℗ 2018 Signum Records
| Released | July 6, 2018 |
| Duration | 1h 08m 38s |
| Record Label | Signum Records |
| Genre | Classical (Guitar) |
Tanguero: Music from South America
Christoph Denoth
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Libertango
Astor Piazzolla; Christoph Denoth |
4:16 | |||
|
1.2
|
Oblivion
Astor Piazzolla; Christoph Denoth |
2:35 | |||
|
1.3
|
Triunfal
Astor Piazzolla; Christoph Denoth |
3:03 | |||
|
1.4
|
Adios nonino
Astor Piazzolla; Christoph Denoth |
4:43 | |||
|
1.5
|
Chiquilín de Bachín
Astor Piazzolla; Christoph Denoth |
3:45 | |||
|
1.6
|
Verano porteño
Astor Piazzolla; Christoph Denoth |
4:44 | |||
|
1.7
|
Milonga del Angel
Astor Piazzolla; Christoph Denoth |
5:11 | |||
|
1.8
|
El choclo
Ángel Villoldo; Christoph Denoth |
4:01 | |||
|
1.9
|
La Cumparsita
Gerardo Matos Rodriguez; Christoph Denoth |
3:54 | |||
|
1.10
|
El día que me quieras
Carlos Gardel; Christoph Denoth |
3:54 | |||
|
1.11
|
Sueño de barrilete
Eladia Blázquez; Christoph Denoth |
3:40 | |||
|
1.12
|
Tango en Skaï
Roland Dyens; Christoph Denoth |
2:51 | |||
|
1.13
|
Agua y vinho
Egberto Gismonti; Christoph Denoth |
4:04 | |||
|
1.14
|
Sons de Carrilhões
João Teixeira Guimarães de Pernambuco; Christoph Denoth |
2:31 | |||
|
1.15
|
Se ela perguntar
Dilermando Reis; Christoph Denoth |
2:49 | |||
|
1.16
|
El Marabino
Antonio Lauro; Christoph Denoth |
1:20 | |||
|
1.17
|
Valse Venezelano No. 2
Antonio Lauro; Christoph Denoth |
1:11 | |||
|
1.18
|
Valse Venezelano No. 3
Antonio Lauro; Christoph Denoth |
1:49 | |||
|
1.19
|
Te vas milonga
Abel Fleury; Christoph Denoth |
2:03 | |||
|
1.20
|
Milonga
Ernesto Cordero; Christoph Denoth |
4:05 | |||
|
1.21
|
Violetas
Julio Sagreras; Christoph Denoth |
2:09 |
“His playing is beautiful…”
- American Record Guide
“ [the Nocturnes de Andalucía] with its lush, amenco-hued evocations of shifting passions beneath the stars, thus balances rather than overwhelms Rodrigo’s chamber-like atmosphere – a genuine conversation, especially in the hands of the superb Swiss-born guitarist Christoph Denoth and the LSO under Jesús López-Cobos.”
- Gramophone
The continent of South America, with its diverse countries and various lines of historical development, has stimulated the creation of many musical traditions. But throughout the heterogeneous patterns of culture, the guitar has a central part to play as a national instrument in all South American countries. This selection (titled tanguero, describing one who sings or dances the tango) brings together many of the styles and genres of that vast continent in a colourful blend of melodies, rhythms, and harmonies.
44.1 kHz / 24-bit PCM – Signum Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.86 -5.12 to -0.59 | -22.49 -23.50 to -21.01 | -19.80 -20.80 to -18.50 | 14 12 to 16 | |
| 1 | Libertango | -2.00 | -21.01 | -18.5 | 14 |
| 2 | Oblivion | -2.69 | -21.58 | -18.9 | 13 |
| 3 | Triunfal | -2.99 | -23.25 | -20.7 | 14 |
| 4 | Adios nonino | -2.02 | -22.47 | -19.5 | 14 |
| 5 | Chiquilín de Bachín | -1.55 | -23.40 | -20.7 | 14 |
| 6 | Verano porteño | -3.41 | -22.83 | -19.9 | 12 |
| 7 | Milonga del Angel | -2.89 | -21.45 | -18.8 | 13 |
| 8 | El choclo | -0.59 | -22.98 | -20.3 | 16 |
| 9 | La Cumparsita | -2.08 | -22.69 | -20.0 | 15 |
| 10 | El día que me quieras | -2.10 | -22.08 | -19.4 | 14 |
| 11 | Sueño de barrilete | -5.12 | -23.50 | -20.8 | 13 |
| 12 | Tango en Skaï | -2.17 | -21.61 | -19.0 | 13 |
| 13 | Agua y vinho | -1.83 | -22.50 | -19.5 | 14 |
| 14 | Sons de Carrilhões | -2.14 | -22.81 | -20.2 | 14 |
| 15 | Se ela perguntar | -3.71 | -22.85 | -20.1 | 14 |
| 16 | El Marabino | -2.20 | -23.08 | -20.4 | 15 |
| 17 | Valse Venezelano No. 2 | -4.12 | -22.23 | -19.4 | 13 |
| 18 | Valse Venezelano No. 3 | -4.62 | -22.61 | -19.9 | 13 |
| 19 | Te vas milonga | -4.90 | -22.05 | -19.5 | 12 |
| 20 | Milonga | -4.23 | -22.43 | -19.9 | 13 |
| 21 | Violetas | -2.75 | -22.98 | -20.3 | 14 |