℗ 2018 PENTATONE
| Released | June 15, 2018 |
| Duration | 1h 33m 58s |
| Record Label | PENTATONE |
| Genre | Classical (Opera) |
Bates: The (R)evolution of Steve Jobs
Santa Fe Opera Orchestra, Michael Christie
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The (R)evolution of Steve Jobs
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1.1
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Prologue. Thought It Was High-time
Mason Bates; Kelly Markgraf; Santa Fe Opera Orchestra; Michael Christie |
3:16 | |||
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1.2
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Overture
Mason Bates; Santa Fe Opera Orchestra; Michael Christie |
1:19 | |||
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1.3
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Scene 1, Thanks for Coming
Mason Bates; Edward Parks; Adelaide Boedecker; Adam Bonanni; Kristen Choi; Thaddeus Ennen; Andrew Maughan; Corrie Stallings; Tyler Zimmerman; Santa Fe Opera Orchestra; Michael Christie |
7:41 | |||
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1.4
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Scene 2, Hey, Stranger
Mason Bates; Edward Parks; Sasha Cooke; Santa Fe Opera Orchestra; Michael Christie |
3:09 | |||
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1.5
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Meditative Interlude
Mason Bates; Santa Fe Opera Orchestra; Michael Christie |
1:33 | |||
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1.6
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Scene 3, What Are You Doing Here?
Mason Bates; Edward Parks; Wei Wu; Santa Fe Opera Orchestra; Michael Christie |
2:31 | |||
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1.7
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Scene 4, A Circle
Mason Bates; Edward Parks; Mariya Kaganskaya; Adelaide Boedecker; Adam Bonanni; Kristen Choi; Thaddeus Ennen; Andrew Maughan; Corrie Stallings; Tyler Zimmerman; Santa Fe Opera Orchestra; Michael Christie |
1:05 | |||
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1.8
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Scene 5, It's like Totally Simple
Mason Bates; Edward Parks; Garrett Sorenson; Santa Fe Opera Orchestra; Michael Christie |
4:04 | |||
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1.9
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Scene 6, I Still Don't Feel Anything
Mason Bates; Edward Parks; Jessica E. Jones; Santa Fe Opera Orchestra; Michael Christie |
5:45 | |||
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1.10
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Scene 7, That Can Also Be a Ticking Clock
Mason Bates; Edward Parks; Wei Wu; Santa Fe Opera Orchestra; Michael Christie |
6:23 | |||
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1.11
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Scene 8, Welcome to "View from the Top 1989."
Mason Bates; Edward Parks; Sasha Cooke; Santa Fe Opera Orchestra; Michael Christie |
2:14 | |||
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1.12
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Scene 9, One More Thing
Mason Bates; Edward Parks; Garrett Sorenson; Santa Fe Opera Orchestra; Michael Christie |
4:42 | |||
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1.13
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Scene 9, Music. Bach. Instruments.
Mason Bates; Edward Parks; Santa Fe Opera Orchestra; Michael Christie |
3:44 | |||
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2.1
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Scene 10, Just Move In?
Mason Bates; Edward Parks; Sasha Cooke; Santa Fe Opera Orchestra; Michael Christie |
2:54 | |||
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2.2
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Scene 11, One Button, Turn It On
Mason Bates; Edward Parks; Garrett Sorenson; Jessica E. Jones; Santa Fe Opera Orchestra; Michael Christie |
3:52 | |||
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2.3
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The Rise and Fall of Steve Jobs
Mason Bates; Santa Fe Opera Orchestra; Michael Christie |
3:03 | |||
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2.4
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Scene 12a, They Need to Make a Change
Mason Bates; Edward Parks; Garrett Sorenson; Jessica E. Jones; Adelaide Boedecker; Adam Bonanni; Kristen Choi; Thaddeus Ennen; Andrew Maughan; Corrie Stallings; Tyler Zimmerman; Santa Fe Opera Orchestra; Michael Christie |
5:54 | |||
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2.5
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Scene 12b, You've Become One of the People We Hated
Mason Bates; Edward Parks; Garrett Sorenson; Santa Fe Opera Orchestra; Michael Christie |
3:04 | |||
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2.6
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Scene 12c, They're Waiting for You in the Boardroom
Mason Bates; Edward Parks; Adelaide Boedecker; Adam Bonanni; Kristen Choi; Thaddeus Ennen; Andrew Maughan; Corrie Stallings; Tyler Zimmerman; Santa Fe Opera Orchestra; Michael Christie |
2:54 | |||
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2.7
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Dark Interlude
Mason Bates; Santa Fe Opera Orchestra; Michael Christie |
1:46 | |||
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2.8
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Scenes 13-15, Karma Can Suck
Mason Bates; Edward Parks; Sasha Cooke; Wei Wu; Santa Fe Opera Orchestra; Michael Christie |
3:00 | |||
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2.9
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Scene 16, Where Were You
Mason Bates; Edward Parks; Sasha Cooke; Santa Fe Opera Orchestra; Michael Christie |
7:41 | |||
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2.10
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Lyrical Interlude
Mason Bates; Santa Fe Opera Orchestra; Michael Christie |
0:51 | |||
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2.11
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Scene 17, Kan Ji Zai Bo Za Tsu
Mason Bates; Edward Parks; Sasha Cooke; Wei Wu; Santa Fe Opera Orchestra; Michael Christie |
3:38 | |||
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2.12
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Scene 18, And Now He Is Gone
Mason Bates; Edward Parks; Sasha Cooke; Wei Wu; Garrett Sorenson; Adelaide Boedecker; Adam Bonanni; Kristen Choi; Thaddeus Ennen; Andrew Maughan; Corrie Stallings; Tyler Zimmerman; Santa Fe Opera Orchestra; Michael Christie |
3:23 | |||
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2.13
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Epilogue. Hope You Like This Table
Mason Bates; Kelly Markgraf; Edward Parks; Sasha Cooke; Santa Fe Opera Orchestra; Michael Christie |
4:32 | |||
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Digital Booklet
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Grammy Award – Best Opera Recording, 2018 – Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edwards Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)
Grammy Award nomination – Best Engineered Album, Classical, 2018, (Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks, Jessica E. Jones & Santa Fe Opera Orchestra))
Grammy Award nomination – Producer Of The Year, Classical, 2018 – Elizabeth Ostrow
Grammy Award nomination – Best Contemporary Classical Composition, 2018 – Mason Bates, composer; Mark Campbell, librettist
In their astounding new opera, The (R)evolution of Steve Jobs , composer Mason Bates and librettist Mark Campbell explore the spiritual evolution of one of the most influential men of modern times as he creates a revolutionary new world of technological empowerment, then discovers a larger world within himself.
Like Steve Jobs, composer Mason Bates is an innovator whose creativity breaks through boundaries, combining traditional orchestration with electronics in ways that have made him one of the most sought-after and widely programmed composers in the United States. In The (R)evolution of Steve Jobs, Bates and Campbell give us an alternative and intimate perspective of a public life, examining the people and experiences that shaped Steve Jobs: his father, his Buddhist practice, his rise and fall as an executive, and finally his marriage to the woman who showed him the power of human connection.
96 kHz / 24-bit PCM – PENTATONE Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.65 -6.82 to -0.25 | -20.51 -28.86 to -13.21 | -17.66 -26.00 to -11.40 | 11 5 to 14 | |
| 1.1 | Prologue. Thought It Was High-time | -0.27 | -20.23 | -18.2 | 12 |
| 1.2 | Overture | -0.25 | -13.28 | -11.6 | 5 |
| 1.3 | Scene 1, Thanks for Coming | -0.53 | -14.96 | -13.1 | 6 |
| 1.4 | Scene 2, Hey, Stranger | -2.56 | -25.41 | -22.2 | 14 |
| 1.5 | Meditative Interlude | -6.82 | -26.77 | -24.7 | 13 |
| 1.6 | Scene 3, What Are You Doing Here? | -4.78 | -28.86 | -26.0 | 14 |
| 1.7 | Scene 4, A Circle | -2.25 | -22.99 | -20.5 | 13 |
| 1.8 | Scene 5, It's like Totally Simple | -0.26 | -21.40 | -18.0 | 13 |
| 1.9 | Scene 6, I Still Don't Feel Anything | -1.60 | -23.40 | -20.1 | 14 |
| 1.10 | Scene 7, That Can Also Be a Ticking Clock | -3.31 | -24.10 | -21.7 | 12 |
| 1.11 | Scene 8, Welcome to "View from the Top 1989." | -3.45 | -24.49 | -21.9 | 14 |
| 1.12 | Scene 9, One More Thing | -0.80 | -21.88 | -18.4 | 13 |
| 1.13 | Scene 9, Music. Bach. Instruments. | -0.26 | -17.48 | -13.9 | 10 |
| 2.1 | Scene 10, Just Move In? | -4.65 | -24.13 | -20.9 | 11 |
| 2.2 | Scene 11, One Button, Turn It On | -0.26 | -20.55 | -17.2 | 12 |
| 2.3 | The Rise and Fall of Steve Jobs | -0.25 | -13.21 | -12.3 | 6 |
| 2.4 | Scene 12a, They Need to Make a Change | -0.26 | -19.47 | -16.5 | 13 |
| 2.5 | Scene 12b, You've Become One of the People We Hated | -0.26 | -17.55 | -14.1 | 11 |
| 2.6 | Scene 12c, They're Waiting for You in the Boardroom | -0.56 | -14.43 | -11.4 | 7 |
| 2.7 | Dark Interlude | -0.26 | -13.71 | -12.9 | 7 |
| 2.8 | Scenes 13-15, Karma Can Suck | -2.18 | -24.81 | -21.8 | 13 |
| 2.9 | Scene 16, Where Were You | -0.26 | -17.02 | -13.4 | 9 |
| 2.10 | Lyrical Interlude | -5.87 | -22.95 | -20.5 | 9 |
| 2.11 | Scene 17, Kan Ji Zai Bo Za Tsu | -0.26 | -23.37 | -19.0 | 14 |
| 2.12 | Scene 18, And Now He Is Gone | -0.25 | -17.88 | -14.7 | 10 |
| 2.13 | Epilogue. Hope You Like This Table | -0.55 | -18.86 | -14.1 | 10 |