℗ 2018 Mirare
| Released | June 29, 2018 |
| Duration | 1h 11m 26s |
| Record Label | Mirare |
| Genre | Classical (Keyboard (specific genres)) |
|
1.1
|
Gregorian chant: Introitus Lux Fulgebit (Arr. for piano)
Anonymous; Matan Porat |
0:53 | |||
|
1.2
|
Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo
Robert Schumann; Matan Porat |
2:04 | |||
|
1.3
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Préludes, Livre 1, L. 117: X. La Cathédrale engloutie
Claude Debussy; Matan Porat |
5:14 | |||
|
1.4
|
Piano Sonata No. 21, Op. 53: III. Rondo. Allegretto moderato - Prestissimo
Ludwig van Beethoven; Matan Porat |
7:42 | |||
|
1.5
|
Whirling tissue of light
Matthias Pintscher; Matan Porat |
9:31 | |||
|
1.6
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Piano Sonata No. 4, Op. 30: I. Andante
Alexander Scriabin; Matan Porat |
3:11 | |||
|
1.7
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Piano Sonata No. 4, Op. 30: II. Prestissimo volando
Alexander Scriabin; Matan Porat |
5:13 | |||
|
1.8
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Prélude à l'après midi d'un faune, L. 86 (Arr. for piano)
Claude Debussy; Matan Porat |
9:58 | |||
|
1.9
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Études d'exécution transcendante, S. 139: XI. Harmonies du soir
Franz Liszt; Matan Porat |
8:49 | |||
|
1.10
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Darknesse Visible
Thomas Adès; Matan Porat |
6:50 | |||
|
1.11
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Out of Doors, Sz. 81: 4. The Night's music
Bela Bartok; Matan Porat |
5:07 | |||
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1.12
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Gregorian chant: Exortum est in tenebris (Arr. for piano)
Anonymous; Matan Porat |
0:35 | |||
|
1.13
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Piano Sonata No. 14, Op.27 No.2 "Moonlight": I. Adagio sostenuto
Ludwig van Beethoven; Matan Porat |
6:19 | |||
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Digital Booklet
|
With Lux, the brilliant pianist and composer Matan Porat offers a visionary programme inspired by the theme of light. Twelve pieces chosen among a repertoire spanning twelve centuries accompany the course of a day, from dawn to nightfall. each piece corresponds to a time of day, with its own particular light.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.66 -21.02 to -0.64 | -29.77 -41.57 to -21.01 | -25.59 -38.20 to -18.00 | 14 9 to 18 | |
| 1 | Gregorian chant: Introitus Lux Fulgebit (Arr. for piano) | -16.86 | -36.88 | -32.8 | 11 |
| 2 | Gesänge der Frühe, Op. 133: I. Im ruhigen Tempo | -1.35 | -26.58 | -23.1 | 13 |
| 3 | Préludes, Livre 1, L. 117: X. La Cathédrale engloutie | -0.64 | -24.69 | -19.2 | 13 |
| 4 | Piano Sonata No. 21, Op. 53: III. Rondo. Allegretto moderato - Prestissimo | -1.14 | -22.70 | -18.8 | 13 |
| 5 | Whirling tissue of light | -1.83 | -26.28 | -19.8 | 14 |
| 6 | Piano Sonata No. 4, Op. 30: I. Andante | -9.36 | -32.70 | -29.1 | 14 |
| 7 | Piano Sonata No. 4, Op. 30: II. Prestissimo volando | -1.19 | -21.01 | -18.0 | 13 |
| 8 | Prélude à l'après midi d'un faune, L. 86 (Arr. for piano) | -1.27 | -25.70 | -21.4 | 15 |
| 9 | Études d'exécution transcendante, S. 139: XI. Harmonies du soir | -1.44 | -23.43 | -18.3 | 13 |
| 10 | Darknesse Visible | -4.48 | -33.42 | -28.6 | 18 |
| 11 | Out of Doors, Sz. 81: 4. The Night's music | -6.66 | -31.51 | -27.3 | 17 |
| 12 | Gregorian chant: Exortum est in tenebris (Arr. for piano) | -21.02 | -41.57 | -38.2 | 9 |
| 13 | Piano Sonata No. 14, Op.27 No.2 "Moonlight": I. Adagio sostenuto | -19.36 | -40.58 | -38.1 | 14 |