Barrios Mangoré: Guitar Music, Vol. 4
Celil Refik Kaya
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Las abejas
Agustín Barrios Mangoré; Celil Refik Kaya |
2:08 | |||
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1.2
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Preludio in C Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
2:09 | |||
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1.3
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Serenata morisca
Agustín Barrios Mangoré; Celil Refik Kaya |
5:27 | |||
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1.4
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Danza in D Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
3:38 | |||
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1.5
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Jha Che Valle, "Danza Paraguaya No. 2"
Agustín Barrios Mangoré; Celil Refik Kaya |
1:47 | |||
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1.6
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Dinora
Agustín Barrios Mangoré; Celil Refik Kaya |
2:32 | |||
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1.7
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Estudio de concierto No. 1 in A Major
Agustín Barrios Mangoré; Celil Refik Kaya |
2:28 | |||
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1.8
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Mazurka apasionada
Agustín Barrios Mangoré; Celil Refik Kaya |
5:17 | |||
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1.9
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Aires criollos
Agustín Barrios Mangoré; Celil Refik Kaya |
2:54 | |||
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1.10
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Bicho feo (Tango humorístico) [Arr. T. Morris]
Agustín Barrios Mangoré; Tony Morris; Celil Refik Kaya |
3:13 | |||
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1.11
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Altair
Agustín Barrios Mangoré; Celil Refik Kaya |
2:07 | |||
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1.12
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Estudio in B Minor "Homenaje a Bach"
Agustín Barrios Mangoré; Celil Refik Kaya |
1:50 | |||
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1.13
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Divagaciones criollas
Agustín Barrios Mangoré; Celil Refik Kaya |
3:05 | |||
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1.14
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Estudio No. 6 in E Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
1:22 | |||
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1.15
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Preludio in E Major
Agustín Barrios Mangoré; Celil Refik Kaya |
1:03 | |||
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Una Limosna por el Amor de Dios
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1.16
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"El Ultimo Canto"
Agustín Barrios Mangoré; Celil Refik Kaya |
3:35 | |||
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1.17
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Estudio para ambas manos
Agustín Barrios Mangoré; Celil Refik Kaya |
2:17 | |||
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1.18
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Armonías de América
Agustín Barrios Mangoré; Celil Refik Kaya |
4:30 | |||
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1.19
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Aires andaluces
Agustín Barrios Mangoré; Celil Refik Kaya |
6:35 | |||
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1.20
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Canción de cuna
Agustín Barrios Mangoré; Celil Refik Kaya |
3:08 | |||
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1.21
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Londón Carapé, "Danza Paraguaya No. 3"
Agustín Barrios Mangoré; Celil Refik Kaya |
1:28 | |||
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1.22
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Estilo Argentino, "Chinita"
Agustín Barrios Mangoré; Celil Refik Kaya |
2:18 | |||
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1.23
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La Bananita, Tango
Agustín Barrios Mangoré; Celil Refik Kaya |
3:38 | |||
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1.24
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Sargento Cabral, Zamba
Agustín Barrios Mangoré; Celil Refik Kaya |
1:32 | |||
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1.25
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Preludio in A Minor
Agustín Barrios Mangoré; Celil Refik Kaya |
2:59 | |||
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1.26
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Milonga, "Estilo Criollo"
Agustín Barrios Mangoré; Celil Refik Kaya |
3:09 | |||
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Digital Booklet
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Agustin Barrios Mangore was one of the greatest guitar virtuosi of his time, and was something of a pioneer in the field of guitar recording, which he began as early as 1910. His compositions offer a lexicon of technical and expressive devices for the guitar, from both the South American and European traditions. This penultimate volume in the series offers the scintillating Estudio No. 6, which demonstrates some of the composer’s finest artistic characteristics. Other works include examples of the Paraguayan polka, the Zamba, Creole airs, the Serenata, and many other pieces attesting to Barrios’s inexhaustible individuality and variety.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.21 -12.60 to 0.00 | -28.54 -30.76 to -25.70 | -25.81 -27.90 to -23.00 | 14 11 to 16 | |
| 1 | Las abejas | -6.26 | -27.08 | -24.4 | 13 |
| 2 | Preludio in C Minor | -10.66 | -30.20 | -27.6 | 12 |
| 3 | Serenata morisca | -2.14 | -28.28 | -25.4 | 16 |
| 4 | Danza in D Minor | -8.25 | -28.68 | -25.9 | 15 |
| 5 | Jha Che Valle, "Danza Paraguaya No. 2" | -1.80 | -27.25 | -24.5 | 11 |
| 6 | Dinora | -10.96 | -29.56 | -27.0 | 13 |
| 7 | Estudio de concierto No. 1 in A Major | -4.22 | -27.78 | -25.5 | 14 |
| 8 | Mazurka apasionada | -7.17 | -28.39 | -25.4 | 14 |
| 9 | Aires criollos | -9.66 | -30.23 | -27.3 | 13 |
| 10 | Bicho feo (Tango humorístico) [Arr. T. Morris] | -8.46 | -28.40 | -25.8 | 14 |
| 11 | Altair | -9.82 | -29.39 | -26.8 | 13 |
| 12 | Estudio in B Minor "Homenaje a Bach" | -10.48 | -28.78 | -26.3 | 13 |
| 13 | Divagaciones criollas | -4.05 | -27.64 | -24.8 | 16 |
| 14 | Estudio No. 6 in E Minor | -7.58 | -27.50 | -24.7 | 14 |
| 15 | Preludio in E Major | -12.60 | -30.76 | -27.9 | 11 |
| 16 | "El Ultimo Canto" | -9.26 | -28.26 | -25.7 | 12 |
| 17 | Estudio para ambas manos | -11.41 | -29.84 | -27.4 | 13 |
| 18 | Armonías de América | -3.76 | -28.81 | -25.7 | 16 |
| 19 | Aires andaluces | -1.15 | -25.70 | -23.0 | 16 |
| 20 | Canción de cuna | -6.54 | -30.10 | -27.2 | 14 |
| 21 | Londón Carapé, "Danza Paraguaya No. 3" | -0.37 | -26.10 | -23.3 | 14 |
| 22 | Estilo Argentino, "Chinita" | -9.53 | -29.72 | -26.6 | 13 |
| 23 | La Bananita, Tango | -9.37 | -28.36 | -26.2 | 13 |
| 24 | Sargento Cabral, Zamba | -11.30 | -29.03 | -26.0 | 12 |
| 25 | Preludio in A Minor | -10.60 | -29.74 | -27.0 | 12 |
| 26 | Milonga, "Estilo Criollo" | 0.00 | -26.47 | -23.7 | 14 |