Freie Fantasie in F-Sharp Minor, H. 300
Carl Philipp Emanuel Bach; Danny Driver |
11:40 | |||
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1.14
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Rondo in D Minor, H. 290
Carl Philipp Emanuel Bach; Danny Driver |
4:12 | |||
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Digital Booklet
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Hyperion presents a second volume of CPE Bach’s startlingly original and inventive keyboard sonatas. This release spans the composer’s career, taking the listener from the highly expressive manner of his early works to his mastery of the Classical style—in which he still retains the distinctive characteristics, the fantastical changes of mood and tempo which both astounded and perplexed his contemporaries.
Danny Driver proves a peerless guide to this fascinating music, performing with elegance and vigour.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.13 -14.03 to -0.65 | -27.31 -33.77 to -23.40 | -23.73 -30.70 to -20.10 | 14 12 to 16 | |
| 1 | I. Allegro – Adagio – Allegro | -7.75 | -27.44 | -24.4 | 13 |
| 2 | II. Poco andante | -14.03 | -33.77 | -30.7 | 13 |
| 3 | III. Allegro assai | -4.50 | -25.68 | -22.6 | 14 |
| 4 | I. Allegro | -0.65 | -25.01 | -21.7 | 16 |
| 5 | II. Andantino | -8.39 | -31.31 | -28.1 | 14 |
| 6 | III. Vivace di molto | -3.95 | -27.02 | -23.5 | 15 |
| 7 | I. Allegro assai ma pomposo | -1.27 | -24.85 | -21.1 | 14 |
| 8 | II. Andantino pathetico | -2.06 | -25.75 | -20.3 | 14 |
| 9 | III. Allegro scherzando | -1.33 | -23.40 | -20.1 | 14 |
| 10 | I. Allegro | -5.84 | -25.91 | -22.7 | 12 |
| 11 | II. Andante con tenerezza | -6.71 | -30.33 | -26.1 | 13 |
| 12 | III. Allegretto | -6.43 | -26.14 | -23.0 | 13 |
| 13 | Freie Fantasie in F-Sharp Minor, H. 300 | -4.41 | -28.78 | -24.6 | 16 |
| 14 | Rondo in D Minor, H. 290 | -4.50 | -26.95 | -23.3 | 15 |